THE VENICE MYSTERIES: The Woman in White, The Haunted Hotel & The Moonstone (3 Books in One Edition). Wilkie Collins Collins
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them out dead, one by one, in the places where they lay. An agony of pity and fear for Walter loosened my tongue, and I implored him to escape. “Come back, come back!” I said. “Remember your promise to HER and to ME. Come back to us before the Pestilence reaches you and lays you dead like the rest!”
He looked at me with an unearthly quiet in his face. “Wait,” he said, “I shall come back. The night when I met the lost Woman on the highway was the night which set my life apart to be the instrument of a Design that is yet unseen. Here, lost in the wilderness, or there, welcomed back in the land of my birth, I am still walking on the dark road which leads me, and you, and the sister of your love and mine, to the unknown Retribution and the inevitable End. Wait and look. The Pestilence which touches the rest will pass ME.”
I saw him again. He was still in the forest, and the numbers of his lost companions had dwindled to very few. The temple was gone, and the idols were gone — and in their place the figures of dark, dwarfish men lurked murderously among the trees, with bows in their hands, and arrows fitted to the string. Once more I feared for Walter, and cried out to warn him. Once more he turned to me, with the immovable quiet in his face.
“Another step,” he said, “on the dark road. Wait and look. The arrows that strike the rest will spare me.”
I saw him for the third time in a wrecked ship, stranded on a wild, sandy shore. The overloaded boats were making away from him for the land, and he alone was left to sink with the ship. I cried to him to hail the hindmost boat, and to make a last effort for his life. The quiet face looked at me in return, and the unmoved voice gave me back the changeless reply. “Another step on the journey. Wait and look. The Sea which drowns the rest will spare me.”
I saw him for the last time. He was kneeling by a tomb of white marble, and the shadow of a veiled woman rose out of the grave beneath and waited by his side. The unearthly quiet of his face had changed to an unearthly sorrow. But the terrible certainty of his words remained the same. “Darker and darker,” he said; “farther and farther yet. Death takes the good, the beautiful, and the young — and spares me. The Pestilence that wastes, the Arrow that strikes, the Sea that drowns, the Grave that closes over Love and Hope, are steps of my journey, and take me nearer and nearer to the End.”
My heart sank under a dread beyond words, under a grief beyond tears. The darkness closed round the pilgrim at the marble tomb — closed round the veiled woman from the grave — closed round the dreamer who looked on them. I saw and heard no more.
I was aroused by a hand laid on my shoulder. It was Laura’s.
She had dropped on her knees by the side of the sofa. Her face was flushed and agitated, and her eyes met mine in a wild bewildered manner. I started the instant I saw her.
“What has happened?” I asked. “What has frightened you?”
She looked round at the half-open door, put her lips close to my ear, and answered in a whisper —
“Marian!— the figure at the lake — the footsteps last night — I’ve just seen her! I’ve just spoken to her!”
“Who, for Heaven’s sake?”
“Anne Catherick.”
I was so startled by the disturbance in Laura’s face and manner, and so dismayed by the first waking impressions of my dream, that I was not fit to bear the revelation which burst upon me when that name passed her lips. I could only stand rooted to the floor, looking at her in breathless silence.
She was too much absorbed by what had happened to notice the effect which her reply had produced on me. “I have seen Anne Catherick! I have spoken to Anne Catherick!” she repeated as if I had not heard her. “Oh, Marian, I have such things to tell you! Come away — we may be interrupted here — come at once into my room.”
With those eager words she caught me by the hand, and led me through the library, to the end room on the ground floor, which had been fitted up for her own especial use. No third person, except her maid, could have any excuse for surprising us here. She pushed me in before her, locked the door, and drew the chintz curtains that hung over the inside.
The strange, stunned feeling which had taken possession of me still remained. But a growing conviction that the complications which had long threatened to gather about her, and to gather about me, had suddenly closed fast round us both, was now beginning to penetrate my mind. I could not express it in words — I could hardly even realise it dimly in my own thoughts. “Anne Catherick!” I whispered to myself, with useless, helpless reiteration —“Anne Catherick!”
Laura drew me to the nearest seat, an ottoman in the middle of the room. “Look!” she said, “look here!”— and pointed to the bosom of her dress.
I saw, for the first time, that the lost brooch was pinned in its place again. There was something real in the sight of it, something real in the touching of it afterwards, which seemed to steady the whirl and confusion in my thoughts, and to help me to compose myself.
“Where did you find your brooch?” The first words I could say to her were the words which put that trivial question at that important moment.
“SHE found it, Marian.”
“Where?”
“On the floor of the boat-house. Oh, how shall I begin — how shall I tell you about it! She talked to me so strangely — she looked so fearfully ill — she left me so suddenly!”
Her voice rose as the tumult of her recollections pressed upon her mind. The inveterate distrust which weighs, night and day, on my spirits in this house, instantly roused me to warn her — just as the sight of the brooch had roused me to question her, the moment before.
“Speak low,” I said. “The window is open, and the garden path runs beneath it. Begin at the beginning, Laura. Tell me, word for word, what passed between that woman and you.”
“Shall I close the window?”
“No, only speak low — only remember that Anne Catherick is a dangerous subject under your husband’s roof. Where did you first see her?”
“At the boat-house, Marian. I went out, as you know, to find my brooch, and I walked along the path through the plantation, looking down on the ground carefully at every step. In that way I got on, after a long time, to the boat-house, and as soon as I was inside it, I went on my knees to hunt over the floor. I was still searching with my back to the doorway, when I heard a soft, strange voice behind me say, ‘Miss Fairlie.’”
“Miss Fairlie!”
“Yes, my old name — the dear, familiar name that I thought I had parted from for ever. I started up — not frightened, the voice was too kind and gentle to frighten anybody — but very much surprised. There, looking at me from the doorway, stood a woman, whose face I never remembered to have seen before —”
“How was she dressed?”
“She had a neat, pretty white gown on, and over it a poor worn thin dark shawl. Her bonnet was of brown straw, as poor and worn as the shawl. I was struck by the difference between her gown and the rest of her dress, and she saw that I noticed it. ‘Don’t look at my bonnet and shawl,’ she said, speaking in a quick, breathless, sudden way; ‘if I mustn’t wear white, I don’t care what I wear. Look at my gown as much as you please — I’m not ashamed of that.’ Very strange, was it not? Before I could say anything to soothe her, she held out one of her hands, and I saw my brooch in it. I was so pleased and so grateful, that I went quite close to her to say what I really felt. ‘Are you thankful enough to do me one little kindness?’ she asked. ‘Yes, indeed,’ I answered, ‘any kindness in my power I shall be glad to show you.’ ‘Then let me pin your brooch on for you, now I have found it.’ Her request was so unexpected, Marian, and she made it with such extraordinary eagerness, that I drew back a step or two, not well knowing what to do. ‘Ah!’ she said, ‘your mother would have let me pin on the brooch.’ There was something in her voice and her look, as well as in her mentioning my mother in that reproachful manner, which made me ashamed