THE PARISH TRILOGY - Annals of a Quiet Neighbourhood, The Seaboard Parish & The Vicar's Daughter. George MacDonald
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to attempt a partial explanation in a few words.
This fine old church in which I was honoured to lead the prayers of my people, was not the expression of the religious feeling of my time. There was a gloom about it—a sacred gloom, I know, and I loved it; but such gloom as was not in my feeling when I talked to my flock. I honoured the place; I rejoiced in its history; I delighted to think that even by the temples made with hands outlasting these bodies of ours, we were in a sense united to those who in them had before us lifted up holy hands without wrath or doubting; and with many more who, like us, had lifted up at least prayerful hands without hatred or despair. The place soothed me, tuned me to a solemn mood—one of self-denial, and gentle gladness in all sober things. But, had I been an architect, and had I had to build a church—I do not in the least know how I should have built it—I am certain it would have been very different from this. Else I should be a mere imitator, like all the church-architects I know anything about in the present day. For I always found the open air the most genial influence upon me for the production of religious feeling and thought. I had been led to try whether it might not be so with me by the fact that our Lord seemed so much to delight in the open air, and late in the day as well as early in the morning would climb the mountain to be alone with His Father. I found that it helped to give a reality to everything that I thought about, if I only contemplated it under the high untroubled blue, with the lowly green beneath my feet, and the wind blowing on me to remind me of the Spirit that once moved on the face of the waters, bringing order out of disorder and light out of darkness, and was now seeking every day a fuller entrance into my heart, that there He might work the one will of the Father in heaven.
My reader will see then that there was, as it were, not so much a discord, as a lack of harmony between the surroundings wherein my thoughts took form, or, to use a homelier phrase, my sermon was studied, and the surroundings wherein I had to put these forms into the garments of words, or preach that sermon. I therefore sought to bridge over this difference (if I understood music, I am sure I could find an expression exactly fitted to my meaning),—to find an easy passage between the open-air mood and the church mood, so as to be able to bring into the church as much of the fresh air, and the tree-music, and the colour-harmony, and the gladness over all, as might be possible; and, in order to this, I thought all my sermon over again in the afternoon sun as it shone slantingly through the stained window over Lord Eagleye's tomb, and in the failing light thereafter and the gathering dusk of the twilight, pacing up and down the solemn old place, hanging my thoughts here on a crocket, there on a corbel; now on the gable-point over which Weir's face would gaze next morning, and now on the aspiring peaks of the organ. I thus made the place a cell of thought and prayer. And when the next day came, I found the forms around me so interwoven with the forms of my thought, that I felt almost like one of the old monks who had built the place, so little did I find any check to my thought or utterance from its unfitness for the expression of my individual modernism. But not one atom the more did I incline to the evil fancy that God was more in the past than in the present; that He is more within the walls of the church, than in the unwalled sky and earth; or seek to turn backwards one step from a living Now to an entombed and consecrated Past.
One lovely Saturday, I had been out all the morning. I had not walked far, for I had sat in the various places longer than I had walked, my path lying through fields and copses, crossing a country road only now and then. I had my Greek Testament with me, and I read when I sat, and thought when I walked. I remember well enough that I was going to preach about the cloud of witnesses, and explain to my people that this did not mean persons looking at, witnessing our behaviour—not so could any addition be made to the awfulness of the fact that the eye of God was upon us—but witnesses to the truth, people who did what God wanted them to do, come of it what might, whether a crown or a rack, scoffs or applause; to behold whose witnessing might well rouse all that was human and divine in us to chose our part with them and their Lord.—When I came home, I had an early dinner, and then betook myself to my Saturday's resort.—I had never had a room large enough to satisfy me before. Now my study was to my mind.
All through the slowly-fading afternoon, the autumn of the day, when the colours are richest and the shadows long and lengthening, I paced my solemn old-thoughted church. Sometimes I went up into the pulpit and sat there, looking on the ancient walls which had grown up under men's hands that men might be helped to pray by the visible symbol of unity which the walls gave, and that the voice of the Spirit of God might be heard exhorting men to forsake the evil and choose the good. And I thought how many witnesses to the truth had knelt in those ancient pews. For as the great church is made up of numberless communities, so is the great shining orb of witness-bearers made up of millions of lesser orbs. All men and women of true heart bear individual testimony to the truth of God, saying, "I have trusted and found Him faithful." And the feeble light of the glowworm is yet light, pure, and good, and with a loveliness of its own. "So, O Lord," I said, "let my light shine before men." And I felt no fear of vanity in such a prayer, for I knew that the glory to come of it is to God only—"that men may glorify their Father in heaven." And I knew that when we seek glory for ourselves, the light goes out, and the Horror that dwells in darkness breathes cold upon our spirits. And I remember that just as I thought thus, my eye was caught first by a yellow light that gilded the apex of the font-cover, which had been wrought like a flame or a bursting blossom: it was so old and worn, I never could tell which; and then by a red light all over a white marble tablet in the wall—the red of life on the cold hue of the grave. And this red light did not come from any work of man's device, but from the great window of the west, which little Gerard Weir wanted to help God to paint. I must have been in a happy mood that Saturday afternoon, for everything pleased me and made me happier; and all the church-forms about me blended and harmonised graciously with the throne and footstool of God which I saw through the windows. And I lingered on till the night had come; till the church only gloomed about me, and had no shine; and then I found my spirit burning up the clearer, as a lamp which has been flaming all the day with light unseen becomes a glory in the room when the sun is gone down.
At length I felt tired, and would go home. Yet I lingered for a few moments in the vestry, thinking what hymns would harmonize best with the things I wanted to make my people think about. It was now almost quite dark out of doors—at least as dark as it would be.
Suddenly through the gloom I thought I heard a moan and a sob. I sat upright in my chair and listened. But I heard nothing more, and concluded I had deceived myself. After a few moments, I rose to go home and have some tea, and turn my mind rather away from than towards the subject of witness-bearing any more for that night, lest I should burn the fuel of it out before I came to warm the people with it, and should have to blow its embers instead of flashing its light and heat upon them in gladness. So I left the church by my vestry-door, which I closed behind me, and took my way along the path through the clustering group of graves.
Again I heard a sob. This time I was sure of it. And there lay something dark upon one of the grassy mounds. I approached it, but it did not move. I spoke.
"Can I be of any use to you?" I said.
"No," returned an almost inaudible voice.
Though I did not know whose was the grave, I knew that no one had been buried there very lately, and if the grief were for the loss of the dead, it was more than probably aroused to fresh vigour by recent misfortune.
I stooped, and taking the figure by the arm, said, "Come with me, and let us see what can be done for you."
I then saw that it was a youth—perhaps scarcely more than a boy. And as soon as I saw that, I knew that his grief could hardly be incurable. He returned no answer, but rose at once to his feet, and submitted to be led away. I took him the shortest road to my house through the shrubbery, brought him into the study, made him sit down in my easy-chair, and rang for lights and wine; for the dew had been falling heavily, and his clothes were quite dank. But when the wine came, he refused to take any.
"But you want it," I said.
"No, sir, I don't, indeed."
"Take some for my sake, then."
"I would rather not, sir."
"Why?"
"I promised my father a year ago, when I left home that I would not drink anything