Desperate Remedies, The Hand of Ethelberta & A Laodicean: Complete Illustrated Trilogy. Томас Харди
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retired to bathe her hands and face, and Cytherea drew breath. If she could get through this first evening, all would be right. She felt that it was unfortunate that such a crucial test for her powers as a birthday dinner should have been applied on the threshold of her arrival; but set to again.
Miss Aldclyffe was now arrayed in a white dressing-gown, and dropped languidly into an easy-chair, pushed up before the glass. The instincts of her sex and her own practice told Cytherea the next movement. She let Miss Aldclyffe’s hair fall about her shoulders, and began to arrange it. It proved to be all real; a satisfaction.
Miss Aldclyffe was musingly looking on the floor, and the operation went on for some minutes in silence. At length her thoughts seemed to turn to the present, and she lifted her eyes to the glass.
‘Why, what on earth are you doing with my head?’ she exclaimed, with widely opened eyes. At the words she felt the back of Cytherea’s little hand tremble against her neck.
‘Perhaps you prefer it done the other fashion, madam?’ said the maiden.
‘No, no; that’s the fashion right enough, but you must make more show of my hair than that, or I shall have to buy some, which God forbid!’
‘It is how I do my own,’ said Cytherea naively, and with a sweetness of tone that would have pleased the most acrimonious under favourable circumstances; but tyranny was in the ascendant with Miss Aldclyffe at this moment, and she was assured of palatable food for her vice by having felt the trembling of Cytherea’s hand.
‘Yours, indeed! Your hair! Come, go on.’ Considering that Cytherea possessed at least five times as much of that valuable auxiliary to woman’s beauty as the lady before her, there was at the same time some excuse for Miss Aldclyffe’s outburst. She remembered herself, however, and said more quietly, ‘Now then, Graye — By-the-bye, what do they call you downstairs?’
‘Mrs. Graye,’ said the handmaid.
‘Then tell them not to do any such absurd thing — not but that it is quite according to usage; but you are too young yet.’
This dialogue tided Cytherea safely onward through the hairdressing till the flowers and diamonds were to be placed upon the lady’s brow. Cytherea began arranging them tastefully, and to the very best of her judgment.
‘That won’t do,’ said Miss Aldclyffe harshly.
‘Why?’
‘I look too young — an old dressed doll.’
‘Will that, madam?’
‘No, I look a fright — a perfect fright!’
‘This way, perhaps?’
‘Heavens! Don’t worry me so.’ She shut her lips like a trap.
Having once worked herself up to the belief that her head-dress was to be a failure that evening, no cleverness of Cytherea’s in arranging it could please her. She continued in a smouldering passion during the remainder of the performance, keeping her lips firmly closed, and the muscles of her body rigid. Finally, snatching up her gloves, and taking her handkerchief and fan in her hand, she silently sailed out of the room, without betraying the least consciousness of another woman’s presence behind her.
Cytherea’s fears that at the undressing this suppressed anger would find a vent, kept her on thorns throughout the evening. She tried to read; she could not. She tried to sew; she could not. She tried to muse; she could not do that connectedly. ‘If this is the beginning, what will the end be!’ she said in a whisper, and felt many misgivings as to the policy of being overhasty in establishing an independence at the expense of congruity with a cherished past.
3. Midnight
The clock struck twelve. The Aldclyffe state dinner was over. The company had all gone, and Miss Aldclyffe’s bell rang loudly and jerkingly.
Cytherea started to her feet at the sound, which broke in upon a fitful sleep that had overtaken her. She had been sitting drearily in her chair waiting minute after minute for the signal, her brain in that state of intentness which takes cognizance of the passage of Time as a real motion — motion without matter — the instants throbbing past in the company of a feverish pulse. She hastened to the room, to find the lady sitting before the dressing shrine, illuminated on both sides, and looking so queenly in her attitude of absolute repose, that the younger woman felt the awfullest sense of responsibility at her Vandalism in having undertaken to demolish so imposing a pile.
The lady’s jewelled ornaments were taken off in silence — some by her own listless hands, some by Cytherea’s. Then followed the outer stratum of clothing. The dress being removed, Cytherea took it in her hand and went with it into the bedroom adjoining, intending to hang it in the wardrobe. But on second thoughts, in order that she might not keep Miss Aldclyffe waiting a moment longer than necessary, she flung it down on the first resting-place that came to hand, which happened to be the bed, and reentered the dressing-room with the noiseless footfall of a kitten. She paused in the middle of the room.
She was unnoticed, and her sudden return had plainly not been expected. During the short time of Cytherea’s absence, Miss Aldclyffe had pulled off a kind of chemisette of Brussels net, drawn high above the throat, which she had worn with her evening dress as a semi-opaque covering to her shoulders, and in its place had put her night-gown round her. Her right hand was lifted to her neck, as if engaged in fastening her night-gown.
But on a second glance Miss Aldclyffe’s proceeding was clearer to Cytherea. She was not fastening her night-gown; it had been carelessly thrown round her, and Miss Aldclyffe was really occupied in holding up to her eyes some small object that she was keenly scrutinizing. And now on suddenly discovering the presence of Cytherea at the back of the apartment, instead of naturally continuing or concluding her inspection, she desisted hurriedly; the tiny snap of a spring was heard, her hand was removed, and she began adjusting her robes.
Modesty might have directed her hasty action of enwrapping her shoulders, but it was scarcely likely, considering Miss Aldclyffe’s temperament, that she had all her life been used to a maid, Cytherea’s youth, and the elder lady’s marked treatment of her as if she were a mere child or plaything. The matter was too slight to reason about, and yet upon the whole it seemed that Miss Aldclyffe must have a practical reason for concealing her neck.
With a timid sense of being an intruder Cytherea was about to step back and out of the room; but at the same moment Miss Aldclyffe turned, saw the impulse, and told her companion to stay, looking into her eyes as if she had half an intention to explain something. Cytherea felt certain it was the little mystery of her late movements. The other withdrew her eyes; Cytherea went to fetch the dressing-gown, and wheeled round again to bring it up to Miss Aldclyffe, who had now partly removed her night-dress to put it on the proper way, and still sat with her back towards Cytherea.
Her neck was again quite open and uncovered, and though hidden from the direct line of Cytherea’s vision, she saw it reflected in the glass — the fair white surface, and the inimitable combination of curves between throat and bosom which artists adore, being brightly lit up by the light burning on either side.
And the lady’s prior proceedings were now explained in the simplest manner. In the midst of her breast, like an island in a sea of pearl, reclined an exquisite little gold locket, embellished with arabesque work of blue, red, and white enamel. That was undoubtedly what Miss Aldclyffe had been contemplating; and, moreover, not having been put off with her other ornaments, it was to be retained during the night — a slight departure from the custom of ladies which Miss Aldclyffe had at first not cared to exhibit to her new assistant, though now, on further thought, she seemed to have become indifferent on the matter.
‘My dressing-gown,’ she said, quietly fastening her night-dress as she spoke.
Cytherea came forward with it. Miss Aldclyffe did not turn her head, but looked inquiringly at her maid in the glass.
‘You saw what I wear on my neck, I suppose?’ she