The Collected Works of Lucy Maud Montgomery: 20 Novels & 170+ Short Stories, Poems, Autobiography and Letters (Including Complete Anne Shirley Series, Chronicles of Avonlea & Emily Starr Trilogy). Lucy Maud Montgomery

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The Collected Works of Lucy Maud Montgomery: 20 Novels & 170+ Short Stories, Poems, Autobiography and Letters  (Including Complete Anne Shirley Series, Chronicles of Avonlea & Emily Starr Trilogy) - Lucy Maud Montgomery


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and jointed chicken to Anne’s greatful eyes.

      The chicken was supplemented by light new bread, excellent butter and cheese, Marilla’s fruit cake and a dish of preserved plums, floating in their golden syrup as in congealed summer sunshine. There was a big bowlful of pink-and-white asters also, by way of decoration; yet the spread seemed very meager beside the elaborate one formerly prepared for Mrs. Morgan.

      Anne’s hungry guests, however, did not seem to think anything was lacking and they ate the simple viands with apparent enjoyment. But after the first few moments Anne thought no more of what was or was not on her bill of fare. Mrs. Morgan’s appearance might be somewhat disappointing, as even her loyal worshippers had been forced to admit to each other; but she proved to be a delightful conversationalist. She had traveled extensively and was an excellent storyteller. She had seen much of men and women, and crystalized her experiences into witty little sentences and epigrams which made her hearers feel as if they were listening to one of the people in clever books. But under all her sparkle there was a strongly felt undercurrent of true, womanly sympathy and kindheartedness which won affection as easily as her brilliancy won admiration. Nor did she monopolize the conversation. She could draw others out as skillfully and fully as she could talk herself, and Anne and Diana found themselves chattering freely to her. Mrs. Pendexter said little; she merely smiled with her lovely eyes and lips, and ate chicken and fruit cake and preserves with such exquisite grace that she conveyed the impression of dining on ambrosia and honeydew. But then, as Anne said to Diana later on, anybody so divinely beautiful as Mrs. Pendexter didn’t need to talk; it was enough for her just to LOOK.

      After dinner they all had a walk through Lover’s Lane and Violet Vale and the Birch Path, then back through the Haunted Wood to the Dryad’s Bubble, where they sat down and talked for a delightful last half hour. Mrs. Morgan wanted to know how the Haunted Wood came by its name, and laughed until she cried when she heard the story and Anne’s dramatic account of a certain memorable walk through it at the witching hour of twilight.

      “It has indeed been a feast of reason and flow of soul, hasn’t it?” said Anne, when her guests had gone and she and Diana were alone again. “I don’t know which I enjoyed more … listening to Mrs. Morgan or gazing at Mrs. Pendexter. I believe we had a nicer time than if we’d known they were coming and been cumbered with much serving. You must stay to tea with me, Diana, and we’ll talk it all over.”

      “Priscilla says Mrs. Pendexter’s husband’s sister is married to an English earl; and yet she took a second helping of the plum preserves,” said Diana, as if the two facts were somehow incompatible.

      “I daresay even the English earl himself wouldn’t have turned up his aristocratic nose at Marilla’s plum preserves,” said Anne proudly.

      Anne did not mention the misfortune which had befallen HER nose when she related the day’s history to Marilla that evening. But she took the bottle of freckle lotion and emptied it out of the window.

      “I shall never try any beautifying messes again,” she said, darkly resolute. “They may do for careful, deliberate people; but for anyone so hopelessly given over to making mistakes as I seem to be it’s tempting fate to meddle with them.”

       Table of Contents

      School opened and Anne returned to her work, with fewer theories but considerably more experience. She had several new pupils, six-and seven-year-olds just venturing, round-eyed, into a world of wonder. Among them were Davy and Dora. Davy sat with Milty Boulter, who had been going to school for a year and was therefore quite a man of the world. Dora had made a compact at Sunday School the previous Sunday to sit with Lily Sloane; but Lily Sloane not coming the first day, she was temporarily assigned to Mirabel Cotton, who was ten years old and therefore, in Dora’s eyes, one of the “big girls.”

