The Belovéd Vagabond. William John Locke

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The Belovéd Vagabond - William John  Locke


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      And that is all I heard of the matter. I never lifted up my voice in the Club again.

      There was a curious black case on the top of a cupboard in his room which for some time aroused my curiosity. It was like no box I had seen before. But one afternoon Paragot took it down and extracted therefrom a violin which after tuning he began to play. Now although fond of music I have never been able to learn any instrument save the tambourine—my highest success otherwise has been to finger out "God save the Queen" and "We won't go home till morning" on the ocarina—and to this day a person able to play the piano or the fiddle seems possessed of an uncanny gift; but in that remote period of my fresh rescue from the gutter, an executant appeared something superhuman. I stared at him with stupid open mouth. He played what I afterwards learned was one of Brahms's Hungarian dances. His lank figure and long hair worked in unison with the music which filled the room with a wild tumult of movement. I had not heard anything like it in my life. It set every nerve of me dancing. I suppose Paragot found his interest in me because I was such an impressionable youngster. When, at the abrupt finale, he asked me what I thought of it, I could scarce stammer a word.

      He gave me one of his queer kind looks while he tuned a string.

      "I still wonder, my son, whether it would not be better for your soul that you should go on scullioning to the end of time."

      "Why, Master?" I asked.

      "Sacré mille diables," he cried, "do you think I am going to give you a reason for everything? You'll learn fast enough."

      He laughed and went on playing, and, as I listened, the more godlike he grew.

      "The streets of Paris," said he, returning the fiddle to its case, "are strewn with the wrecked souls of artists."

      "And not London?"

      "My little Asticot," he replied, "I am a Frenchman, and it is our fondest illusion that no art can possibly exist out of Paris."

      I discovered later that he was the son of a Gascon father and an Irish mother, which accounted for his being absolutely bilingual and, indeed, for many oddities of temperament. But now he proclaimed himself a Frenchman, and for a time I was oppressed with a sense of disappointment.

      At the Board School I had bolted enough indigestible historical facts to know that the English had always beaten the French, and I had drawn the natural conclusion that the French were a vastly inferior race of beings. It was, I verily believe, the first step in my spiritual education to realise that the god of my idolatry suffered no diminution of grandeur by reason of his nationality. Indeed he gained accession, for after this he talked often to me of France in his magniloquent way, until I began secretly to be ashamed of being English. This had one advantage, in that I set myself with redoubled vigour to learn his language.

      So extraordinary was the veneration I had for the man who had transplanted me from the kicks and soapsuds of my former life into this bewildering land of Greek gods and Ariels and pictures and music; for the man who spoke many unknown tongues, wore a gold watch chain, had been to Warsaw and every city mentioned in my school geography, and presided like a king over an assembly of those whom as a gutter urchin I had been wont to designate "toffs"; for the beneficent being who had provided me, Gus Smith alias Asticot, with a nightshirt, condescended to eat half my egg and to allow me to supervise his bedchamber and maintain it in an orderly state of disintegration, hair-brushes from butter and tobacco-ash from fish; for the man who, God knows, was the first of human creatures to awaken the emotion of love within my child's breast—so extraordinary was the veneration I had for him, that although I started out on this narrative by saying it was Paragot's story and not my own I proposed to tell, I hope to be pardoned for a brief egotistical excursion.

      Like the gentleman in Chaucer, Paragot had over "his beddes hedde" a shelf of books to which, careless creature that he was, he did not dream of denying me access. In that attic in Tavistock Street I read Smollett and Byron and somehow spelt through "Nana." I also found there the De Imitatione Christi, which I read with much the same enjoyment as I did the others. You must not think this priggish of me. The impressionable child of starved imagination will read anything that is printed. In my mother's house I used to purloin the squares of newspaper in which the fried fish from Mr. Samuel's had been wrapped, and surreptitiously read them. Why not Saint Thomas à Kempis?

      I have in my possession now a filthy piece of paper, dropping to bits, on which is copied, in my round Board School boy handwriting, the eleventh chapter of the De Imitatione.

      It runs:

      "My Son, thou hast still many things to learn, which thou hast not well learned yet."

      "What are they, Lord?"

      "To place thy desire altogether in subjection to my good pleasure and not to be a lover of thyself, but an earnest seeker of my will. Thy desires often excite and urge thee forward: but consider with thyself whether thou art not more moved for thine own objects than for my honour. If it is myself that thou seekest thou shalt be well content with whatsoever I shall ordain; but if any pursuit of thine own lieth hidden within thee, behold it is this which hindreth and weigheth thee down.

      "Beware, therefore, lest thou strive too earnestly after some desire which thou hast conceived, without taking counsel of me: lest haply it repent thee afterwards, and that displease thee which before pleased, and for which thou didst long as for a great good. For not every affection which seemeth good is to be forthwith followed: neither is every opposite affection to be immediately avoided. Sometimes it is expedient to use restraint even in good desires and wishes, lest through importunity thou fall into distraction of mind, lest through want of discipline thou become a stumbling-block to others, or lest by the resistance of others thou be suddenly disturbed and brought to confusion.

      "Sometimes indeed it is needful to use violence, and manfully to strive against the sensual appetite, and not to consider what the flesh may or not will; but rather to strive after this, that it may become subject, however unwillingly, to the spirit. And for so long it ought to be chastised and compelled to undergo slavery, even until it be ready for all things; and learn to be contented with little, to be delighted with things simple, and never to murmur at any inconvenience."

      Let no one be shocked. It was one of the great acts of devotion of my life. I copied this out as a boy, not because it counselled me in my duty towards God, but because it summed up my whole duty to Paragot. Paragot was "Me." I saw the relation between Paragot and myself in every line. Had not I often fallen into distraction of mind over my drawing and books when I ought to have been helping Mrs. Housekeeper downstairs? Was it not want of discipline that made me a stumbling-block that memorable night in the Club? Ought I not to be content with everything Paragot should ordain? And was it not my duty to murmur at no inconvenience?

      Years afterwards I showed this paper to Paragot. He wept. Alas! I had not well chosen my opportunity.

      I remember, the night after I copied the chapter, Cherubino and I helped Paragot up the stairs and put him to bed. It was the first time I had seen him the worse for liquor. But when one has been accustomed to see one's mother and all her adult acquaintances dead drunk, the spectacle of a god slightly overcome with wine is neither here nor there.

       Table of Contents

      There was one merit (if merit it was) of my mother's establishment. No skeletons lurked in cupboards. They flaunted their grimness all over the place. Such letters as she received trailed about the kitchen, for all who chose to read, until they were caught up to cleanse a frying-pan. As she possessed no private papers their sanctity was never inculcated; and I could have rummaged, had I so desired, in every drawer or box in the house without fear of correction. When I took up my abode with Paragot, he laid no embargo on any of his belongings. The attic, except for sleeping purposes, was as much mine as his, and it did not occur to me that anything it contained could not be at my disposal.

      This must be


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