THE PIRATE: Life & Times of John Gow. Walter Scott
Читать онлайн книгу.
even Mordaunt, came to distinguish by the name of his dark hour. He was aware, in the usual case, of its approach, and retreated to an inner apartment, into which he never permitted even Mordaunt to enter. Here he would abide in seclusion for days, and even weeks, only coming out at uncertain times, to take such food as they had taken care to leave within his reach, which he used in wonderfully small quantities. At other times, and especially during the winter solstice, when almost every person spends the gloomy time within doors in feasting and merriment, this unhappy man would wrap himself in a darkcoloured sea-cloak, and wander out along the stormy beach, or upon the desolate heath, indulging his own gloomy and wayward reveries under the inclement sky, the rather that he was then most sure to wander unencountered and unobserved.
As Mordaunt grew older, he learned to note the particular signs which preceded these fits of gloomy despondency, and to direct such precautions as might insure his unfortunate parent from ill-timed interruption (which had always the effect of driving him to fury), while, at the same time, full provision was made for his subsistence. Mordaunt perceived that at such periods the melancholy fit of his father was greatly prolonged, if he chanced to present himself to his eyes while the dark hour was upon him. Out of respect, therefore, to his parent, as well as to indulge the love of active exercise and of amusement natural to his period of life, Mordaunt used often to absent himself altogether from the mansion of Jarlshof, and even from the district, secure that his father, if the dark hour passed away in his absence, would be little inclined to inquire how his son had disposed of his leisure, so that he was sure he had not watched his own weak moments; that being the subject on which he entertained the utmost jealousy.
At such times, therefore, all the sources of amusement which the country afforded were open to the younger Mertoun, who, in these intervals of his education, had an opportunity to give full scope to the energies of a bold, active, and daring character. He was often engaged with the youth of the hamlet in those desperate sports, to which the “ dreadful trade of the samphire-gatherer” is like a walk upon level ground — often joined those midnight excursions upon the face of the giddy cliffs, to secure the eggs or the young of the seafowl; and in these daring adventures displayed an address, presence of mind, and activity, which, in one so young, and not a native of the country, astonished the oldest fowlers.1
At other times, Mordaunt accompanied Sweyn and other fishermen in their long and perilous expeditions to the distant and deep sea, learning under their direction the management of the boat, in. which they equal, or excel, perhaps, any natives of the British empire. This exercise had charms for Mordaunt, independently of the fishing alone.
At this time, the old Norwegian sagas were much remembered, and often rehearsed, by the fishermen, who still preserved among themselves the ancient Norse tongue, which was the speech of their forefathers. In the dark romance of those Scandinavian tales lay much that was captivating to a youthful ear; and the classic fables of antiquity were rivalled at least, if not excelled, in Mordaunt’s opinion, by the strange legends of Berserkars, of Sea-kings, of dwarfs, giants, and sorcerers, which he heard from the native Zetlanders. Often the scenes around him were assigned as the localities of the wild poems, which, half recited, half chanted by voices as hoarse, if not so loud, as the waves over which they floated, pointed out the very bay on which they sailed as the scene of a bloody sea-fight; the scarce-seen heap of stones that bristled over the projecting cape, as the dun, or castle, of some potent earl or noted pirate; the distant and solitary grey stone on the lonely moor, as marking the grave of a hero; the wild cavern, up which the sea rolled in heavy, broad, and unbroken billows, as the dwelling of some noted sorceress.2
The ocean also had its mysteries, the effect of which was aided by the dim twilight, through which it was imperfectly seen for more than half the year. Its bottomless depths and secret caves contained, according to the account of Sweyn and others, skilled in legendary lore, such wonders as modern
1 Fatal accidents, however, sometimes occur. When I visited the Fair Isle in 1814, a poor lad of fourteen had been killed by a fall from the rocks about a fortnight before our arrival. The accident happened almost within sight of his mother, who was casting peats at no great distance. The body fell into the sea, and was seen no more. But the islanders account this an honourable mode of death; and as the children begin the practice of climbing very early, fewer accidents occur than might be expected.
2 Note I. Norse Fragments.
navigators reject with disdain. In the quiet moonlit bay, where the waves came rippling to the shore, upon a bed of smooth sand intermingled with shells, the mermaid was still seen to glide along the waters, and, mingling her voice with the sighing breeze, was often heard to sing of subterranean wonders, or to chant prophecies of future events. The kraken, that hugest of living things, was still supposed to cumber the recesses of the Northern Ocean; and often, when some fog-bank covered the sea at a distance, the eye of the experienced boatmen saw the horns of the monstrous leviathan welking and waving amidst the wreaths of mist, and bore away with all press of oar and sail, lest the sudden suction, occasioned by the sinking of the monstrous mass to the bottom, should drag within the grasp of its multifarious feelers his own frail skiff. The sea-snake was also known, which, arising out of the depths of ocean, stretches to the skies his enormous neck, covered with a mane like that of a warhorse, and with its broad glittering eyes, raised mast-head high, looks out, as it seems, for plunder or for victims.
Many prodigious stories of these marine monsters, and of many others less known, were then universally received among the Zetlanders, whose descendants have not as yet by any means abandoned faith in them.1
Such legends are, indeed, everywhere current amongst the vulgar; but the imagination is far more powerfully affected by them on the deep and dangerous seas of the north, amidst precipices and headlands, many hundred feet in height, — amid perilous straits, and currents, and eddies, — long sunken reefs of rock, over which the vivid ocean foams and boils, — dark caverns, to whose extremities neither man nor skiff has ever ventured, — lonely, and often uninhabited isles, — and occasionally the ruins of ancient northern fastnesses, dimly seen by the feeble light of the Arctic winter. To Mordaunt, who had much of romance in his disposition, these superstitions formed a pleasing and interesting exercise of the imagination, while, half doubting, half inclined to believe, he listened to the tales chanted concerning these wonders of nature, and creatures of credulous belief, told in the rude but energetic language of the ancient Scalds.
But there wanted not softer and lighter amusement, that might seem better suited to Mordaunt’s age, than the wild tales and rude exercises which we have already mentioned.
1 Note II. Monsters of the Northern Seas.
The season of winter, when, from the shortness of the daylight, labour becomes impossible, is in Zetland the time of revel, feasting, and merriment. Whatever the fisherman has been able to acquire during summer, was expended, and often wasted, in maintaining the mirth and hospitality of his hearth during this period; while the landholders and gentlemen of the island gave double loose to their convivial and hospitable dispositions, thronged their houses with guests, and drove away the rigour of the season with jest, glee, and song, the dance, and the wine-cup.
Amid the revels of this merry, though rigorous season, no youth added more spirit to the dance, or glee to the revel, than the young stranger, Mordaunt Mertoun. When his father’s state of mind permitted, or indeed required, his absence, he wandered from house to house a welcome guest wherever he came, and lent his willing voice to the song, and his foot to the dance. A boat, or, if the weather, as was often the case, permitted not that convenience, one of the numerous ponies, which, straying in hordes about the extensive moors, may be said to be at any man’s command who can catch them, conveyed him from the mansion of one hospitable Zetlander to that of another. None excelled him in performing the warlike sword-dance, a species of amusement which had been derived from the habits of the ancient Norsemen. He could play upon the gue, and upon the common violin, the melancholy and pathetic tunes peculiar to the country; and with great spirit and execution could relieve their monotony with the livelier airs of the North of Scotland. When a party set forth as maskers, or, as they are called in Scotland, guizards, to visit some neighbouring Laird, or rich Udaller, it augured well of the expedition if Mordaunt Mertoun could be prevailed upon to undertake the office of skudler, or leader