Fairy Tales & Fantasy: The Hans Christian Andersen's Edition (All 127 Stories in one volume). Hans Christian Andersen
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daughter, and she got a husband.”
“But her hair turned as green as duckweed, and was always having to be colored up.”
“She knows how to manage for herself,” said the neighbors, “and so can Peter. He comes to the most genteel houses, even to the burgomaster’s where he gives Miss Charlotte piano-forte lessons.”
He could play! He could play, fresh out of his heart, the most charming pieces, that had never been put upon music-paper. He played in the bright nights, and in the dark nights, too. The neighbors declared it was unbearable, and the Fire-drum was of the same opinion.
He played until his thoughts soared up, and burst forth in great plans for the future:
“To be famous!”
And burgomaster’s Charlotte sat at the piano. Her delicate fingers danced over the keys, and made them ring into Peter’s heart. It seemed too much for him to bear; and this happened not once, but many times; and at last one day he seized the delicate fingers and the white hand, and kissed it, and looked into her great brown eyes. Heaven knows what he said; but we may be allowed to guess at it. Charlotte blushed to guess at it. She reddened from brow to neck, and answered not a single word; and then strangers came into the room, and one of them was the state councillor’s son. He had a lofty white forehead, and carried it so high that it seemed to go back into his neck. And Peter sat by her a long time, and she looked at him with gentle eyes.
At home that evening he spoke of travel in the wide world, and of the golden treasure that lay hidden for him in his violin.
“To be famous!”
“Tum-me-lum, tum-me-lum, tum-me-lum!” said the Fire-drum. “Peter has gone clear out of his wits. I think there must be a fire in the house.”
Next day the mother went to market.
“Shall I tell you news, Peter?” she asked when she came home. “A capital piece of news. Burgomaster’s Charlotte has engaged herself to the state councillor’s son; the betrothal took place yesterday evening.”
“No!” cried Peter, and he sprang up from his chair. But his mother persisted in saying “Yes.” She had heard it from the baker’s wife, whose husband had it from the burgomaster’s own mouth.
And Peter became as pale as death, and sat down again.
“Good Heaven! what’s the matter with you?” asked his mother.
“Nothing, nothing; only leave me to myself,” he answered but the tears were running down his cheeks.
“My sweet child, my golden treasure!” cried the mother, and she wept; but the Fire-drum sang, not out loud, but inwardly.
“Charlotte’s gone! Charlotte’s gone! and now the song is done.”
But the song was not done; there were many more verses in it, long verses, the most beautiful verses, the golden treasures of a life.
“She behaves like a mad woman,” said the neighbor’s wife. “All the world is to see the letters she gets from her golden treasure, and to read the words that are written in the papers about his violin playing. And he sends her money too, and that’s very useful to her since she has been a widow.”
“He plays before emperors and kings,” said the town musician. “I never had that fortune, but he’s my pupil, and he does not forget his old master.”
And his mother said,
“His father dreamt that Peter came home from the war with a silver cross. He did not gain one in the war, but it is still more difficult to gain one in this way. Now he has the cross of honor. If his father had only lived to see it!”
“He’s grown famous!” said the Fire-drum, and all his native town said the same thing, for the drummer’s son, Peter with the red hair—Peter whom they had known as a little boy, running about in wooden shoes, and then as a drummer, playing for the dancers—was become famous!
“He played at our house before he played in the presence of kings,” said the burgomaster’s wife. “At that time he was quite smitten with Charlotte. He was always of an aspiring turn. At that time he was saucy and an enthusiast. My husband laughed when he heard of the foolish affair, and now our Charlotte is a state councillor’s wife.”
A golden treasure had been hidden in the heart and soul of the poor child, who had beaten the roll as a drummer—a roll of victory for those who had been ready to retreat. There was a golden treasure in his bosom, the power of sound; it burst forth on his violin as if the instrument had been a complete organ, and as if all the elves of a midsummer night were dancing across the strings. In its sounds were heard the piping of the thrush and the full clear note of the human voice; therefore the sound brought rapture to every heart, and carried his name triumphant through the land. That was a great firebrand—the firebrand of inspiration.
“And then he looks so splendid!” said the young ladies and the old ladies too; and the oldest of all procured an album for famous locks of hair, wholly and solely that she might beg a lock of his rich splendid hair, that treasure, that golden treasure.
And the son came into the poor room of the drummer, elegant as a prince, happier than a king. His eyes were as clear and his face was as radiant as sunshine; and he held his mother in his arms, and she kissed his mouth, and wept as blissfully as any one can weep for joy; and he nodded at every old piece of furniture in the room, at the cupboard with the tea-cups, and at the flower-vase. He nodded at the sleeping-bench, where he had slept as a little boy; but the old Fire-drum he brought out, and dragged it into the middle of the room, and said to it and to his mother:
“My father would have beaten a famous roll this evening. Now I must do it!”
And he beat a thundering roll-call on the instrument, and the Drum felt so highly honored that the parchment burst with exultation.
“He has a splendid touch!” said the Drum. “I’ve a remembrance of him now that will last. I expect that the same thing will happen to his mother, from pure joy over her golden treasure.”
And this is the story of the Golden Treasure.
THE GOLOSHES OF FORTUNE A BEGINNING
In a house in Copenhagen, not far from the king’s new market, a very large party had assembled, the host and his family expecting, no doubt, to receive invitations in return. One half of the company were already seated at the card-tables, the other half seemed to be waiting the result of their hostess’s question, “Well, how shall we amuse ourselves?”
Conversation followed, which, after a while, began to prove very entertaining. Among other subjects, it turned upon the events of the middle ages, which some persons maintained were more full of interest than our own times. Counsellor Knapp defended this opinion so warmly that the lady of the house immediately went over to his side, and both exclaimed against Oersted’s Essays on Ancient and Modern Times, in which the preference is given to our own. The counsellor considered the times of the Danish king, Hans, as the noblest and happiest.
The conversation on this topic was only interrupted for a moment by the arrival of a newspaper, which did not, however, contain much worth reading, and while it is still going on we will pay a visit to the ante-room, in which cloaks, sticks, and goloshes were carefully placed. Here sat two maidens, one young, and the other old, as if they had come and were waiting to accompany their mistresses home; but on looking at them more closely, it could easily be seen that they were no common servants. Their shapes were too graceful, their complexions too delicate, and the cut of their dresses much too elegant. They were two fairies. The younger was not Fortune herself, but the chambermaid of one of Fortune’s attendants, who carries about her more trifling gifts. The elder one, who was named Care, looked rather gloomy; she always goes about to perform her own business