Fruitfulness. Эмиль Золя
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dream of making a big fortune as soon as the accountant should have secured a post in one of the big banking establishments, where the principals raise men of value to the highest posts. Those Moranges lived in everlasting dread of seeing their daughter marry a needy petty clerk; succumbing to that irresistible fever which, in a democracy ravaged by political equality and economic inequality, impels every one to climb higher up the social ladder. Envy consumed them at the thought of the luxury of others; they plunged into debt in order that they might imitate from afar the elegance of the upper class, and all their natural honesty and good nature was poisoned by the insanity born of ambitious pride. And here again but one child was permissible, lest they should be embarrassed, delayed, forever impeded in the attainment of the future they coveted.
A crowd of people now barred Mathieu’s way, and he perceived that he was near the theatre, where a first performance was taking place that evening. It was a theatre where free farcical pieces were produced, and on its walls were posted huge portraits of its “star,” a carroty wench with a long flat figure, destitute of all womanliness, and seemingly symbolical of perversity. Passers-by stopped to gaze at the bills, the vilest remarks were heard, and Mathieu remembered that the Seguins and Santerre were inside the house, laughing at the piece, which was of so filthy a nature that the spectators at the dress rehearsal, though they were by no means over-nice in such matters, had expressed their disgust by almost wrecking the auditorium. And while the Seguins were gloating over this horror, yonder, at their house in the Avenue d’Antin, Celeste had just put the children, Gaston and Lucie, to bed, and had then hastily returned to the kitchen, where a friend, Madame Menoux, who kept a little haberdasher’s shop in the neighborhood, awaited her. Gaston, having been given some wine to drink, was already asleep; but Lucie, who again felt sick, lay shivering in her bed, not daring to call Celeste, lest the servant, who did not like to be disturbed, should ill-treat her. And, at two o’clock in the morning, after offering Santerre an oyster supper at a night restaurant, the Seguins would come home, their minds unhinged by the imbecile literature and art to which they had taken for fashion’s sake, vitiated yet more by the ignoble performance they had witnessed, and the base society they had elbowed at supper. They seemed to typify vice for vice’s sake, elegant vice and pessimism as a principle.
Indeed, when Mathieu tried to sum up his day, he found vice on every side, in each of the spheres with which he had come in contact. And now the examples he had witnessed filled him no longer with mere surprise; they disturbed him, they shook his beliefs, they made him doubt whether his notions of life, duty, and happiness might not after all be inaccurate.
He stopped short and drew a long breath, seeking to drive away his growing intoxication. He had passed the Grand Opera and was reaching the crossway of the Rue Drouot. Perhaps his increase of fever was due to those glowing Boulevards. The private rooms of the restaurants were still ablaze, the cafes threw bright radiance across the road, the pavement was blocked by their tables and chairs and customers. All Paris seemed to have come down thither to enjoy that delightful evening. There was endless elbowing, endless mingling of breath as the swelling crowd sauntered along. Couples lingered before the sparkling displays of jewellers’ shops. Middle-class families swept under dazzling arches of electric lamps into cafes concerts, whose huge posters promised the grossest amusements. Hundreds and hundreds of women went by with trailing skirts, and whispered and jested and laughed; while men darted in pursuit, now of a fair chignon, now of a dark one. In the open cabs men and women sat side by side, now husbands and wives long since married, now chance couples who had met but an hour ago. But Mathieu went on again, yielding to the force of the current, carried along like all the others, a prey to the same fever which sprang from the surroundings, from the excitement of the day, from the customs of the age. And he no longer took the Beauchenes, the Moranges, the Seguins as isolated types; it was all Paris that symbolized vice, all Paris that yielded to debauchery and sank into degradation. There were the folks of high culture, the folks suffering from literary neurosis; there were the merchant princes; there were the men of liberal professions, the lawyers, the doctors, the engineers; there were the people of the lower middle-class, the petty tradesmen, the petty clerks; there were even the manual workers, poisoned by the example of the upper spheres—all practising the doctrines of egotism as vanity and the passion for money grew more and more intense. … No more children! Paris was bent on dying. And Mathieu recalled how Napoleon I., one evening after battle, on beholding a plain strewn with the corpses of his soldiers, had put his trust in Paris to repair the carnage of that day. But times had changed. Paris would no longer supply life, whether it were for slaughter or for toil.
