Of Time and the River & Look Homeward, Angel. Thomas Wolfe
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there was a quiet drone throughout the building.
He was now in a class composed entirely of boys. His teacher was a tall white-faced young man, bent and thin, who was known to all the other boys as secretary of the Y.M.C.A. He was tubercular; but the boys admired him because of his former skill as a baseball and basketball player. He spoke in a sad, sugary, whining voice; he was oppressively Christ-like; he spoke to them intimately about the lesson of the day, asking them what it might teach them in their daily lives, in acts of obedience and love to their parents and friends, in duty, courtesy, and Christian charity. And he told them that when they were in doubt about their conduct they should ask themselves what Jesus would say: he spoke of Jesus often in his melancholy, somewhat discontented voice — Eugene became vaguely miserable as he talked, thinking of something soft, furry, with a wet tongue.
He was nervous and constrained: the other boys knew one another intimately — they lived on, or in the neighborhood of, Montgomery Avenue, which was the most fashionable street in town. Sometimes, one of them said to him, grinning: “Do you want to buy The Saturday Evening Post, Mister?”
Eugene, during the week, never touched the lives of any of them, even in a remote way. His idea of their eminence was grossly exaggerated; the town had grown rapidly from a straggling village — it had few families as old as the Pentlands, and, like all resort towns, its caste system was liquidly variable, depending chiefly upon wealth, ambition, and boldness.
Harry Tarkinton and Max Isaacs were Baptists, as were most of the people, the Scotch excepted, in Gant’s neighborhood. In the social scale the Baptists were the most populous and were considered the most common: their minister was a large plump man with a red face and a white vest, who reached great oratorical effects, roaring at them like a lion, cooing at them like a dove, introducing his wife into the sermon frequently for purposes of intimacy and laughing, in a programme which the Episcopalians, who held the highest social eminence, and the Presbyterians, less fashionable, but solidly decent, felt was hardly chaste. The Methodists occupied the middle ground between vulgarity and decorum.
This starched and well brushed world of Sunday morning Presbyterianism, with its sober decency, its sense of restraint, its suggestion of quiet wealth, solid position, ordered ritual, seclusive establishment, moved him deeply with its tranquillity. He felt concretely his isolation from it, he entered it from the jangled disorder of his own life once a week, looking at it, and departing from it, for years, with the sad heart of a stranger. And from the mellow gloom of the church, the rich distant organ, the quiet nasal voice of the Scotch minister, the interminable prayers, and the rich little pictures of Christian mythology which he had collected as a child under the instruction of the spinsters, he gathered something of the pain, the mystery, the sensuous beauty of religion, something deeper and greater than this austere decency.
12
It was the winter, and the sullen dying autumn that he hated most at Dixieland — the dim fly-specked lights, the wretched progress about the house in search of warmth, Eliza untidily wrapped in an old sweater, a dirty muffler, a cast-off man’s coat. She glycerined her cold-cracked hands. The chill walls festered with damp: they drank in death from the atmosphere: a woman died of typhoid, her husband came quickly out into the hall and dropped his hands. They were Ohio people.
Upstairs, upon a sleeping porch, a thin-faced Jew coughed through the interminable dark.
“In heaven’s name, mama,” Helen fumed, “why do you take them in? Can’t you see he’s got the bugs?”
“Why, no-o,” said Eliza, pursing her lips. “He said he only had a little bronchial trouble. I asked him about it, and he laughed just as big as you please: ‘Why, Mrs. Gant,’ he said —” and there would follow an endless anecdote, embellished with many a winding rivulet. The girl raged: it was one of Eliza’s basic traits to defend blindly whatever brought her money.
The Jew was a kind man. He coughed gently behind his white hand and ate bread fried in battered egg and butter. Eugene developed a keen appetite for it: innocently he called it “Jew Bread” and asked for more. Lichenfels laughed gently, coughed — his wife was full of swart rich laughter. The boy did small services for him: he gave him a coin from week to week. He was a clothier from a New Jersey town. In the Spring he went to a sanitarium; he died there later.
In the winter a few chill boarders, those faces, those personalities which become mediocre through repetition, sat for hours before the coals of the parlor hearth, rocking interminably, dull of voice and gesture, as hideously bored with themselves and Dixieland, no doubt, as he with them.
He liked the summers better. There came slow-bodied women from the hot rich South, dark-haired white-bodied girls from New Orleans, corn-haired blondes from Georgia, nigger-drawling desire from South Carolina. And there was malarial lassitude, tinged faintly with yellow, from Mississippi but with white biting teeth. A red-faced South Carolinian, with nicotined fingers, took him daily to the baseball games; a lank yellow planter, malarial from Mississippi, climbed hill, and wandered through the fragrant mountain valleys with him; of nights he heard the rich laughter of the women, tender and cruel, upon the dark porches, heard the florid throat-tones of the men; saw the yielding stealthy harlotry of the South — the dark seclusion of their midnight bodies, their morning innocence. Desire, with bloody beak, tore at his heart like jealous virtue: he was moral for that which was denied him.
Of mornings he stayed at Gant’s with Helen playing ball with Buster Isaacs, a cousin of Max, a plump jolly little boy who lived next door; summoned later by the rich incense of Helen’s boiling fudge. She sent him to the little Jewish grocery down the street for the sour relishes she liked so well: tabled in mid-morning they ate sour pickles, heavy slabs of ripe tomatoes, coated with thick mayonnaise, amber percolated coffee, fig-newtons and ladyfingers, hot pungent fudge pebbled with walnuts and coated fragrantly with butter, sandwiches of tender bacon and cucumber, iced belchy soft-drinks.
His trust in her Gantian wealth was boundless: this rich store of delight came from inexhaustible resources. Warm lively hens cackled cheerfully throughout the morning neighborhood; powerful negroes brought dripping ice in iron talons from their smoking wagons; he stood beneath their droning saws and caught the flying ice-pulp in his hands; he drank in the combined odor of their great bodies together with the rich compost of the refrigeration, and the sharp oiliness of the dining-room linoleum; and in the horsehair walnut parlor at mid-day, good with the mellow piano-smell and the smell of stale varnished wood, she played for him, and made him sing: “William Tell,” “My Heart at Thy Sweet Voice,” “The Song Without Words,” “Celeste Aïda,” “The Lost Chord,” her long throat lean and tendoned as her vibrant voice rang out.
She took insatiable delight in him, stuffing him with sour and sugared relishes, tumbling him, in a random moment of her restless activity, upon Gant’s lounge, and pinioning him while she slapped his squirming face sharply with her big hand.
Sometimes, frantic with some swift tangle of her nerves, she would attack him viciously, hating him for his dark brooding face, his full scalloped underlip, his deep absorption in a dream. Like Luke, and like Gant, she sought in the world ceaseless entertainment for her restless biting vitality; it infuriated her to see other people seek absorption within themselves — she hated him at times when, her own wires strumming, she saw his dark face brooding over a book or on some vision. She would tear the book from his hands, slap him, and stab him with her cruel savage tongue. She would pout out her lip, goggle her face about stupidly on a drooping neck, assume an expression of dopey idiocy, and pour out on him the horrible torrent of her venom.
“You little freak — wandering around with your queer dopey face. You’re a regular little Pentland — you funny little freak, you. Everybody’s laughing at you. Don’t you know that? Don’t you? We’re going to dress you up as a girl, and let you go around like that. You haven’t got a drop of Gant blood in you — papa’s practically said as much — you’re Greeley all over again; you’re queer. Pentland queerness sticking out all over you.”
Sometimes