The Octopus. Frank Norris
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a temperament similar in many ways to Presley's, there were capabilities in Vanamee that were not ordinarily to be found in the rank and file of men. Living close to nature, a poet by instinct, where Presley was but a poet by training, there developed in him a great sensitiveness to beauty and an almost abnormal capacity for great happiness and great sorrow; he felt things intensely, deeply. He never forgot. It was when he was eighteen or nineteen, at the formative and most impressionable period of his life, that he had met Angele Varian. Presley barely remembered her as a girl of sixteen, beautiful almost beyond expression, who lived with an aged aunt on the Seed ranch back of the Mission. At this moment he was trying to recall how she looked, with her hair of gold hanging in two straight plaits on either side of her face, making three-cornered her round, white forehead; her wonderful eyes, violet blue, heavy lidded, with their astonishing upward slant toward the temples, the slant that gave a strange, oriental cast to her face, perplexing, enchanting. He remembered the Egyptian fulness of the lips, the strange balancing movement of her head upon her slender neck, the same movement that one sees in a snake at poise. Never had he seen a girl more radiantly beautiful, never a beauty so strange, so troublous, so out of all accepted standards. It was small wonder that Vanamee had loved her, and less wonder, still, that his love had been so intense, so passionate, so part of himself. Angele had loved him with a love no less than his own. It was one of those legendary passions that sometimes occur, idyllic, untouched by civilisation, spontaneous as the growth of trees, natural as dew-fall, strong as the firm-seated mountains.
At the time of his meeting with Angele, Vanamee was living on the Los Muertos ranch. It was there he had chosen to spend one of his college vacations. But he preferred to pass it in out-of-door work, sometimes herding cattle, sometimes pitching hay, sometimes working with pick and dynamite-stick on the ditches in the fourth division of the ranch, riding the range, mending breaks in the wire fences, making himself generally useful. College bred though he was, the life pleased him. He was, as he desired, close to nature, living the full measure of life, a worker among workers, taking enjoyment in simple pleasures, healthy in mind and body. He believed in an existence passed in this fashion in the country, working hard, eating full, drinking deep, sleeping dreamlessly.
But every night, after supper, he saddled his pony and rode over to the garden of the old Mission. The 'dobe dividing wall on that side, which once had separated the Mission garden and the Seed ranch, had long since crumbled away, and the boundary between the two pieces of ground was marked only by a line of venerable pear trees. Here, under these trees, he found Angele awaiting him, and there the two would sit through the hot, still evening, their arms about each other, watching the moon rise over the foothills, listening to the trickle of the water in the moss-encrusted fountain in the garden, and the steady croak of the great frogs that lived in the damp north corner of the enclosure. Through all one summer the enchantment of that new-found, wonderful love, pure and untainted, filled the lives of each of them with its sweetness. The summer passed, the harvest moon came and went. The nights were very dark. In the deep shade of the pear trees they could no longer see each other. When they met at the rendezvous, Vanamee found her only with his groping hands. They did not speak, mere words were useless between them. Silently as his reaching hands touched her warm body, he took her in his arms, searching for her lips with his. Then one night the tragedy had suddenly leaped from out the shadow with the abruptness of an explosion.
It was impossible afterwards to reconstruct the manner of its occurrence. To Angele's mind—what there was left of it—the matter always remained a hideous blur, a blot, a vague, terrible confusion. No doubt they two had been watched; the plan succeeded too well for any other supposition. One moonless night, Angele, arriving under the black shadow of the pear trees a little earlier than usual, found the apparently familiar figure waiting for her. All unsuspecting she gave herself to the embrace of a strange pair of arms, and Vanamee arriving but a score of moments later, stumbled over her prostrate body, inert and unconscious, in the shadow of the overspiring trees.
