THE SHIP OF ISHTAR: Sci-Fi Classic. Abraham Merritt
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it taut, to fill him with a tense expectancy. He unhooked a hanging from the wall and threw it over the gleaming mystery. He walked from the room, fighting with each step an imperative desire to turn his head. He dragged himself through the doorway as though hands were gripping his ankles, drawing him back. Head still turned away Kenton lurched shoulders against the door; closed it; locked it.
In his bathroom he examined the bruise on his head. It was painful enough, but nothing serious. Half an hour of cold compresses fairly well removed all outward marks of it. He told himself that he might have fallen upon the floor, overcome by the strange perfumes — he knew that he had not.
Kenton dined alone, scarce heeding what was set before him, his mind groping through perplexities. What was the history of the block from Babylon? Who had set the ship within it — and why? Forsyth’s letter had said that he had found it in the mound called Amran, just south of the Qser or crumbled “palace” of Nabopolasser. There was evidence, Kenton knew, that the Amran mound was the site of E-Sagilla, the ziggurat or terraced temple that had been the Great House of the Gods in ancient Babylon. The block must have been held in peculiar reverence, so Forsyth had conjectured, since only so would it have been saved from the destruction of the city by Sennacherib and afterwards have been put back in the re-built temple.
But why had it been held in such reverence? Why had such a miracle as the ship been imprisoned in the stone?
The inscription might have given some clue had it not been so mutilated. In his letter Forsyth had pointed out that the name of Ishtar, Mother Goddess of the Babylonians — Goddess of Vengeance and Destruction as well — appeared over and over again; that plain too were the arrowed symbols of Nergal, God of the Babylonian Hades and Lord of the Dead; that the symbols of Nabu, the God of Wisdom, appeared many times. These three names had been almost the only legible words on the block. It was as though the acid of time which had etched out the other characters had been held back from them.
Kenton could read the cuneatic well nigh as readily as his native English. He recalled now that in the inscription Ishtar’s name had been coupled with her wrathful aspect rather than her softer ones, and that associated always with the symbols of Nabu had been the signs of warning, of danger.
Forsyth had not noticed that, evidently — or if he had he had not thought it worth mentioning. Nor, apparently had he been aware of the hidden perfumes of the block.
Well — there was no use thinking of the inscription. It was gone forever with the dust into which it had turned.
Kenton impatiently thrust back his chair. He knew that for the past hour he had been out temporizing, divided between the burning desire to get back to the room where the ship lay and the dread that when he did he would find all that adventure had been illusion, a dream; that the little figures had not really moved; that they were as they had been when he had first loosed the ship; that it was only a toy manned by toys — nothing more. He would temporize no longer.
“Don’t bother about me any more to-night, Jevins,” he told his butler. “I’ve some important work to do. If there are any calls say that I am away. I’m going to lock myself in and I don’t want to be disturbed for anything less than Gabriel’s trumpet.”
The old servant, a heritage from Kenton’s father, smiled.
“Very well, Mr. John,” he said. “I’ll let no one bother you.”
To reach the room wherein was the ship, Kenton’s way led through another in which he kept the rarest of his spoils from many a far away corner of the world. Passing, a vivid gleam of blue caught his eye and stayed him, like a hand. The gleam came from the hilt of a sword in one of the cabinets, a curious weapon he had bought from a desert nomad in Arabia. The sword hung above an ancient cloak in which it had been wrapped when the furtive Arab had slipped into his tent. Unknown centuries had softened the azure of that cloak, through whose web and woof great silver serpents writhed, cabalistically entwined.
Kenton unhooked the sword. Silver serpents, counterparts of those on the garments, twined about its hilt. From the hilt sprang a rod of bronze, eight inches long and three thick, round as a staff. This rod flared and flattened out into a leaf-shaped blade two feet long and full six inches wide across its center. Set in the hilt had been one large stone of cloudy blue.
The stone was no longer clouded. It was translucent, shining like an immense sapphire!
Obeying some half-formed thought that linked this new enigma with the ship’s shifting toys, he drew down the cloak and threw it over his shoulders. The sword in hand, he unlocked the further door, closed and fastened it behind him; walked over to the shrouded ship; swept off its covers.
Pulses leaping, Kenton drew back.
On it now were two figures only — the drummer, crouched with head in arms upon the black deck, and on deck of ivory a girl, leaning over the rail and looking down upon the oarsmen!
Kenton snapped out the electrics and stood waiting.
Minute after minute crept by. Fugitive gleams from the lights on the Avenue penetrated the curtains of the windows, glimmered on the ship. Muted but steady came the roar of the traffic, punctuated by horn blasts, explosions through mufflers — New York’s familiar voice.
Was that a halo growing round the ship . . . And what had become of the traffic’s roar.
The room was filling with silence as a vessel is filled with water . . .
Now a sound broke that silence; a sound like the lapping of little waves, languorous, caressing. The sounds stroked his lids, slumbrously; pressed them down. By enormous effort he half raised them.
A wide mist was opposite him, a globular silvery mist floating down upon him. Within that mist drifted a ship, its oars motionless, its sail half-filled. Wavelets crisped at its sickled bow, wavelets of pale turquoise with laced edges of foam.
Half the room was lost in the ripples of that approaching sea . . . the part on which he stood was many feet above the waves . . . so far below were they that the deck of the ship was level with his feet.
Closer drew the ship. He wondered why he heard no rushing winds, no clamoring tempests; no sound save the faint whispering of the foam-tipped waves.
Retreating, he felt his back press against the farther wall. Before him drifted that misty world, the ship upon its breast.
Kenton leaped, straight for the deck.
The winds roared about him now; vast winds howled and shrieked — again he heard but felt them not at all. And suddenly the clamor died.
Kenton’s feet struck solid surface.
He stood upon an ivory deck, facing a rosy cabin whose little blossoming trees were filled with cooing crimson billed, vermilion footed, doves. Between him and the cabin’s door was a girl, her soft brown eyes filled with wonder and that same startled disbelief he had seen in those of Sharane when first her gaze had fallen upon him at the foot of the emerald mast.
“Are you Lord Nabu’ that you came thus out of the air and in his cloak of wisdom, his serpents twining within it?” she whispered. “Nay that cannot be — for Nabu is very old — and you are young. Are you his messenger?”
She dropped to her knees; crossed her hands, palms outward, over her forehead. She leaped to her feet; ran to the closed door of the cabin.
“Kadishtu!” she struck it with clenched hands. “Holy One — a messenger from Nabu!”
The door of the cabin was flung open. Upon its threshold stood the woman called Sharane. Her glance swept him; then darted to the black deck. He followed it. The beater of the serpent drum squatted there; he seemed to sleep.
“Watch, Satalu!” breathed Sharane to the girl.
She caught Kenton’s hand; she drew him through the door. Two girls were there who stared at him. She thrust them forward.
“Out!” she whispered. “Out and watch with Satalu.”
They slipped from the cabin.