The Symbolism of Churches and Church Ornaments. Guillaume Durand
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sepulchre would naturally become the centre. The circular churches of Europe were again imitated from this. The Cross form would appear to have made its first appearance in Constantinople: that is, in the city which was the first to take a completely Christian character. {lxviii} For example, the church of the Apostles built by Constantine was cruciform: and the symbolism of this is pointed out by S. Gregory Nazianzen in his poem, 'the Dream of Anastasia,' quoted by Bingham. [Footnote 33] So Evagrius describes the church of S. Simon Stylites, as cited by Buscemi, [Footnote 34] who also mentions a Cross church founded by King Childebert, about the year 550. The cathedral of Clermont, mentioned by S. Gregory of Tours, and the church of SS. Nazarius and Celsus at Ravenna, both founded about 450, were cruciform. More than this, we have examples of an oblong church being intentionally made cruciform by the addition of apsides, as at Blachernoe by Justin Junior, instanced by Bingham out of Cedrenus and Zonaras. This has been remarked also in the case of some Italian churches: though the early churches of the West seemed to have retained the oblong form, even when the details and general arrangement were Byzantine, as in the Capella Regia at Messina; the more remarkable from the peculiar influence of Constantinople in the island of Sicily. But in either case there was a symbolising intention on the part of the founders of churches.
[Footnote 33: Carm. ix, tom ii, p. 79.
There is mention also of octagonal churches, as at Antioch and Nazianzum: but these seem to have been mere exceptions; and perhaps from being coupled with fonts in the inscription quoted by Mr. Poole from Gruter, may have been intended to symbolise Regeneration. The first two lines are as follows:—
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