The Greatest Murder Mysteries of Mary Elizabeth Braddon. Mary Elizabeth Braddon
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had only been darkly hinted at the gaol.
The prisoner had destroyed himself!
Later in the afternoon it was known that he had bled himself to death by means of a lancet not bigger than a pin, which he had worn for years concealed in a chased gold ring of massive form and exquisite workmanship.
The gaoler had found him, at six o’clock on the morning after his trial, seated, with his bloodless face lying on the little table of his cell, white, tranquil, and dead.
The agents from an exhibition of wax-works, and several phrenologists, came to look at and to take casts of his head, and masks of the handsome and aristocratic face. One of the phrenologists, who had given an opinion on his cerebral development ten years before, when Mr. Jabez North was considered a model of all Sloppertonian virtues and graces, and who had been treated with ignominy for that very opinion, was now in the highest spirits, and introduced the whole story into a series of lectures, which were afterwards very popular. The Count de Marolles, with very long eyelashes, very small feet, and patent-leather boots, a faultless Stultsian evening costume, a white waistcoat, and any number of rings, was much admired in the Chamber of Horrors at the eminent waxwork exhibition above mentioned, and was considered well worth the extra sixpence for admission. Young ladies fell in love with him, and vowed that a being—they called him a being—with such dear blue glass eyes, with beautiful curly eyelashes, and specks of lovely vermilion in each corner, could never have committed a horrid murder, but was, no doubt, the innocent victim of that cruel circumstantial evidence. Mr. Splitters put the Count into a melodrama in four periods—not acts, but periods: 1. Boyhood—the Workhouse. 2. Youth—the School. 3. Manhood—the Palace. 4. Death—the Dungeon. This piece was very popular, and as Mr. Percy Cordonner had prophesied, the Count was represented as living en permanence in Hessian boots with gold tassels; and as always appearing, with a spirited disregard for the unities of time and space, two or three hundred miles distant from the spot in which he had appeared five minutes before, and performing in scene four the very action which his foes had described as being already done in scene three. But the transpontine audiences to whom the piece was represented were not in the habit of asking questions, and as long as you gave them plenty of Hessian boots and pistol-shots for their money, you might snap your fingers at Aristotle’s ethics, and all the Greek dramatists into the bargain. What would they have cared for the classic school? Would they have given a thank-you for “Zaire, vous pleurez!” or “Qu’il mourut!” No; give them enough blue fire and honest British sentiment, with plenty of chintz waistcoats and top-boots, and you might laugh Corneille and Voltaire to scorn, and be sure of a long run on the Surrey side of the water.
So the race was run, and, after all, the cleverest horse was not the winner. Where was the Countess de Marolles during her husband’s trial? Alas! Valerie, thine has been a troubled youth, but it may be that a brighter fate is yet in store for thee!
Chapter the Last
Farewell to England
Scarcely had Slopperton subsided in some degree from the excitement into which it had been thrown by the trial and suicide of Raymond de Marolles, when it was again astir with news, which was, if anything, more exciting. It is needless to say that after the trial and condemnation of De Marolles, there was not a little regretful sympathy felt by the good citizens of Slopperton for their unfortunate townsman, Richard Marwood, who, after having been found guilty of a murder he had never committed, had perished, as the story went, in a futile attempt to escape from the asylum in which he had been confined. What, then, were the feelings of Slopperton when, about a month after the suicide of the murderer of Montague Harding, a paragraph appeared in one of the local papers which stated positively that Mr. Richard Marwood was still alive, he having succeeded in escaping from the county asylum?
This was enough. Here was a hero of romance indeed; here was innocence triumphant for once in real life, as on the mimic scene. Slopperton was wild with one universal desire to embrace so distinguished a citizen. The local papers of the following week were full of the subject, and Richard Marwood was earnestly solicited to appear once more in his native town, that every inhabitant thereof, from the highest to the lowest, might be enabled to testify heartfelt sympathy for his undeserved misfortunes, and sincere delight in his happy restoration to name and fame.
The hero was not long in replying to the friendly petition of the inhabitants of his native place. A letter from Richard appeared in one of the papers, in which he stated that as he was about to leave England for a considerable period, perhaps for ever, he should do himself the honour of responding to the kind wishes of his friends, and once more shake hands with the acquaintance of his youth before he left his native country.
The Sloppertonian Jack-in-the-green, assisted by the rather stalwart damsels in dirty pink gauze and crumpled blue-and-yellow artificial flowers, had scarcely ushered in the sweet spring month of the year, when Slopperton arose simultaneously and hurried as one man to the railway-station, to welcome the hero of the day. The report has spread—no one ever knows how these reports arise—that Mr. Richard Marwood is to arrive this day. Slopperton must be at hand to bid him welcome to his native town, to repair the wrong it has so long done him in holding him up to universal detestation as the George Barnwell of modern times.
Which train will he come by? There is a whisper of the three o’clock express; and at three o’clock in the afternoon, therefore, the station and station-yard are crowded.
The Slopperton station, like most other stations, is built at a little distance from the town, so that the humble traveller who arrives by the parliamentary train, with all his earthly possessions in a red cotton pocket-handkerchief or a brown-paper parcel, and to whom such things as cabs are unknown luxuries, is often disappointed to find that when he gets to Slopperton station he is not in Slopperton proper. There is a great Sahara of building-ground and incomplete brick-and-mortar, very much to let, to be crossed before the traveller finds himself in High Street, or South Street, or East Street, or any of the populous neighbourhoods of this magnificent city.
Every disadvantage, however, is generally counterbalanced by some advantage, and nothing could be more suitable than this grand Sahara of broken ground and unfinished neighbourhood for the purposes of a triumphal entry into Slopperton.
There is a great deal of animated conversation going on upon the platform inside the station. It is a noticeable fact that everybody present—and there are some hundreds—appears to have been intimately acquainted with Richard from his very babyhood. This one remembers many a game at cricket with him on those very fields yonder; another would be a rich man if he had only a sovereign for every cigar he has smoked in the society of Mr. Marwood. That old gentleman yonder taught our hero his declensions, and always had a difficulty with him about the ablative case. The elderly female with the dropsical umbrella had nursed him as a baby; “and the finest baby he was as ever I saw,” she adds enthusiastically. Those two gentlemen who came down to the station in their own brougham are the kind doctors who carried him through that terrible brain-fever of his early youth, and whose evidence was of some service to him at his trial. Everywhere along the crowded platform there are friends; noisy excited gesticulating friends, who have started a hero on their own account, and who wouldn’t turn aside to-day to get a bow from majesty itself.
Five minutes to three. From the doctor’s fifty-guinea chronometer, by Benson, to the silver turnip from the wide buff waistcoat of the farmer, everybody’s watch is out, and nobody will believe but that his particular time is the right time, and every other watch, and the station clock into the bargain, wrong.
Two minutes to three. Clang goes the great bell. The stationmaster clears the line. Here it comes, only a speck of dull red fire as yet, and a slender column of curling smoke; but the London express for all that. Here it comes, wildly tearing up the tender green country, rushing headlong through the smoky suburbs; it comes within a few hundred yards of the station; and there, amidst a labyrinth of straggling lines and a chaos of empty carriages and disabled engines, it stops deliberately for the ticket-collectors to go their accustomed round.
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