VI. Justinian.

       Table of Contents

      The Emperor Anastasius died in a.d. 518 at the ripe age of eighty-eight, and his sceptre passed to Justinus, the commander of his body-guard, whom Senate and army alike hailed as most worthy to succeed the good old man. The late emperor had nephews, but he had never designated them as his heirs, and they retired into private life at his death. Justinus was well advanced in years, as all his three predecessors had been when they mounted the throne. But unlike Leo, Zeno, and Anastasius, he had won his way to the front in the army, not in the civil service. He had risen from the ranks, was a rough uncultured soldier, and is said to have been hardly able to sign his own name. His reign of nine years would have been of little note in history—for he made no wars and spent no treasure—if he had not been the means of placing on the throne of the East the greatest ruler since the death of Constantine.

      Justinus had no children himself, but had adopted as his heir his nephew Justinian, son of his deceased brother Sabatius. This young man, born after his father and uncle had won their way to high places in the army, was no uncultured peasant as they had been, but had been reared, as the heir of a wealthy house, in all the learning of the day. He showed from the first a keen intelligence, and applied himself with zeal to almost every department of civil life. Law, finance, administrative economy, theology, music, architecture, fortification, all were dear to him. The only thing in which he seems to have taken little personal interest was military matters. His uncle trusted everything to him, and finally made him his colleague on the throne.

      Justinian was heir designate to the empire, and had passed the age of thirty-five, giving his contemporaries the impression that he was a staid, business-like, and eminently practical personage. “No one ever remembered him young,” it was said, and most certainly no one ever expected him to scandalize the empire by a sensational marriage. But in a.d. 526 the world learnt, to the horror of the respectable and the joy of all scandal-mongers, that he had declared his intention of taking to wife the dancer Theodora, the star of the Byzantine comic stage.

      So many stories have gathered around Theodora's name that it is hard to say how far her early life had been discreditable. A libellous work called the “Secret History,” written by an enemy of herself and her husband,4 gives us many scandalous details of her career; but the very virulence of the book makes its tales incredible. It is indisputable, however, that Theodora was an actress, and that Roman actresses enjoyed an unenviable reputation for light morals. There was actually a law which forbade a member of the senate to marry an actress, and Justinian had to repeal it in order to legalize his own marriage. There had been scores of bad and reckless men on the throne before, but none of them had ever dared to commit an action which startled the world half so much as this freak of the staid Justinian. His own mother used every effort to turn him from his purpose, and his uncle the Emperor threatened to disinherit him: but he was quietly persistent, and ere the aged Justinus died he had been induced to acknowledge the marriage of his nephew, and to confer on Theodora the title of “Patrician.”

       The Empress Theodora And Her Court. Reproduced from "L'Art Byzantin." Par Charles Bayet. Paris, Quantin, 1883.

      Theodora, as even her enemies allow, was the most beautiful woman of her age. Procopius, the best historian of the day, says “that it was impossible for mere man to describe her comeliness in words, or imitate it in art.” All that her detractors could say was that she was below the middle height, and that her complexion was rather pale, though not unhealthy. It is unfortunate that we have no representation of her surviving, save the famous mosaic in San Vitale at Ravenna, and mosaic is of all forms of art that least suited to reproduce beauty.

      Whatever her early life may have been, Theodora was in spirit and intelligence well suited to be the mate of the Emperor of the East. After her marriage no word of scandal was breathed against her life. She rose to the height of her situation: once her courage saved her husband's throne, and always she was the ablest and the most trusted of his councillors. The grave, studious, and hard-working Emperor never regretted his choice of a consort.

      It cannot be said, however, that either Justinian or Theodora are sympathetic characters. The Emperor was a hard and suspicious master, and not over grateful to subjects who served him well; he was intolerant in religious, and unscrupulous in political matters. When his heart was set on a project he was utterly unmindful of the slaughter and ruin which it might bring upon his people. In the extent of his conquests and the magnificence of his public works, he was incomparably the greatest of the emperors who reigned at Constantinople. But the greatness was purely personal: he left the empire weaker in resources, if broader in provinces, than he found it. Of all the great sovereigns of history he may be most fairly compared with Louis XIV. of France; but it may be remembered to his credit in the comparison that Louis has nothing to set against Justinian's great legal work—the compilation of the Pandects and Institutes, and that Justinian's private life, unlike that of the Frenchman, was strict even to austerity. All night long, we read, he sat alone over his State papers in his cabinet, or paced the dark halls in deep thought. His sleepless vigilance so struck his subjects that the strangest legends became current even in his life-time: his enemies whispered that he was no mere man, but an evil spirit that required no rest. One grotesque tale even said that the Emperor had been seen long after midnight traversing the corridors of his palace—without his head.

      If Justinian seemed hardly human to those who feared him, Theodora is represented as entirely given up to pride and ambition, never forgiving an offence, but hunting to death or exile all who had crossed her in the smallest thing. She is reproached—but who that has risen from a low estate is not?—of an inordinate love for the pomps and vanities of imperial state. High officials complained that she had as great a voice in settling political matters as her husband. Yet, on the whole, her influence would appear not to have been an evil one—historians acknowledge that she was liberal in almsgiving, religious after her own fashion, and that she often interfered to aid the oppressed. It is particularly recorded that, remembering the dangers of her own youth, she was zealous in establishing institutions for the reclaiming of women who had fallen into sin.

      The aged Justinus died in 527 a.d., and Justinian became the sole occupant of the throne, which he was destined to occupy for thirty-eight years. It was less than half the century, yet his personality seems to pervade the whole period, and history hardly remembers the insignificant predecessors and successors whose reigns eke out the remainder of the years between 500 and 600.

      The empire when Justinian took it over from the hands of his uncle was in a more prosperous condition than it had known since the death of Constantine. Since the Ostrogoths had moved out of the Balkan Peninsula in a.d. 487, it had not suffered from any very long or destructive invasion from without. The Slavonic tribes, now heard of for the first time, and the Bulgarians had made raids across the Danube, but they had not yet shown any signs of settling down—as the Goths had done—within the limits of the empire. Their