The Essential Works of George Rawlinson: Egypt, The Kings of Israel and Judah, Phoenicia, Parthia, Chaldea, Assyria, Media, Babylon, Persia, Sasanian Empire & Herodotus' Histories. George Rawlinson
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Take thy pleasure to-day,
Nefer-hotep, blessed and pure.
What availed thee thy other buildings?
Of thy tomb alone thou art sure.
On the earth thou hast nought beside,
Nought of thee else is remaining;
And when thou wentest below,
Thy last sip of life thou wert draining.
Even they who have millions to spend,
Find that life comes at last to an end.
Let all, then, think of the day
Of departure without returning—
'Twill then be well to have lived,
All sin and injustice spurning.
For he who has loved the right,
In the hour that none can flee,
Enters upon the delight
Of a glad eternity.
Give freely from out thy store,
And thou shalt be blest evermore.
On the other hand, there is evidence of a lightsome, joyous, and even frolic spirit as pervading numbers, especially among the lower classes of the Egyptians. "Traverse Egypt," says a writer who knows more of the ancient country than almost any other living person, "examine the scenes sculptured or painted on the walls of the chapels attached to tombs, consult the inscriptions graven on the rocks or traced with ink on the papyrus rolls, and you will be compelled to modify your mistaken notion of the Egyptians being a nation of philosophers. I defy you to find anything more gay, more amusing, more freshly simple, than this good-natured Egyptian people, which was fond of life and felt a profound pleasure in its existence. Far from desiring death, they addressed prayers to the gods to preserve them in life, and to give them a happy old age—an old age that should reach, if possible, to the 'perfect term of no years.' They gave themselves up to pleasures of every kind; they sang, they drank, they danced, they delighted in making excursions into the country, where hunting and fishing were occupations reserved especially for the nobility. In conformity with this inclination towards pleasure, sportive proposals, a pleasantry that was perhaps over-free, witticisms, raillery, and a mocking spirit, were in vogue among the people, and fun was allowed entrance even into the tombs. In the large schools the masters had a difficulty in training the young and keeping down their passion for amusements. When oral exhortation failed of success, the cane was used pretty smartly in its place; for the wise men of the land had a saying that 'a boy's ears grow on his back.'"5
Herodotus tells us how gaily the Egyptians kept their festivals, thousands of the common people—men, women, and children together—crowding into the boats, which at such times covered the Nile, the men piping, and the women clapping their hands or striking their castanets, as they passed from town to town along the banks of the stream, stopping at the various landing-places, and challenging the inhabitants to a contest of good-humoured Billingsgate. From the monuments we see how the men sang at their labours—here as they trod the wine-press or the dough-trough, there as they threshed out the corn by driving the oxen through the golden heaps. In one case the words of a harvest-song have come down to us:
"Thresh for yourselves," they sang, "thresh for yourselves,
O oxen, thresh for yourselves, for yourselves—
Bushels for yourselves, bushels for your masters!"
Their light-hearted drollery sometimes found vent in caricature. The grand sculptures wherewith a king strove to perpetuate the memory of his warlike exploits were travestied by satirists, who reproduced the scenes upon papyrus as combats between cats and rats. The amorous follies of the monarch were held up to derision by sketches of a harem interior, where the kingly wooer was represented by a lion, and his favourites of the softer sex by gazelles. Even in serious scenes depicting the trial of souls in the next world, the sense of humour breaks out, where the bad man, transformed into a pig or a monkey, walks off with a comical air of surprise and discomfiture.
It does not, however, help us much towards the true knowledge of a people to scan their frames or study their facial angle, or even to contemplate the outer aspect of their daily life. We want to know their thoughts, their innermost feelings, their hopes, their fears—in a word, their belief. Nothing tells the character of a people so much as their religion; and we are only dealing superficially with the outward shows of things until we get down to the root of their being, the conviction, or convictions, held in the recesses of a people's heart. What, then, was the Egyptian religion? What did they worship? What did they reverence? What future did they look forward to?
Enter the huge courts of an Egyptian temple, or temple-palace, and you will see portrayed upon its lofty walls row upon row of deities. Here the king makes his offering to Ammon, Maut, Khons, Neith, Mentu, Shu, Seb, Nut, Osiris, Set, Horus; there he pours a libation to Phthah, Sekhet, Tum, Pasht, Anuka, Thoth, Anubis; elsewhere, it may be, he pays his court to Sati, Khem, Isis, Nephthys, Athor, Harmachis, Nausaas, and Nebhept. One monarch erects an altar to Satemi, Tum, Khepra, Shu, Tefnut, Seb, Netpe, Osiris, Isis, Set, Nephthys, Horus, and Thoth, mentioning on the same monument Phthah, Num, Sabak, Athor, Pasht, Mentu, Neith, Anubis, Nishem, and Kartak. Another represents himself on a similar object as offering adoration to Ammon, Khem, Phthah-Sokari, Seb, Nut, Thoth, Khons, Osiris, Isis, Horus, Athor, Uat (Buto), Neith, Sekhet, Anata, Nuneb, Nebhept, and Hapi. All these deities are represented by distinct forms, and have distinct attributes. Nor do they at all exhaust the Pantheon. One modern writer enumerates seventy-three divinities, and gives their several names and forms. Another has a list of sixty-three "principal deities," and notes that there were "others which personified the elements, or presided over the operations of nature, the seasons, and events." The Egyptians themselves speak not unfrequently of "the thousand gods," sometimes further qualifying them, as "the gods male, the gods female, those which belong to the land of Egypt." Practically, there were before the eyes of worshippers some scores, if not some hundreds, of deities, who invited their approach and challenged their affections.
Nor was this the whole, or the worst. The Egyptian was taught to pay a religious regard to animals. In one place goats, in another sheep, in a third hippopotami, in a fourth crocodiles, in a fifth vultures, in a sixth frogs, in a seventh shrew-mice, were sacred creatures, to be treated with respect and honour, and under no circumstances to be slain, under the penalty of death to the slayer. And besides this local animal-cult, there was a cult which was general. Cows, cats, dogs, ibises, hawks, and cynocephalous apes, were sacred throughout the whole of Egypt, and woe to the man who injured them! A Roman who accidentally caused the death of a cat was immediately "lynched" by the populace. Inhabitants of neighbouring villages would attack each other with the utmost fury if the native of one had killed or eaten an animal held sacred in the other. In any house where a cat or a dog died, the inmates were expected to mourn for them as for a relation. Both these and the other sacred animals were carefully embalmed after death, and their bodies were interred in sacred repositories.
The animal-worship reached its utmost pitch of grossness and absurdity when certain individual brute beasts were declared to be incarnate deities, and treated accordingly. At Memphis, the ordinary capital, there was maintained, at any rate from the time of Aahmes I. (about B.C. 1650), a sacred bull, known as Hapi or Apis, which was believed to be an actual incarnation of the god Phthah, and was an object of the highest veneration. The Apis bull dwelt in a temple of his own near the city, had his train of attendant priests, his harem of cows, his meals of the choicest food, his grooms and currycombers who kept his coat clean and beautiful, his chamberlains who made his bed, his cup-bearers who brought him water, &c., and on fixed days was led in a festive procession through the main streets of the town, so that the inhabitants might see him, and come forth from their dwellings and make obeisance. When he died he was carefully embalmed, and deposited, together with magnificent jewels and statuettes and vases, in a polished granite sarcophagus, cut out of a single block, and weighing between sixty and seventy tons! The cost of an Apis funeral amounted sometimes, as we are told, to as much as