The Collected Works of Lucy Maud Montgomery: 20 Novels & 170+ Short Stories, Poems, Autobiography and Letters (Including Complete Anne Shirley Series, Chronicles of Avonlea & Emily Starr Trilogy). Lucy Maud Montgomery
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“That old nuisance of a Rachel Lynde was here again today, pestering me for a subscription towards buying a carpet for the vestry room,” said Mr. Harrison wrathfully. “I detest that woman more than anybody I know. She can put a whole sermon, text, comment, and application, into six words, and throw it at you like a brick.”
Anne, who was perched on the edge of the veranda, enjoying the charm of a mild west wind blowing across a newly ploughed field on a gray November twilight and piping a quaint little melody among the twisted firs below the garden, turned her dreamy face over her shoulder.
“The trouble is, you and Mrs. Lynde don’t understand one another,” she explained. “That is always what is wrong when people don’t like each other. I didn’t like Mrs. Lynde at first either; but as soon as I came to understand her I learned to.”
“Mrs. Lynde may be an acquired taste with some folks; but I didn’t keep on eating bananas because I was told I’d learn to like them if I did,” growled Mr. Harrison. “And as for understanding her, I understand that she is a confirmed busybody and I told her so.”
“Oh, that must have hurt her feelings very much,” said Anne reproachfully. “How could you say such a thing? I said some dreadful things to Mrs. Lynde long ago but it was when I had lost my temper. I couldn’t say them DELIBERATELY.”
“It was the truth and I believe in telling the truth to everybody.”
“But you don’t tell the whole truth,” objected Anne. “You only tell the disagreeable part of the truth. Now, you’ve told me a dozen times that my hair was red, but you’ve never once told me that I had a nice nose.”
“I daresay you know it without any telling,” chuckled Mr. Harrison.
“I know I have red hair too … although it’s MUCH darker than it used to be … so there’s no need of telling me that either.”
“Well, well, I’ll try and not mention it again since you’re so sensitive. You must excuse me, Anne. I’ve got a habit of being outspoken and folks mustn’t mind it.”
“But they can’t help minding it. And I don’t think it’s any help that it’s your habit. What would you think of a person who went about sticking pins and needles into people and saying, ‘Excuse me, you mustn’t mind it … it’s just a habit I’ve got.’ You’d think he was crazy, wouldn’t you? And as for Mrs. Lynde being a busybody, perhaps she is. But did you tell her she had a very kind heart and always helped the poor, and never said a word when Timothy Cotton stole a crock of butter out of her dairy and told his wife he’d bought it from her? Mrs. Cotton cast it up to her the next time they met that it tasted of turnips and Mrs. Lynde just said she was sorry it had turned out so poorly.”
“I suppose she has some good qualities,” conceded Mr. Harrison grudgingly. “Most folks have. I have some myself, though you might never suspect it. But anyhow I ain’t going to give anything to that carpet. Folks are everlasting begging for money here, it seems to me. How’s your project of painting the hall coming on?”
“Splendidly. We had a meeting of the A.V.I.S. last Friday night and found that we had plenty of money subscribed to paint the hall and shingle the roof too. MOST people gave very liberally, Mr. Harrison.”
Anne was a sweet-souled lass, but she could instill some venom into innocent italics when occasion required.
“What color are you going to have it?”
“We have decided on a very pretty green. The roof will be dark red, of course. Mr. Roger Pye is going to get the paint in town today.”
“Who’s got the job?”
“Mr. Joshua Pye of Carmody. He has nearly finished the shingling. We had to give him the contract, for every one of the Pyes … and there are four families, you know … said they wouldn’t give a cent unless Joshua got it. They had subscribed twelve dollars between them and we thought that was too much to lose, although some people think we shouldn’t have given in to the Pyes. Mrs. Lynde says they try to run everything.”
“The main question is will this Joshua do his work well. If he does I don’t see that it matters whether his name is Pye or Pudding.”
“He has the reputation of being a good workman, though they say he’s a very peculiar man. He hardly ever talks.”
“He’s peculiar enough all right then,” said Mr. Harrison drily. “Or at least, folks here will call him so. I never was much of a talker till I came to Avonlea and then I had to begin in self-defense or Mrs. Lynde would have said I was dumb and started a subscription to have me taught sign language. You’re not going yet, Anne?”
“I must. I have some sewing to do for Dora this evening. Besides, Davy is probably breaking Marilla’s heart with some new mischief by this time. This morning the first thing he said was, ‘Where does the dark go, Anne? I want to know.’ I told him it went around to the other side of the world but after breakfast he declared it didn’t … that it went down the well. Marilla says she caught him hanging over the wellbox four times today, trying to reach down to the dark.”
“He’s a limb,” declared Mr. Harrison. “He came over here yesterday and pulled six feathers out of Ginger’s tail before I could get in from the barn. The poor bird has been moping ever since. Those children must be a sight of trouble to you folks.”
“Everything that’s worth having is some trouble,” said Anne, secretly resolving to forgive Davy’s next offence, whatever it might be, since he had avenged her on Ginger.
Mr. Roger Pye brought the hall paint home that night and Mr. Joshua Pye, a surly, taciturn man, began painting the next day. He was not disturbed in his task. The hall was situated on what was called “the lower road.” In late autumn this road was always muddy and wet, and people going to Carmody traveled by the longer “upper” road. The hall was so closely surrounded by fir woods that it was invisible unless you were near it. Mr. Joshua Pye painted away in the solitude and independence that were so dear to his unsociable heart.
Friday afternoon he finished his job and went home to Carmody. Soon after his departure Mrs. Rachel Lynde drove by, having braved the mud of the lower road out of curiosity to see what the hall looked like in its new coat of paint. When she rounded the spruce curve she saw.
The sight affected Mrs. Lynde oddly. She dropped the reins, held up her hands, and said “Gracious Providence!” She stared as if she could not believe her eyes. Then she laughed almost hysterically.
“There must be some mistake … there must. I knew those Pyes would make a mess of things.”
Mrs. Lynde drove home, meeting several people on the road and stopping to tell them about the hall. The news flew like wildfire. Gilbert Blythe, poring over a text book at home, heard it from his father’s hired boy at sunset, and rushed breathlessly to Green Gables, joined on the way by Fred Wright. They found Diana Barry, Jane Andrews, and Anne Shirley, despair personified, at the yard gate of Green Gables, under the big leafless willows.
“It isn’t true surely, Anne?” exclaimed Gilbert.
“It is true,” answered Anne, looking like the muse of tragedy. “Mrs. Lynde called on her way from Carmody to tell me. Oh, it is simply dreadful! What is the use of trying to improve anything?”
“What is dreadful?” asked Oliver Sloane, arriving at this moment with a bandbox he had brought from town for Marilla.
“Haven’t you heard?” said Jane wrathfully. “Well, its simply this… Joshua Pye has gone and painted the hall blue instead of green… a deep, brilliant blue, the shade they use for painting carts and wheelbarrows. And Mrs. Lynde says it is the most hideous color for a building, especially when combined with a red roof, that she ever saw or imagined. You could simply have knocked