The Greatest Murder Mysteries of Mary Elizabeth Braddon. Mary Elizabeth Braddon
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magnetism?”
“Madame, I have spent half my lifetime in trying to answer that question, and I can only answer it now by halves. Sometimes no; sometimes yes.”
“Do you believe it possible for one soul to be gifted with a mysterious prescience of the emotions of another soul?—to be sad when that is sad, though utterly unconscious of any cause for sadness; and to rejoice when that is happy, having no reason for rejoicing?”
“I cannot answer your question, madame, because it involves another. I never yet have discovered what the soul really is. Animal magnetism, if it ever become a science, will be a material science, and the soul escapes from all material dissection.”
“Do you believe, then, that by some subtle influence, whose nature is unknown to us, we may have a strange consciousness of the presence or the approach of some people, conveyed to us by neither the hearing nor the sight, but rather as if we felt that they were near?”
“You believe this possible, madame, or you would not ask the question.”
“Perhaps. I have sometimes thought that I had this consciousness; but it related to a person who is dead——”
“Yes, madame.”
“And—you will think me mad; Heaven knows, I think myself so—I feel as if that person were near me to-night.”
The chemist rises, and, going over to her, feels her pulse. It is rapid and intermittent. She is evidently violently agitated, though she is trying with her utmost power to control herself.
“But you say that this person is dead?” he asks.
“Yes; he died some months since.”
“You know that there are no such things as ghosts?”
“I am perfectly convinced of that!”
“And yet—?” he asks.
“And yet I feel as though the dead were near me to-night. Tell me—there is no one in this room but ourselves?”
“No one.”
“And that door—it leads——”
“Into the room in which I sleep.”
“And there is no one there?” she asks.
“No one. Let me give you a sedative, madame: you are certainly ill.”
“No, no, monsieur; you are very good. I am still weak from the effects of a long illness. That weakness may be the cause of my silly fancies of to-night. To-morrow I leave France, perhaps for ever.”
She leaves him; but on the steep dark staircase she pauses for a moment, and seems irresolute, as if half determined to return: then she hurries on, and in a minute is in the street.
She takes a circuitous route towards the house in which she lives. So plainly dressed, and thickly veiled, no one stops to notice her as she walks along.
Her husband, Monsieur Marolles, is engaged at a dinner given by a distinguished member of the chamber of peers. Decidedly he has held winning cards in the game of life. And she, for ever haunted by the past, with weary step goes onward to a dark and unknown future.
Book the Fourth
Napoleon the Great
Chapter I
The Boy from Slopperton
Eight years have passed since the trial of Richard Marwood. How have those eight years been spent by “Daredevil Dick”?
In a small room a few feet square, in the County Lunatic Asylum, fourteen miles from the town of Slopperton, with no human being’s companionship but that of a grumpy old deaf keeper, and a boy, his assistant—for eight monotonous years this man’s existence has crept slowly on; always the same: the same food, the same hours at which that food must be eaten, the same rules and regulations for every action of his inactive life. Think of this, and pity the man surnamed “Daredevil Dick,” and once the maddest and merriest creature in a mad and merry circle. Think of the daily walk in a great square flagged yard—the solitary walk, for he is not allowed even the fellowship of the other lunatics, lest the madness which led him to commit an awful crime should again break out, and endanger the lives of those about him. During eight long years he has counted every stone in the flooring, every flaw and every crack in each of those stones. He knows the shape of every shadow that falls upon the whitewashed wall, and can, at all seasons of the year, tell the hour by the falling of it. He knows that at such a time on a summer’s evening the shadows of the iron bars of the window will make long black lines across the ground, and mount and mount, dividing the wall as if it were in panels, till they meet, and absorbing altogether the declining light, surround and absorb him too, till he is once more alone in the darkness. He knows, too, that at such a time on the grey winter’s morning these same shadows will be the first indications of the coming light; that, from the thick gloom of the dead night they will break out upon the wall, with strips of glimmering day between, only enough like light to show the blackness of the shade. He has sometimes been mad enough and wretched enough to pray that these shadows might fall differently, that the very order of nature might be reversed, to break this bitter and deadly monotony. He has sometimes prayed that, looking up, he might see a great fire in the sky, and know that the world was at an end. How often he has prayed to die, it would be difficult to say. At one time it was his only prayer; at one time he did not pray at all. He has been permitted at intervals to see his mother; but her visits, though he has counted the days, hours, and even minutes between them, have only left him more despondent than ever. She brings so much with her into his lonely prison, so much memory of a joyous past, of freedom, of a happy home, whose happiness he did his best in his wild youth to destroy; the memory, too, of that careless youth, its boon companions, its devoted friends. She brings so much of all this back to him by the mere fact of her presence, that she leaves behind her the blackness of a despair far more terrible than the most terrible death. She represents to him the outer world; for she is the only creature belonging to it who ever crosses the threshold of his prison. The asylum chaplain, the asylum doctor, the keepers and the officials belonging to the asylum—all these are part and parcel of this great prison-house of stone, brick, and mortar, and seem to be about as capable of feeling for him, listening to him, or understanding him, as the stones, bricks, and mortar themselves. Routine is the ruler of this great prison; and if this wretched insane criminal cannot live by rules and regulations, he must die according to them, and be buried by them, and so be done with, out of the way; and his little room, No. 35, will be ready for some one else, as wicked, as dangerous, and as unfortunate as he.
During the earlier part of his imprisonment the idea had pervaded the asylum that as he had been found guilty of committing one murder, he might, very likely, find it necessary to his peculiar state of mind to commit more murders, and would probably find it soothing to his feelings to assassinate anybody who might come in his way any morning before breakfast. The watch kept upon him was therefore for some time very strict. He was rather popular at first in the asylum, as a distinguished public character; and the keepers, though a little shy of attending upon him in their proper persons, were extremely fond of peering in at him through a little oval opening in the upper panel of the door of his cell. They also brought such visitors as came to improve their minds by going over the hospital for the insane to have a special and private view of this maniacal murderer; and they generally received an extra donation from the sight-seers thus gratified. Even the lunatics themselves were interested in the supposed assassin. A gentleman, who claimed to be the Emperor of the German Ocean and the Chelsea Waterworks, was very anxious to see him, as he had received a despatch from his minister of police informing him that Richard Marwood had red hair, and he particularly wished