Of Time and the River & Look Homeward, Angel. Thomas Wolfe

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Of Time and the River & Look Homeward, Angel - Thomas  Wolfe


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but mostly the good smell of nails; of the developing chemicals in a photographer’s dark-room; and the young-life smell of paint and turpentine; of buckwheat batter and black sorghum; and of a negro and his horse, together; of boiling fudge; the brine smell of pickling vats; and the lush undergrowth smell of southern hills; of a slimy oyster-can, of chilled gutted fish; of a hot kitchen negress; of kerosene and linoleum; of sarsaparilla and guavas; and of ripe autumn persimmons; and the smell of the wind and the rain; and of the acrid thunder; of cold starlight, and the brittle-bladed frozen grass; of fog and the misted winter sun; of seed-time, bloom, and mellow dropping harvest.

      And now, whetted intemperately by what he had felt, he began, at school, in that fecund romance, the geography, to breathe the mixed odors of the earth, sensing in every squat keg piled on a pier-head a treasure of golden rum, rich port, fat Burgundy; smelling the jungle growth of the tropics, the heavy odor of plantations, the salt-fish smell of harbors, voyaging in the vast, enchanting, but unperplexing world.

      Now the innumerable archipelago had been threaded, and he stood, firm-planted, upon the unknown but waiting continent.

      He learned to read almost at once, printing the shapes of words immediately with his strong visual memory; but it was weeks later before he learned to write, or even to copy, words. The ragged spume and wrack of fantasy and the lost world still floated from time to time through his clear school-day morning brain, and although he followed accurately all the other instruction of his teacher, he was walled in his ancient unknowing world when they made letters. The children made their sprawling alphabets below a line of models, but all he accomplished was a line of jagged wavering spear-points on his sheet, which he repeated endlessly and rapturously, unable to see or understand the difference.

      “I have learned to write,” he thought.

      Then, one day, Max Isaacs looked suddenly, from his exercise, on Eugene’s sheet, and saw the jagged line.

      “That ain’t writin’,” said he.

      And clubbing his pencil in his waited grimy hand, he scrawled a copy of the exercise across the page.

      The line of life, that beautiful developing structure of language that he saw flowing from his comrade’s pencil, cut the knot in him that all instruction failed to do, and instantly he seized the pencil, and wrote the words in letters fairer and finer than his friend’s. And he turned, with a cry in his throat, to the next page, and copied it without hesitation, and the next, the next. They looked at each other a moment with that clear wonder by which children accept miracles, and they never spoke of it again.

      “That’s writin’ now,” said Max. But they kept the mystery caged between them.

      Eugene thought of this event later; always he could feel the opening gates in him, the plunge of the tide, the escape; out it happened like this one day at once. Still midget-near the live pelt of the earth, he saw many things that he kept in fearful secret, knowing that revelation would be punished with ridicule. One Saturday in Spring, he stopped with Max Isaacs above a deep pit in Central Avenue where city workmen were patching a broken watermain. The clay walls of their pit were much higher than their heads; behind their huddled backs there was a wide fissure, a window in the earth which opened on some dark subterranean passage. And as the boys looked, they gripped each other suddenly, for past the fissure slid the flat head of an enormous serpent; passed, and was followed by a scaled body as thick as a man’s; the monster slid endlessly on into the deep earth and vanished behind the working and unwitting men. Shaken with fear they went away, they talked about it then and later in hushed voices, but they never revealed it.

      He fell now easily into the School–Ritual; he choked his breakfast with his brothers every morning, gulped scalding coffee, and rushed off at the ominous warning of the final bell, clutching a hot paper-bag of food, already spattered hungrily with grease blots. He pounded along after his brothers, his heart hammering in his throat with excitement and, as he raced into the hollow at the foot of the Central Avenue hill, grew weak with nervousness, as he heard the bell ringing itself to sleep, jerking the slatting rope about in its dying echoes.

      Ben, grinning evilly and scowling, would thrust his hand against the small of his back and rush him screaming, but unable to resist the plunging force behind, up the hill.

      In a gasping voice he would sing the morning song, coming in pantingly on the last round of a song the quartered class took up at intervals:

      “— Merrily, merrily, merrily, merrily,

       Life is but a dream.”

      Or, in the frosty Autumn mornings:

      “Waken, lords and ladies gay,

       On the mountain dawns the day.”

      Or the Contest of the West Wind and the South Wind. Or the Miller’s Song:

      “I envy no man, no, not I,

       And no one envies me.”

      He read quickly and easily; he spelled accurately. He did well with figures. But he hated the drawing lesson, although the boxes of crayons and paints delighted him. Sometimes the class would go into the woods, returning with specimens of flowers and leaves — the bitten flaming red of the maple, the brown pine comb, the brown oak leaf. These they would paint; or in Spring a spray of cherry-blossom, a tulip. He sat reverently before the authority of the plump woman who first taught him: he was terrified lest he do anything common or mean in her eyes.

      The class squirmed: the little boys invented tortures or scrawled obscenities to the little girls. And the wilder and more indolent seized every chance of leaving the room, thus: “Teacher, may I be excused?” And they would go out into the lavatory, sniggering and dawdling about restlessly.

      He could never say it, because it would reveal to her the shame of nature.

      Once, deathly sick, but locked in silence and dumb nausea, he had vomited finally upon his cupped hands.

      He feared and hated the recess periods, trembled before the brawling confusion of the mob and the playground, but his pride forbade that he skulk within, or secrete himself away from them. Eliza had allowed his hair to grow long; she wound it around her finger every morning into fat Fauntleroy curls; the agony and humiliation it caused him was horrible, but she was unable or unwilling to understand it, and mouth-pursingly thoughtful and stubborn to all solicitation to cut it. She had the garnered curls of Ben, Grover, and Luke stored in tiny boxes: she wept sometimes when she saw Eugene’s, they were the symbol of his babyhood to her, and her sad heart, so keen in marking departures, refused to surrender them. Even when his thick locks had become the luxuriant colony of Harry Tarkinton’s lice, she would not cut them: she held his squirming body between her knees twice a day and ploughed his scalp with a fine-toothed comb.

      As he made to her his trembling passionate entreaties, she would smile with an affectation of patronizing humor, make a bantering humming noise in her throat, and say: “Why, say — you can’t grow up yet. You’re my baby.” Suddenly baffled before the yielding inflexibility of her nature, which could be driven to action only after incessant and maddening prods, Eugene, screaming-mad with helpless fury, would understand the cause of Gant’s frenzy.

      At school, he was a desperate and hunted little animal. The herd, infallible in its banded instinct, knew at once that a stranger had been thrust into it, and it was merciless at the hunt. As the lunch-time recess came, Eugene, clutching his big grease-stained bag, would rush for the playground pursued by the yelping pack. The leaders, two or three big louts of advanced age and deficient mentality, pressed closely about him, calling out suppliantly, “You know me, ‘Gene. You know me”; and still racing for the far end, he would open his bag and hurl to them one of his big sandwiches, which stayed them for a moment, as they fell upon its possessor and clawed it to fragments, but they were upon him in a moment more with the same yelping insistence, hunting him down into a corner of the fence, and pressing in with outstretched paws and wild entreaty. He would give them what he had, sometimes with a momentary gust of fury, tearing away from a greedy hand half of a sandwich and devouring it. When they saw he had no more to give, they went away.

      The great fantasy of Christmas still


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