The Memoirs of Casanova (Illustrated Edition). Giacomo Casanova
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I was disgusted with the coach, and I jumped out of it, telling the driver to go to the devil. I took the first hack which happened to pass, and drove straight to Patu's house, to whom I related my adventure, almost foaming with rage. But very far from pitying me or sharing my anger, Patu, much wiser, laughed and said,
"I wish with all my heart that the same thing might happen to me; for you are certain of possessing our beautiful Coraline the very first time you are with her."
"I would not have her, for now I despise her heartily." "Your contempt ought to have come sooner. But, now that is too late to discuss the matter, I offer you, as a compensation, a dinner at the Hotel du Roule."
"Most decidedly yes; it is an excellent idea. Let us go."
The Hotel du Roule was famous in Paris, and I had not been there yet. The woman who kept it had furnished the place with great elegance, and she always had twelve or fourteen well-chosen nymphs, with all the conveniences that could be desired. Good cooking, good beds, cleanliness, solitary and beautiful groves. Her cook was an artist, and her wine-cellar excellent. Her name was Madame Paris; probably an assumed name, but it was good enough for the purpose. Protected by the police, she was far enough from Paris to be certain that those who visited her liberally appointed establishment were above the middle class. Everything was strictly regulated in her house and every pleasure was taxed at a reasonable tariff. The prices were six francs for a breakfast with a nymph, twelve for dinner, and twice that sum to spend a whole night. I found the house even better than its reputation, and by far superior to the warren.
We took a coach, and Patu said to the driver,
"To Chaillot."
"I understand, your honour."
After a drive of half an hour, we stopped before a gate on which could be read, "Hotel du Roule."
The gate was closed. A porter, sporting long mustachioes, came out through a side-door and gravely examined us. He was most likely pleased with our appearance, for the gate was opened and we went in. A woman, blind of one eye, about forty years old, but with a remnant of beauty, came up, saluted us politely, and enquired whether we wished to have dinner. Our answer being affirmative, she took us to a fine room in which we found fourteen young women, all very handsome, and dressed alike in muslin. As we entered the room, they rose and made us a graceful reverence; they were all about the same age, some with light hair, some with dark; every taste could be satisfied. We passed them in review, addressing a few words to each, and made our choice. The two we chose screamed for joy, kissed us with a voluptuousness which a novice might have mistaken for love, and took us to the garden until dinner would be ready. That garden was very large and artistically arranged to minister to the pleasures of love. Madame Paris said to us,
"Go, gentlemen, enjoy the fresh air with perfect security in every way; my house is the temple of peace and of good health."
The girl I had chosen was something like Coraline, and that made me find her delightful. But in the midst of our amorous occupations we were called to dinner. We were well served, and the dinner had given us new strength, when our single-eyed hostess came, watch in hand, to announce that time was up. Pleasure at the "Hotel du Roule" was measured by the hour.
I whispered to Patu, and, after a few philosophical considerations, addressing himself to madame la gouvernante, he said to her,
"We will have a double dose, and of course pay double."
"You are quite welcome, gentlemen."
We went upstairs, and after we had made our choice a second time, we renewed our promenade in the garden. But once more we were disagreeably surprised by the strict punctuality of the lady of the house. "Indeed! this is too much of a good thing, madam."
"Let us go up for the third time, make a third choice, and pass the whole night here."
"A delightful idea which I accept with all my heart."
"Does Madame Paris approve our plan?"
"I could not have devised a better one, gentlemen; it is a masterpiece."
When we were in the room, and after we had made a new choice, the girls laughed at the first ones who had not contrived to captivate us, and by way of revenge these girls told their companions that we were lanky fellows.
This time I was indeed astonished at my own choice. I had taken a true Aspasia, and I thanked my stars that I had passed her by the first two times, as I had now the certainty of possessing her for fourteen hours. That beauty's name was Saint Hilaire; and under that name she became famous in England, where she followed a rich lord the year after. At first, vexed because I had not remarked her before, she was proud and disdainful; but I soon proved to her that it was fortunate that my first or second choice had not fallen on her, as she would now remain longer with me. She then began to laugh, and shewed herself very agreeable.
That girl had wit, education and talent-everything, in fact, that is needful to succeed in the profession she had adopted. During the supper Patu told me in Italian that he was on the point of taking her at the very moment I chose her, and the next morning he informed me that he had slept quietly all night. The Saint Hilaire was highly pleased with me, and she boasted of it before her companions. She was the cause of my paying several visits to the Hotel du Roule, and all for her; she was very proud of my constancy.
Those visits very naturally cooled my ardour for Coraline. A singer from Venice, called Guadani, handsome, a thorough musician, and very witty, contrived to captivate her affections three weeks after my quarrel with her. The handsome fellow, who was a man only in appearance, inflamed her with curiosity if not with love, and caused a rupture with the prince, who caught her in the very act. But Coraline managed to coax him back, and, a short time after, a reconciliation took place between them, and such a good one, that a babe was the consequence of it; a girl, whom the prince named Adelaide, and to whom he gave a dowry. After the death of his father, the Duke of Valentinois, the prince left her altogether and married Mlle. de Brignole, from Genoa. Coraline became the mistress of Count de la Marche, now Prince de Conti. Coraline is now dead, as well as a son whom she had by the count, and whom his father named Count de Monreal.
Madame la Dauphine was delivered of a princess, who received the title of Madame de France.
In the month of August the Royal Academy had an exhibition at the Louvre, and as there was not a single battle piece I conceived the idea of summoning my brother to Paris. He was then in Venice, and he had great talent in that particular style. Passorelli, the only painter of battles known in France, was dead, and I thought that Francois might succeed and make a fortune. I therefore wrote to M. Grimani and to my brother; I persuaded them both, but Francois did not come to Paris till the beginning of the following year.
Louis XV., who was passionately fond of hunting, was in the habit of spending six weeks every year at the Chateau of Fontainebleau. He always returned to Versailles towards the middle of November. That trip cost him, or rather cost France, five millions of francs. He always took with him all that could contribute to the amusement of the foreign ambassadors and of his numerous court. He was followed by the French and the Italian comedians, and by the actors and actresses of the opera.
During those six weeks Fontainebleau was more brilliant than Versailles; nevertheless, the artists attached to the theatres were so numerous that the Opera, the French and Italian Comedies, remained open in Paris.
Baletti's father, who had recovered his health, was to go to Fontainebleau with Silvia and all his family. They invited me to accompany them, and to accept a lodging in a house hired by them.
It was a splendid opportunity; they were my friends, and I accepted, for I could not have met with a better occasion to see the court and all the foreign ministers. I presented myself to M. de Morosini, now Procurator at St. Mark's, and then ambassador from the Republic to the French court.
The first night of the opera he gave me permission to accompany him; the music was by Lulli. I had a seat in the pit precisely under the private box of Madame de Pompadour, whom I did not know. During the first scene the celebrated Le Maur gave a scream so shrill and so unexpected that I thought she had gone mad.