      “I think school is great fun,” Davy told Marilla when he got home that night. “You said I’d find it hard to sit still and I did … you mostly do tell the truth, I notice … but you can wriggle your legs about under the desk and that helps a lot. It’s splendid to have so many boys to play with. I sit with Milty Boulter and he’s fine. He’s longer than me but I’m wider. It’s nicer to sit in the back seats but you can’t sit there till your legs grow long enough to touch the floor. Milty drawed a picture of Anne on his slate and it was awful ugly and I told him if he made pictures of Anne like that I’d lick him at recess. I thought first I’d draw one of him and put horns and a tail on it, but I was afraid it would hurt his feelings, and Anne says you should never hurt anyone’s feelings. It seems it’s dreadful to have your feelings hurt. It’s better to knock a boy down than hurt his feelings if you MUST do something. Milty said he wasn’t scared of me but he’d just as soon call it somebody else to ‘blige me, so he rubbed out Anne’s name and printed Barbara Shaw’s under it. Milty doesn’t like Barbara ‘cause she calls him a sweet little boy and once she patted him on his head.”

      Dora said primly that she liked school; but she was very quiet, even for her; and when at twilight Marilla bade her go upstairs to bed she hesitated and began to cry.

      “I’m … I’m frightened,” she sobbed. “I … I don’t want to go upstairs alone in the dark.”

      “What notion have you got into your head now?” demanded Marilla. “I’m sure you’ve gone to bed alone all summer and never been frightened before.”

      Dora still continued to cry, so Anne picked her up, cuddled her sympathetically, and whispered,

      “Tell Anne all about it, sweetheart. What are you frightened of?”

      “Of … of Mirabel Cotton’s uncle,” sobbed Dora. “Mirabel Cotton told me all about her family today in school. Nearly everybody in her family has died … all her grandfathers and grandmothers and ever so many uncles and aunts. They have a habit of dying, Mirabel says. Mirabel’s awful proud of having so many dead relations, and she told me what they all died of, and what they said, and how they looked in their coffins. And Mirabel says one of her uncles was seen walking around the house after he was buried. Her mother saw him. I don’t mind the rest so much but I can’t help thinking about that uncle.”

      Anne went upstairs with Dora and sat by her until she fell asleep. The next day Mirabel Cotton was kept in at recess and “gently but firmly” given to understand that when you were so unfortunate as to possess an uncle who persisted in walking about houses after he had been decently interred it was not in good taste to talk about that eccentric gentleman to your deskmate of tender years. Mirabel thought this very harsh. The Cottons had not much to boast of. How was she to keep up her prestige among her schoolmates if she were forbidden to make capital out of the family ghost?

      September slipped by into a gold and crimson graciousness of October. One Friday evening Diana came over.

      “I’d a letter from Ella Kimball today, Anne, and she wants us to go over to tea tomorrow afternoon to meet her cousin, Irene Trent, from town. But we can’t get one of our horses to go, for they’ll all be in use tomorrow, and your pony is lame … so I suppose we can’t go.”

      “Why can’t we walk?” suggested Anne. “If we go straight back through the woods we’ll strike the West Grafton road not far from the Kimball place. I was through that way last winter and I know the road. It’s no more than four miles and we won’t have to walk home, for Oliver Kimball will be sure to drive us. He’ll be only too glad of the excuse, for he goes to see Carrie Sloane and they say his father will hardly ever let him have a horse.”

      It was accordingly arranged that they should walk, and the following afternoon they set out, going by way of Lover’s Lane to the back of the Cuthbert farm, where they found a road leading into the heart of acres of glimmering beech and maple woods, which were all in a wondrous glow of flame and gold, lying in a great purple stillness and peace.

      “It’s as if the year were kneeling to pray in a vast cathedral full of mellow


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