Desperate Remedies, The Hand of Ethelberta & A Laodicean: Complete Illustrated Trilogy. Томас Харди

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Desperate Remedies, The Hand of Ethelberta & A Laodicean: Complete Illustrated Trilogy - Томас Харди


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shed a tear or two, recollected the articles of the treaty, and sewed again; and at length fell into a reverie which took no account whatever of the lapse of time.

      4. Ten To Twelve O’clock A.m.

      A quarter of an hour might have passed when her thoughts became attracted from the past to the present by unwonted movements downstairs. She opened the door and listened.

      There were hurryings along passages, opening and shutting of doors, trampling in the stable-yard. She went across into another bedroom, from which a view of the stable-yard could be obtained, and arrived there just in time to see the figure of the man who had driven her from the station vanishing down the coach-road on a black horse — galloping at the top of the animal’s speed.

      Another man went off in the direction of the village.

      Whatever had occurred, it did not seem to be her duty to inquire or meddle with it, stranger and dependent as she was, unless she were requested to, especially after Miss Aldclyffe’s strict charge to her. She sat down again, determined to let no idle curiosity influence her movements.

      Her window commanded the front of the house; and the next thing she saw was a clergyman walk up and enter the door.

      All was silent again till, a long time after the first man had left, he returned again on the same horse, now matted with sweat and trotting behind a carriage in which sat an elderly gentleman driven by a lad in livery. These came to the house, entered, and all was again the same as before.

      The whole household — master, mistress, and servants — appeared to have forgotten the very existence of such a being as Cytherea. She almost wished she had not vowed to have no idle curiosity.

      Half-an-hour later, the carriage drove off with the elderly gentleman, and two or three messengers left the house, speeding in various directions. Rustics in smock-frocks began to hang about the road opposite the house, or lean against trees, looking idly at the windows and chimneys.

      A tap came to Cytherea’s door. She opened it to a young maid-servant.

      ‘Miss Aldclyffe wishes to see you, ma’am.’ Cytherea hastened down.

      Miss Aldclyffe was standing on the hearthrug, her elbow on the mantel, her hand to her temples, her eyes on the ground; perfectly calm, but very pale.

      ‘Cytherea,’ she said in a whisper, ‘come here.’

      Cytherea went close.

      ‘Something very serious has taken place,’ she said again, and then paused, with a tremulous movement of her mouth.

      ‘Yes,’ said Cytherea.

      ‘My father. He was found dead in his bed this morning.’

      ‘Dead!’ echoed the younger woman. It seemed impossible that the announcement could be true; that knowledge of so great a fact could be contained in a statement so small.

      ‘Yes, dead,’ murmured Miss Aldclyffe solemnly. ‘He died alone, though within a few feet of me. The room we slept in is exactly over his own.’

      Cytherea said hurriedly, ‘Do they know at what hour?’

      ‘The doctor says it must have been between two and three o’clock this morning.’

      ‘Then I heard him!’

      ‘Heard him?’

      ‘Heard him die!’

      ‘You heard him die? What did you hear?’

      ‘A sound I heard once before in my life — at the deathbed of my mother. I could not identify it — though I recognized it. Then the dog howled: you remarked it. I did not think it worth while to tell you what I had heard a little earlier.’ She looked agonized.

      ‘It would have been useless,’ said Miss Aldclyffe. ‘All was over by that time.’ She addressed herself as much as Cytherea when she continued, ‘Is it a Providence who sent you here at this juncture that I might not be left entirely alone?’

      Till this instant Miss Aldclyffe had forgotten the reason of Cytherea’s seclusion in her own room. So had Cytherea herself. The fact now recurred to both in one moment.

      ‘Do you still wish to go?’ said Miss Aldclyffe anxiously.

      ‘I don’t want to go now,’ Cytherea had remarked simultaneously with the other’s question. She was pondering on the strange likeness which Miss Aldclyffe’s bereavement bore to her own; it had the appearance of being still another call to her not to forsake this woman so linked to her life, for the sake of any trivial vexation.

      Miss Aldclyffe held her almost as a lover would have held her, and said musingly —

      ‘We get more and more into one groove. I now am left fatherless and motherless as you were.’ Other ties lay behind in her thoughts, but she did not mention them.

      ‘You loved your father, Cytherea, and wept for him?’

      ‘Yes, I did. Poor papa!’

      ‘I was always at variance with mine, and can’t weep for him now! But you must stay here always, and make a better woman of me.’

      The compact was thus sealed, and Cytherea, in spite of the failure of her advertisements, was installed as a veritable Companion. And, once more in the history of human endeavour, a position which it was impossible to reach by any direct attempt, was come to by the seeker’s swerving from the path, and regarding the original object as one of secondary importance.

      7. The Events of Eighteen Days

       Table of Contents

      1. August the Seventeenth

      The time of day was four o’clock in the afternoon. The place was the lady’s study or boudoir, Knapwater House. The person was Miss Aldclyffe sitting there alone, clothed in deep mourning.

      The funeral of the old Captain had taken place, and his will had been read. It was very concise, and had been executed about five years previous to his death. It was attested by his solicitors, Messrs. Nyttleton and Tayling, of Lincoln’s Inn Fields. The whole of his estate, real and personal, was bequeathed to his daughter Cytherea, for her sole and absolute use, subject only to the payment of a legacy to the rector, their relative, and a few small amounts to the servants.

      Miss Aldclyffe had not chosen the easiest chair of her boudoir to sit in, or even a chair of ordinary comfort, but an uncomfortable, high, narrow-backed, oak framed and seated chair, which was allowed to remain in the room only on the ground of being a companion in artistic quaintness to an old coffer beside it, and was never used except to stand in to reach for a book from the highest row of shelves. But she had sat erect in this chair for more than an hour, for the reason that she was utterly unconscious of what her actions and bodily feelings were. The chair had stood nearest her path on entering the room, and she had gone to it in a dream.

      She sat in the attitude which denotes unflagging, intense, concentrated thought — as if she were cast in bronze. Her feet were together, her body bent a little forward, and quite unsupported by the back of the chair; her hands on her knees, her eyes fixed intently on the corner of a footstool.

      At last she moved and tapped her fingers upon the table at her side. Her pent-up ideas had finally found some channel to advance in. Motions became more and more frequent as she laboured to carry further and further the problem which occupied her brain. She sat back and drew a long breath: she sat sideways and leant her forehead upon her hand. Later still she arose, walked up and down the room — at first abstractedly, with her features as firmly set as ever; but by degrees her brow relaxed, her footsteps became lighter and more leisurely; her head rode gracefully and was no longer bowed. She plumed herself


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