THE FORSYTE COLLECTION - Complete 9 Books. John Galsworthy
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'Heavenly Love,' a reproduction of which hung over the sideboard in his dining-room. And her attraction seemed to be in this soft passivity, in the feeling she gave that to pressure she must yield.
For what or whom was she waiting, in the silence, with the trees dropping here and there a leaf, and the thrushes strutting close on grass, touched with the sparkle of the autumn rime? Then her charming face grew eager, and, glancing round, with almost a lover's jealousy, young Jolyon saw Bosinney striding across the grass.
Curiously he watched the meeting, the look in their eyes, the long clasp of their hands. They sat down close together, linked for all their outward discretion. He heard the rapid murmur of their talk; but what they said he could not catch.
He had rowed in the galley himself! He knew the long hours of waiting and the lean minutes of a half-public meeting; the tortures of suspense that haunt the unhallowed lover.
It required, however, but a glance at their two faces to see that this was none of those affairs of a season that distract men and women about town; none of those sudden appetites that wake up ravening, and are surfeited and asleep again in six weeks. This was the real thing! This was what had happened to himself! Out of this anything might come!
Bosinney was pleading, and she so quiet, so soft, yet immovable in her passivity, sat looking over the grass.
Was he the man to carry her off, that tender, passive being, who would never stir a step for herself? Who had given him all herself, and would die for him, but perhaps would never run away with him!
It seemed to young Jolyon that he could hear her saying: "But, darling, it would ruin you!" For he himself had experienced to the full the gnawing fear at the bottom of each woman's heart that she is a drag on the man she loves.
And he peeped at them no more; but their soft, rapid talk came to his ears, with the stuttering song of some bird who seemed trying to remember the notes of spring: Joy—tragedy? Which—which?
And gradually their talk ceased; long silence followed.
'And where does Soames come in?' young Jolyon thought. 'People think she is concerned about the sin of deceiving her husband! Little they know of women! She's eating, after starvation—taking her revenge! And Heaven help her—for he'll take his.'
He heard the swish of silk, and, spying round the laurel, saw them walking away, their hands stealthily joined....
At the end of July old Jolyon had taken his grand-daughter to the mountains; and on that visit (the last they ever paid) June recovered to a great extent her health and spirits. In the hotels, filled with British Forsytes—for old Jolyon could not bear a 'set of Germans,' as he called all foreigners—she was looked upon with respect—the only grand-daughter of that fine-looking, and evidently wealthy, old Mr. Forsyte. She did not mix freely with people—to mix freely with people was not June's habit—but she formed some friendships, and notably one in the Rhone Valley, with a French girl who was dying of consumption.
Determining at once that her friend should not die, she forgot, in the institution of a campaign against Death, much of her own trouble.
Old Jolyon watched the new intimacy with relief and disapproval; for this additional proof that her life was to be passed amongst 'lame ducks' worried him. Would she never make a friendship or take an interest in something that would be of real benefit to her?
'Taking up with a parcel of foreigners,' he called it. He often, however, brought home grapes or roses, and presented them to 'Mam'zelle' with an ingratiating twinkle.
Towards the end of September, in spite of June's disapproval, Mademoiselle Vigor breathed her last in the little hotel at St. Luc, to which they had moved her; and June took her defeat so deeply to heart that old Jolyon carried her away to Paris. Here, in contemplation of the 'Venus de Milo' and the 'Madeleine,' she shook off her depression, and when, towards the middle of October, they returned to town, her grandfather believed that he had effected a cure.
No sooner, however, had they established themselves in Stanhope Gate than he perceived to his dismay a return of her old absorbed and brooding manner. She would sit, staring in front of her, her chin on her hand, like a little Norse spirit, grim and intent, while all around in the electric light, then just installed, shone the great, drawing-room brocaded up to the frieze, full of furniture from Baple and Pullbred's. And in the huge gilt mirror were reflected those Dresden china groups of young men in tight knee breeches, at the feet of full-bosomed ladies nursing on their laps pet lambs, which old Jolyon had bought when he was a bachelor and thought so highly of in these days of degenerate taste. He was a man of most open mind, who, more than any Forsyte of them all, had moved with the times, but he could never forget that he had bought these groups at Jobson's, and given a lot of money for them. He often said to June, with a sort of disillusioned contempt:
"You don't care about them! They're not the gimcrack things you and your friends like, but they cost me seventy pounds!" He was not a man who allowed his taste to be warped when he knew for solid reasons that it was sound.
One of the first things that June did on getting home was to go round to Timothy's. She persuaded herself that it was her duty to call there, and cheer him with an account of all her travels; but in reality she went because she knew of no other place where, by some random speech, or roundabout question, she could glean news of Bosinney.
They received her most cordially: And how was her dear grandfather? He had not been to see them since May. Her Uncle Timothy was very poorly, he had had a lot of trouble with the chimney-sweep in his bedroom; the stupid man had let the soot down the chimney! It had quite upset her uncle.
June sat there a long time, dreading, yet passionately hoping, that they would speak of Bosinney.
But paralyzed by unaccountable discretion, Mrs. Septimus Small let fall no word, neither did she question June about him. In desperation the girl asked at last whether Soames and Irene were in town—she had not yet been to see anyone.
It was Aunt Hester who replied: Oh, yes, they were in town, they had not been away at all. There was some little difficulty about the house, she believed. June had heard, no doubt! She had better ask her Aunt Juley!
June turned to Mrs. Small, who sat upright in her chair, her hands clasped, her face covered with innumerable pouts. In answer to the girl's look she maintained a strange silence, and when she spoke it was to ask June whether she had worn night-socks up in those high hotels where it must be so cold of a night.
June answered that she had not, she hated the stuffy things; and rose to leave.
Mrs. Small's infallibly chosen silence was far more ominous to her than anything that could have been said.
Before half an hour was over she had dragged the truth from Mrs. Baynes in Lowndes Square, that Soames was bringing an action against Bosinney over the decoration of the house.
Instead of disturbing her, the news had a strangely calming effect; as though she saw in the prospect of this struggle new hope for herself. She learnt that the case was expected to come on in about a month, and there seemed little or no prospect of Bosinney's success.
"And whatever he'll do I can't think," said Mrs. Baynes; "it's very dreadful for him, you know—he's got no money—he's very hard up. And we can't help him, I'm sure. I'm told the money-lenders won't lend if you have no security, and he has none—none at all."
Her embonpoint had increased of late; she was in the full swing of autumn organization, her writing-table literally strewn with the menus of charity functions. She looked meaningly at June, with her round eyes of parrot-grey.
The sudden flush that rose on the girl's intent young face—she must have seen spring up before her a great hope—the sudden sweetness of her smile, often came back to Lady Baynes in after years (Baynes was knighted when he built that public Museum of Art which has given so much employment to officials, and so little pleasure to those working classes for whom it was designed).
The memory of that change, vivid and touching, like the breaking open of a flower, or the first sun after long winter, the memory, too, of all that came after, often intruded