The Autobiographies & Biographies of the Most Influential Native Americans. Charles A. Eastman
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spirit of manliness, and in his excitement was willing to give up anything he had—even his pony! But he was unmindful of his friend and companion, Ohitika, the dog! So, scarcely had Uncheedah finished speaking, when he almost shouted:
“Grandmother, I will give up any of my possessions for the offering to the Great Mystery! You may select what you think will be most pleasing to him.”
There were two silent spectators of this little dialogue. One was Wahchewin; the other was Ohitika. The woman had been invited to stay, although only a neighbor. The dog, by force of habit, had taken up his usual position by the side of his master when they entered the teepee. Without moving a muscle, save those of his eyes, he had been a very close observer of what passed.
Had the dog but moved once to attract the attention of his little friend, he might have been dissuaded from that impetuous exclamation: “Grandmother, I will give up any of my possessions!”
It was hard for Uncheedah to tell the boy that he must part with his dog, but she was equal to the situation.
“Hakadah,” she proceeded cautiously, “you are a young brave. I know, though young, your heart is strong and your courage is great. You will be pleased to give up the dearest thing you have for your first offering. You must give up Ohitika. He is brave; and you, too, are brave. He will not fear death; you will bear his loss bravely. Come—here are four bundles of paints and a filled pipe—let us go to the place.”
When the last words were uttered, Hakadah did not seem to hear them. He was simply unable to speak. To a civilized eye, he would have appeared at that moment like a little copper statue. His bright black eyes were fast melting in floods of tears, when he caught his grandmother’s eye and recollected her oft-repeated adage: “Tears for woman and the war-whoop for man to drown sorrow!”
He swallowed two or three big mouthfuls of heart-ache and the little warrior was master of the situation.
“Grandmother, my Brave will have to die! Let me tie together two of the prettiest tails of the squirrels that he and I killed this morning, to show to the Great Mystery what a hunter he has been. Let me paint him myself.”
This request Uncheedah could not refuse and she left the pair alone for a few minutes, while she went to ask Wacoota to execute Ohitika.
Every Indian boy knows that, when a warrior is about to meet death, he must sing a death dirge. Hakadah thought of his Ohitika as a person who would meet his death without a struggle, so he began to sing a dirge for him, at the same time hugging him tight to himself. As if he were a human being, he whispered in his ear:
“Be brave, my Ohitika! I shall remember you the first time I am upon the war-path in the Ojibway country.”
At last he heard Uncheedah talking with a man outside the teepee, so he quickly took up his paints. Ohitika was a jet-black dog, with a silver tip on the end of his tail and on his nose, beside one white paw and a white star upon a protuberance between his ears. Hakadah knew that a man who prepares for death usually paints with red and black. Nature had partially provided Ohitika in this respect, so that only red was required and this Hakadah supplied generously.
Then he took off a piece of red cloth and tied it around the dog’s neck; to this he fastened two of the squirrels’ tails and a wing from the oriole they had killed that morning.
Just then it occurred to him that good warriors always mourn for their departed friends and the usual mourning was black paint. He loosened his black braided locks, ground a dead coal, mixed it with bear’s oil and rubbed it on his entire face.
During this time every hole in the tent was occupied with an eye. Among the lookers-on was his grandmother. She was very near relenting. Had she not feared the wrath of the Great Mystery, she would have been happy to call out to the boy: “Keep your dear dog, my child!”
As it was, Hakadah came out of the teepee with his face looking like an eclipsed moon, leading his beautiful dog, who was even handsomer than ever with the red touches on his specks of white.
It was now Uncheedah’s turn to struggle with the storm and burden in her soul. But the boy was emboldened by the people’s admiration of his bravery, and did not shed a tear. As soon as she was able to speak, the loving grandmother said:
“No, my young brave, not so! You must not mourn for your first offering. Wash your face and then we will go.”
The boy obeyed, submitted Ohitika to Wacoota with a smile, and walked off with his grandmother and Wahchewin.
They followed a well-beaten foot-path leading along the bank of the Assiniboine river, through a beautiful grove of oak, and finally around and under a very high cliff. The murmuring of the river came up from just below. On the opposite side was a perpendicular white cliff, from which extended back a gradual slope of land, clothed with the majestic mountain oak. The scene was impressive and wild.
Wahchewin had paused without a word when the little party reached the edge of the cliff. It had been arranged between her and Uncheedah that she should wait there for Wacoota, who was to bring as far as that the portion of the offering with which he had been entrusted.
The boy and his grandmother descended the bank, following a tortuous foot-path until they reached the water’s edge. Then they proceeded to the mouth of an immense cave, some fifty feet above the river, under the cliff. A little stream of limpid water trickled down from a spring within the cave. The little watercourse served as a sort of natural staircase for the visitors. A cool, pleasant atmosphere exhaled from the mouth of the cavern. Really it was a shrine of nature and it is not strange that it was so regarded by the tribe.
A feeling of awe and reverence came to the boy. “It is the home of the Great Mystery,” he thought to himself; and the impressiveness of his surroundings made him forget his sorrow.
Very soon Wahchewin came with some difficulty to the steps. She placed the body of Ohitika upon the ground in a life-like position and again left the two alone.
As soon as she disappeared from view, Uncheedah, with all solemnity and reverence, unfastened the leather strings that held the four small bundles of paints and one of tobacco, while the filled pipe was laid beside the dead Ohitika.
She scattered paints and tobacco all about. Again they stood a few moments silently; then she drew a deep breath and began her prayer to the Great Mystery:
“O, Great Mystery, we hear thy voice in the rushing waters below us! We hear thy whisper in the great oaks above! Our spirits are refreshed with thy breath from within this cave. O, hear our prayer! Behold this little boy and bless him! Make him a warrior and a hunter as great as thou didst make his father and grandfather.”
And with this prayer the little warrior had completed his first offering.
V. Family Traditions
I. A Visit to Smoky Day
Smoky day was widely known among us as a preserver of history and legend. He was a living book of the traditions and history of his people. Among his effects were bundles of small sticks, notched and painted. One bundle contained the number of his own years. Another was composed of sticks representing the important events of history, each of which was marked with the number of years since that particular event occurred. For instance, there was the year when so many stars fell from the sky, with the number of years since it happened cut into the wood. Another recorded the appearance of a comet; and from these heavenly wonders the great national catastrophes and victories were reckoned.
But I will try to repeat some of his favorite narratives as I heard them from his own lips. I went to him one day with a piece of tobacco and an eagle-feather; not to buy his MSS., but hoping for