The Complete Works of Nathaniel Hawthorne (Illustrated Edition). Nathaniel Hawthorne
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a term long enough to rest a weary brain: long enough to break off old intellectual habits, and make room for new ones: long enough, and too long, to have lived in an unnatural state, doing what was really of no advantage nor delight to any human being, and withholding myself from toil that would, at least, have stilled an unquiet impulse in me. Then, moreover, as regarded his unceremonious ejectment, the late Surveyor was not altogether ill-pleased to be recognised by the Whigs as an enemy; since his inactivity in political affairs — his tendency to roam, at will, in that broad and quiet field where all mankind may meet, rather than confine himself to those narrow paths where brethren of the same household must diverge from one another — had sometimes made it questionable with his brother Democrats whether he was a friend. Now, after he had won the crown of martyrdom (though with no longer a head to wear it on), the point might be looked upon as settled. Finally, little heroic as he was, it seemed more decorous to be overthrown in the downfall of the party with which he had been content to stand than to remain a forlorn survivor, when so many worthier men were falling: and at last, after subsisting for four years on the mercy of a hostile administration, to be compelled then to define his position anew, and claim the yet more humiliating mercy of a friendly one.
Meanwhile, the press had taken up my affair, and kept me for a week or two careering through the public prints, in my decapitated state, like Irving’s Headless Horseman, ghastly and grim, and longing to be buried, as a political dead man ought. So much for my figurative self. The real human being all this time, with his head safely on his shoulders, had brought himself to the comfortable conclusion that everything was for the best; and making an investment in ink, paper, and steel pens, had opened his long-disused writing desk, and was again a literary man.
Now it was that the lucubrations of my ancient predecessor, Mr. Surveyor Pue, came into play. Rusty through long idleness, some little space was requisite before my intellectual machinery could be brought to work upon the tale with an effect in any degree satisfactory. Even yet, though my thoughts were ultimately much absorbed in the task, it wears, to my eye, a stern and sombre aspect: too much ungladdened by genial sunshine; too little relieved by the tender and familiar influences which soften almost every scene of nature and real life, and undoubtedly should soften every picture of them. This uncaptivating effect is perhaps due to the period of hardly accomplished revolution, and still seething turmoil, in which the story shaped itself. It is no indication, however, of a lack of cheerfulness in the writer’s mind: for he was happier while straying through the gloom of these sunless fantasies than at any time since he had quitted the Old Manse. Some of the briefer articles, which contribute to make up the volume, have likewise been written since my involuntary withdrawal from the toils and honours of public life, and the remainder are gleaned from annuals and magazines, of such antique date, that they have gone round the circle, and come back to novelty again. Keeping up the metaphor of the political guillotine, the whole may be considered as the POSTHUMOUS PAPERS OF A DECAPITATED SURVEYOR: and the sketch which I am now bringing to a close, if too autobiographical for a modest person to publish in his lifetime, will readily be excused in a gentleman who writes from beyond the grave. Peace be with all the world! My blessing on my friends! My forgiveness to my enemies! For I am in the realm of quiet!
The life of the Custom-House lies like a dream behind me. The old Inspector — who, by-the-bye, I regret to say, was overthrown and killed by a horse some time ago, else he would certainly have lived for ever — he, and all those other venerable personages who sat with him at the receipt of custom, are but shadows in my view: white-headed and wrinkled images, which my fancy used to sport with, and has now flung aside for ever. The merchants — Pingree, Phillips, Shepard, Upton, Kimball, Bertram, Hunt — these and many other names, which had such classic familiarity for my ear six months ago, — these men of traffic, who seemed to occupy so important a position in the world — how little time has it required to disconnect me from them all, not merely in act, but recollection! It is with an effort that I recall the figures and appellations of these few. Soon, likewise, my old native town will loom upon me through the haze of memory, a mist brooding over and around it; as if it were no portion of the real earth, but an overgrown village in cloudland, with only imaginary inhabitants to people its wooden houses and walk its homely lanes, and the unpicturesque prolixity of its main street. Henceforth it ceases to be a reality of my life; I am a citizen of somewhere else. My good townspeople will not much regret me, for — though it has been as dear an object as any, in my literary efforts, to be of some importance in their eyes, and to win myself a pleasant memory in this abode and burial-place of so many of my forefathers — there has never been, for me, the genial atmosphere which a literary man requires in order to ripen the best harvest of his mind. I shall do better amongst other faces; and these familiar ones, it need hardly be said, will do just as well without me.
It may be, however — oh, transporting and triumphant thought — that the great-grandchildren of the present race may sometimes think kindly of the scribbler of bygone days, when the antiquary of days to come, among the sites memorable in the town’s history, shall point out the locality of THE TOWN PUMP.
I. THE PRISON DOOR
A throng of bearded men, in sad-coloured garments and grey steeple-crowned hats, intermixed with women, some wearing hoods, and others bareheaded, was assembled in front of a wooden edifice, the door of which was heavily timbered with oak, and studded with iron spikes.
The founders of a new colony, whatever Utopia of human virtue and happiness they might originally project, have invariably recognised it among their earliest practical necessities to allot a portion of the virgin soil as a cemetery, and another portion as the site of a prison. In accordance with this rule it may safely be assumed that the forefathers of Boston had built the first prison-house somewhere in the Vicinity of Cornhill, almost as seasonably as they marked out the first burial-ground, on Isaac Johnson’s lot, and round about his grave, which subsequently became the nucleus of all the congregated sepulchres in the old churchyard of King’s Chapel. Certain it is that, some fifteen or twenty years after the settlement of the town, the wooden jail was already marked with weather-stains and other indications of age, which gave a yet darker aspect to its beetle-browed and gloomy front. The rust on the ponderous ironwork of its oaken door looked more antique than anything else in the New World. Like all that pertains to crime, it seemed never to have known a youthful era. Before this ugly edifice, and between it and the wheeltrack of the street, was a grass-plot, much overgrown with burdock, pig-weed, apple-pern, and such unsightly vegetation, which evidently found something congenial in the soil that had so early borne the black flower of civilised society, a prison. But on one side of the portal, and rooted almost at the threshold, was a wild rosebush, covered, in this month of June, with its delicate gems, which might be imagined to offer their fragrance and fragile beauty to the prisoner as he went in, and to the condemned criminal as he came forth to his doom, in token that the deep heart of Nature could pity and be kind to him.
This rosebush, by a strange chance, has been kept alive in history; but whether it had merely survived out of the stern old wilderness, so long after the fall of the gigantic pines and oaks that originally overshadowed it, or whether, as there is fair authority for believing, it had sprung up under the footsteps of the sainted Ann Hutchinson as she entered the prison-door, we shall not take upon us to determine. Finding it so directly on the threshold of our narrative, which is now about to issue from that inauspicious portal, we could hardly do otherwise than pluck one of its flowers, and present it to the reader. It may serve, let us hope, to symbolise some sweet moral blossom that may be found along the track, or relieve the darkening close of a tale of human frailty and sorrow.