Who was the Other? Angele was carried to her home on the Seed ranch, delirious, all but raving, and Vanamee, with knife and revolver ready, ranged the country-side like a wolf. He was not alone. The whole county rose, raging, horror-struck. Posse after posse was formed, sent out, and returned, without so much as a clue. Upon no one could even the shadow of suspicion be thrown. The Other had withdrawn into an impenetrable mystery. There he remained. He never was found; he never was so much as heard of. A legend arose about him, this prowler of the night, this strange, fearful figure, with an unseen face, swooping in there from out the darkness, come and gone in an instant, but leaving behind him a track of terror and death and rage and undying grief. Within the year, in giving birth to the child, Angele had died.
The little babe was taken by Angele's parents, and Angele was buried in the Mission garden near to the aged, grey sun dial. Vanamee stood by during the ceremony, but half conscious of what was going forward. At the last moment he had stepped forward, looked long into the dead face framed in its plaits of gold hair, the hair that made three-cornered the round, white forehead; looked again at the closed eyes, with their perplexing upward slant toward the temples, oriental, bizarre; at the lips with their Egyptian fulness; at the sweet, slender neck; the long, slim hands; then abruptly turned about. The last clods were filling the grave at a time when he was already far away, his horse's head turned toward the desert.
For two years no syllable was heard of him. It was believed that he had killed himself. But Vanamee had no thought of that. For two years he wandered through Arizona, living in the desert, in the wilderness, a recluse, a nomad, an ascetic. But, doubtless, all his heart was in the little coffin in the Mission garden. Once in so often he must come back thither. One day he was seen again in the San Joaquin. The priest, Father Sarria, returning from a visit to the sick at Bonneville, met him on the Upper Road. Eighteen years had passed since Angele had died, but the thread of Vanamee's life had been snapped. Nothing remained now but the tangled ends. He had never forgotten. The long, dull ache, the poignant grief had now become a part of him. Presley knew this to be so.
While Presley had been reflecting upon all this, Vanamee had continued to speak. Presley, however, had not been wholly inattentive. While his memory was busy reconstructing the details of the drama of the shepherd's life, another part of his brain had been swiftly registering picture after picture that Vanamee's monotonous flow of words struck off, as it were, upon a steadily moving scroll. The music of the unfamiliar names that occurred in his recital was a stimulant to the poet's imagination. Presley had the poet's passion for expressive, sonorous names. As these came and went in Vanamee's monotonous undertones, like little notes of harmony in a musical progression, he listened, delighted with their resonance.—Navajo, Quijotoa, Uintah, Sonora, Laredo, Uncompahgre—to him they were so many symbols. It was his West that passed, unrolling there before the eye of his mind: the open, heat-scourged round of desert; the mesa, like a vast altar, shimmering purple in the royal sunset; the still, gigantic mountains, heaving into the sky from out the canyons; the strenuous, fierce life of isolated towns, lost and forgotten, down there, far off, below the horizon. Abruptly his great poem, his Song of the West, leaped up again in his imagination. For the moment, he all but held it. It was there, close at hand. In another instant he would grasp it.
“Yes, yes,” he exclaimed, “I can see it all. The desert, the mountains, all wild, primordial, untamed. How I should have loved to have been with you. Then, perhaps, I should have got hold of my idea.”
“Your idea?”
“The great poem of the West. It's that which I want to write. Oh, to put it all into hexameters; strike the great iron note; sing the vast, terrible song; the song of the People; the forerunners of empire!”
Vanamee understood him perfectly. He nodded gravely.
“Yes, it is there. It is Life, the primitive, simple, direct Life, passionate, tumultuous. Yes, there is an epic there.”
Presley caught at the word. It had never before occurred to him.
“Epic, yes, that's it. It is the epic I'm searching for. And HOW I search for it. You don't know. It is sometimes almost an agony. Often and often I can feel it right there, there, at my finger-tips, but I never quite catch it. It always eludes me. I was born too late. Ah, to get back to that first clear-eyed view of things, to see as Homer saw,