A Modern Instance. William Dean Howells
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She hesitated long, letting him hold her wrists. At last she said, "Well," and he released her wrists, on whose whiteness his clasp left red circles. She wrote a single word on the paper, and pushed it across the table to him. He rose with it, and went around to her side.
"This is very nice. But you haven't spelled it correctly. Anybody would say this was No, to look at it; and you meant to write Yes. Take the pencil in your hand, Miss Gaylord, and I will steady your trembling nerves, so that you can form the characters. Stop! At the slightest resistance on your part, I will call out and alarm the house; or I will—." He put the pencil into her fingers, and took her soft fist into his, and changed the word, while she submitted, helpless with her smothered laughter. "Now the address. Dear—"
"No, no!" she protested.
"Yes, yes! Dear Mr. Hubbard. There, that will do. Now the signature. Yours—"
"I won't write that. I won't, indeed!"
"Oh, yes, you will. You only think you won't. Yours gratefully, Marcia Gaylord. That's right. The Gaylord is not very legible, on account of a slight tremor in the writer's arm, resulting from a constrained posture, perhaps. Thanks, Miss Gaylord. I will be here promptly at the hour indicated—"
The noises renewed themselves overhead,—some one seemed to be moving about. Hubbard laid his hand on that of the girl, still resting on the table, and grasped it in burlesque alarm; she could scarcely stifle her mirth. He released her hand, and, reaching his chair with a theatrical stride, sat there cowering till the noises ceased. Then he began to speak soberly, in a low voice. He spoke of himself; but in application of a lecture which they had lately heard, so that he seemed to be speaking of the lecture. It was on the formation of character, and he told of the processes by which he had formed his own character. They appeared very wonderful to her, and she marvelled at the ease with which he dismissed the frivolity of his recent mood, and was now all seriousness. When he came to speak of the influence of others upon him, she almost trembled with the intensity of her interest. "But of all the women I have known, Marcia," he said, "I believe you have had the strongest influence upon me. I believe you could make me do anything; but you have always influenced me for good; your influence upon me has been ennobling and elevating."
She wished to refuse his praise; but her heart throbbed for bliss and pride in it; her voice dissolved on her lips. They sat in silence; and he took in his the hand that she let hang over the side of her chair. The lamp began to burn low, and she found words to say, "I had better get another," but she did not move.
"No, don't," he said; "I must be going, too. Look at the wick, there, Marcia; it scarcely reaches the oil. In a little while it will not reach it, and the flame will die out. That is the way the ambition to be good and great will die out of me, when my life no longer draws its inspiration from your influence."
This figure took her imagination; it seemed to her very beautiful; and his praise humbled her more and more.
"Good night," he said, in a low, sad voice. He gave her hand a last pressure, and rose to put on his coat. Her admiration of his words, her happiness in his flattery, filled her brain like wine. She moved dizzily as she took up the lamp to light him to the door. "I have tired you," he said, tenderly, and he passed his hand around her to sustain the elbow of the arm with which she held the lamp; she wished to resist, but she could not try.
At the door he bent down his head and kissed her. "Good night, dear—friend."
"Good night," she panted; and after the door had closed upon him, she stooped and kissed the knob on which his hand had rested.
As she turned, she started to see her father coming down the stairs with a candle in his hand. He had his black cravat tied around his throat, but no collar; otherwise, he had on the rusty black clothes in which he ordinarily went about his affairs,—the cassimere pantaloons, the satin vest, and the dress-coat which old-fashioned country lawyers still wore ten years ago, in preference to a frock or sack. He stopped on one of the lower steps, and looked sharply down into her uplifted face, and, as they stood confronted, their consanguinity came out in vivid resemblances and contrasts; his high, hawk-like profile was translated into the fine aquiline outline of hers; the harsh rings of black hair, now grizzled with age, which clustered tightly over his head, except where they had retreated from his deeply seamed and wrinkled forehead, were the crinkled flow above her smooth white brow; and the line of the bristly tufts that overhung his eyes was the same as that of the low arches above hers. Her complexion was from her mother; his skin was dusky yellow; but they had the same mouth, and hers showed how sweet his mouth must have been in his youth. His eyes, deep sunk in their cavernous sockets, had rekindled their dark fires in hers; his whole visage, softened to her sex and girlish years, looked up at him in his daughter's face.
"Why, father! Did we wake you?"
"No. I hadn't been asleep at all. I was coming down to read. But it's time you were in bed, Marcia."
"Yes, I'm going, now. There's a good fire in the parlor stove."
The old man descended the remaining steps, but turned at the parlor door, and looked again at his daughter with a glance that arrested her, with her foot on the lowest stair.
"Marcia," he asked, grimly, "are you engaged to Bartley Hubbard?"
The blood flashed up from her heart into her face like fire, and then, as suddenly, fell back again, and left her white. She let her head droop and turn, till her eyes were wholly averted from him, and she did not speak. He closed the door behind him, and she went upstairs to her own room; in her shame, she seemed to herself to crawl thither, with her father's glance burning upon her.
II
Bartley Hubbard drove his sorrel colt back to the hotel stable through the moonlight, and woke up the hostler, asleep behind the counter, on a bunk covered with buffalo-robes. The half-grown boy did not wake easily; he conceived of the affair as a joke, and bade Bartley quit his fooling, till the young man took him by his collar, and stood him on his feet. Then he fumbled about the button of the lamp, turned low and smelling rankly, and lit his lantern, which contributed a rival stench to the choking air. He kicked together the embers that smouldered on the hearth of the Franklin stove, sitting down before it for his greater convenience, and, having put a fresh pine-root on the fire, fell into a doze, with his lantern in his hand. "Look here, young man!" said Bartley, shaking him by the shoulder, "you had better go out and put that colt up, and leave this sleeping before the fire to me."
"Guess the colt can wait awhile," grumbled the boy; but he went out, all the same, and Bartley, looking through the window, saw his lantern wavering, a yellow blot in the white moonshine, toward the stable. He sat down in the hostler's chair, and, in his turn, kicked the pine-root with the heel of his shoe, and looked about the room. He had had, as he would have said, a grand good time; but it had left him hungry, and the table in the middle of the room, with the chairs huddled around it, was suggestive, though he knew that it had been barrenly put there for the convenience of the landlord's friends, who came every night to play whist with him, and that nothing to eat or drink had ever been set out on it to interrupt the austere interest of the game. It was long since there had been anything on the shelves behind the counter more cheerful than corn-balls and fancy crackers for the children of the summer boarders; these dainties being out of season, the jars now stood there empty. The young man waited in a hungry reverie, in which it appeared to him that he was undergoing unmerited suffering, till the stable-boy came back, now wide awake, and disposed to let the house share his vigils, as he stamped over the floor in his heavy boots.
"Andy," said Bartley, in a pathetic tone of injury, "can't you scare me up something to eat?"
"There aint anything in the buttery but meat-pie," said the boy.
He meant mince-pie, as Hubbard knew, and not a pasty of meat; and the hungry man hesitated. "Well, fetch it," he said, finally. "I guess we can warm it up a little by the coals here."
He