And as Mathieu thought of it all a sudden weakness came upon him. Again he asked himself whether the Beauchenes, the Moranges, the Seguins, and all those thousands and thousands around him were not right, and whether he were not the fool, the dupe, the criminal, with his belief in life ever renascent, ever growing and spreading throughout the world. And before him arose, too, the image of Seraphine, the temptress, opening her perfumed arms to him and carrying him off to the same existence of pleasure and baseness which the others led.
Then he remembered the three hundred francs which he carried in his pocket. Three hundred francs, which must last for a whole month, though out of them he had to pay various little sums that he already owed. The remainder would barely suffice to buy a ribbon for Marianne and jam for the youngsters’ bread. And if he set the Moranges on one side, the others, the Beauchenes and the Seguins, were rich. He bitterly recalled their wealth. He pictured the rumbling factory with its black buildings covering a great stretch of ground; he pictured hundreds of workmen ever increasing the fortune of their master, who dwelt in a handsomely appointed pavilion and whose only son was growing up for future sovereignty, under his mother’s vigilant eyes. He pictured, too, the Seguins’ luxurious mansion in the Avenue d’Antin, the great hall, the magnificent staircase, the vast room above, crowded with marvels; he pictured all the refinement, all the train of wealth, all the tokens of lavish life, the big dowry which would be given to the little girl, the high position which would be purchased for the son. And he, bare and empty-handed, who now possessed nothing, not even a stone at the edge of a field, would doubtless always possess nothing, neither factory buzzing with workmen, nor mansion rearing its proud front aloft. And he was the imprudent one, and the others were the sensible, the wise. What would ever become of himself and his troop of children? Would he not die in some garret? would they not lead lives of abject wretchedness? Ah! it was evident the others were right, the others were sensible. And he felt unhinged, he regarded himself with contempt, like a fool who has allowed himself to be duped.
Then once more the image of Seraphine arose before his eyes, more tempting than ever. A slight quiver came upon him as he beheld the blaze of the Northern railway station and all the feverish traffic around it. Wild fancies surged through his brain. He thought of Beauchene. Why should he not do likewise? He recalled past times, and, yielding to sudden madness, turned his back upon the station and retraced his steps towards the Boulevards. Seraphine, he said to himself, was doubtless waiting for him; she had told him that he would always be welcome. As for his wife, he would tell her he had missed his train.
At last a block in the traffic made him pause, and on raising his eyes he saw that he had reached the Boulevards once more. The crowd still streamed along, but with increased feverishness. Mathieu’s temples were beating, and wild words escaped his lips. Why should he not live the same life as the others? He was ready, even eager, to plunge into it. But the block in the traffic continued, he could not cross the road; and while he stood there hesitation and doubt came upon him. He saw in that increasing obstruction a deliberate obstacle to his wild design. And all at once the image of Seraphine faded from before his mind’s eye and he beheld another, his wife, his dear wife Marianne, awaiting him, all smiles and trustfulness, in the fresh quietude of the country. Could he deceive her? … Then all at once he again rushed off towards the railway station, in fear lest he should lose his train. He was determined that he would listen to no further promptings, that he would cast no further glance upon glowing, dissolute Paris, and he reached the station just in time to climb into a car. The train started and he journeyed on, leaning out of his compartment and offering his face to the cool night breeze in order that it might calm and carry off the evil fever that had possessed him.
The night was moonless, but studded with such pure and such glowing stars that the country could be seen spreading far away beneath