The Collected Works of Lucy Maud Montgomery: 20 Novels & 170+ Short Stories, Poems, Autobiography and Letters (Including Complete Anne Shirley Series, Chronicles of Avonlea & Emily Starr Trilogy). Lucy Maud Montgomery
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her out to the garden and she’d lie there on a bench quite happy. They say she used to make Jordan kneel down by her every night and morning and pray with her that she might die out in the garden when the time came. And her prayer was answered. One day Jordan carried her out to the bench and then he picked all the roses that were out and heaped them over her; and she just smiled up at him … and closed her eyes … and that,” concluded Diana softly, “was the end.”
“Oh, what a dear story,” sighed Anne, wiping away her tears.
“What became of Jordan?” asked Priscilla.
“He sold the farm after Hester died and went back to Boston. Mr. Jabez Sloane bought the farm and hauled the little house out to the road. Jordan died about ten years after and he was brought home and buried beside Hester.”
“I can’t understand how she could have wanted to live back here, away from everything,” said Jane.
“Oh, I can easily understand THAT,” said Anne thoughtfully. “I wouldn’t want it myself for a steady thing, because, although I love the fields and woods, I love people too. But I can understand it in Hester. She was tired to death of the noise of the big city and the crowds of people always coming and going and caring nothing for her. She just wanted to escape from it all to some still, green, friendly place where she could rest. And she got just what she wanted, which is something very few people do, I believe. She had four beautiful years before she died… four years of perfect happiness, so I think she was to be envied more than pitied. And then to shut your eyes and fall asleep among roses, with the one you loved best on earth smiling down at you … oh, I think it was beautiful!”
“She set out those cherry trees over there,” said Diana. “She told mother she’d never live to eat their fruit, but she wanted to think that something she had planted would go on living and helping to make the world beautiful after she was dead.”
“I’m so glad we came this way,” said Anne, the shining-eyed. “This is my adopted birthday, you know, and this garden and its story is the birthday gift it has given me. Did your mother ever tell you what Hester Gray looked like, Diana?”
“No … only just that she was pretty.”
“I’m rather glad of that, because I can imagine what she looked like, without being hampered by facts. I think she was very slight and small, with softly curling dark hair and big, sweet, timid brown eyes, and a little wistful, pale face.”
The girls left their baskets in Hester’s garden and spent the rest of the afternoon rambling in the woods and fields surrounding it, discovering many pretty nooks and lanes. When they got hungry they had lunch in the prettiest spot of all … on the steep bank of a gurgling brook where white birches shot up out of long feathery grasses. The girls sat down by the roots and did full justice to Anne’s dainties, even the unpoetical sandwiches being greatly appreciated by hearty, unspoiled appetites sharpened by all the fresh air and exercise they had enjoyed. Anne had brought glasses and lemonade for her guests, but for her own part drank cold brook water from a cup fashioned out of birch bark. The cup leaked, and the water tasted of earth, as brook water is apt to do in spring; but Anne thought it more appropriate to the occasion than lemonade.
“Look do you see that poem?” she said suddenly, pointing.
“Where?” Jane and Diana stared, as if expecting to see Runic rhymes on the birch trees.
“There … down in the brook … that old green, mossy log with the water flowing over it in those smooth ripples that look as if they’d been combed, and that single shaft of sunshine falling right athwart it, far down into the pool. Oh, it’s the most beautiful poem I ever saw.”
“I should rather call it a picture,” said Jane. “A poem is lines and verses.”
“Oh dear me, no.” Anne shook her head with its fluffy wild cherry coronal positively. “The lines and verses are only the outward garments of the poem and are no more really it than your ruffles and flounces are YOU, Jane. The real poem is the soul within them … and that beautiful bit is the soul of an unwritten poem. It is not every day one sees a soul … even of a poem.”
“I wonder what a soul … a person’s soul … would look like,” said Priscilla dreamily.
“Like that, I should think,” answered Anne, pointing to a radiance of sifted sunlight streaming through a birch tree. “Only with shape and features of course. I like to fancy souls as being made of light. And some are all shot through with rosy stains and quivers … and some have a soft glitter like moonlight on the sea … and some are pale and transparent like mist at dawn.”
“I read somewhere once that souls were like flowers,” said Priscilla.
“Then your soul is a golden narcissus,” said Anne, “and Diana’s is like a red, red rose. Jane’s is an apple blossom, pink and wholesome and sweet.”
“And your own is a white violet, with purple streaks in its heart,” finished Priscilla.
Jane whispered to Diana that she really could not understand what they were talking about. Could she?
The girls went home by the light of a calm golden sunset, their baskets filled with narcissus blossoms from Hester’s garden, some of which Anne carried to the cemetery next day and laid upon Hester’s grave. Minstrel robins were whistling in the firs and the frogs were singing in the marshes. All the basins among the hills were brimmed with topaz and emerald light.
“Well, we have had a lovely time after all,” said Diana, as if she had hardly expected to have it when she set out.
“It has been a truly golden day,” said Priscilla.
“I’m really awfully fond of the woods myself,” said Jane.
Anne said nothing. She was looking afar into the western sky and thinking of little Hester Gray.
XIV. A Danger Averted
Anne, walking home from the post office one Friday evening, was joined by Mrs. Lynde, who was as usual cumbered with all the cares of church and state.
“I’ve just been down to Timothy Cotton’s to see if I could get Alice Louise to help me for a few days,” she said. “I had her last week, for, though she’s too slow to stop quick, she’s better than nobody. But she’s sick and can’t come. Timothy’s sitting there, too, coughing and complaining. He’s been dying for ten years and he’ll go on dying for ten years more. That kind can’t even die and have done with it … they can’t stick to anything, even to being sick, long enough to finish it. They’re a terrible shiftless family and what is to become of them I don’t know, but perhaps Providence does.”
Mrs. Lynde sighed as if she rather doubted the extent of Providential knowledge on the subject.
“Marilla was in about her eyes again Tuesday, wasn’t she? What did the specialist think of them?” she continued.
“He was much pleased,” said Anne brightly. “He says there is a great improvement in them and he thinks the danger of her losing her sight completely is past. But he says she’ll never be able to read much or do any fine handwork again. How are your preparations for your bazaar coming on?”
The Ladies’ Aid Society was preparing for a fair and supper, and Mrs. Lynde was the head and front of the enterprise.
“Pretty well … and that reminds me. Mrs. Allan thinks it would be nice to fix up a booth like an old-time kitchen and serve a supper of baked beans, doughnuts, pie, and so on. We’re collecting old-fashioned fixings everywhere. Mrs. Simon Fletcher is going to lend us her mother’s braided rugs and Mrs. Levi Boulter some old chairs and Aunt Mary Shaw will lend us her cupboard with the glass doors. I suppose Marilla will let us have her brass candlesticks? And we want all the old dishes we can