Old Mortality & Ivanhoe (Illustrated Edition). Walter Scott
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is not her father,” replied the Prior, “and is but of remote relation: she is descended from higher blood than even he pretends to, and is but distantly connected with him by birth. Her guardian, however, he is, self-constituted as I believe; but his ward is as dear to him as if she were his own child. Of her beauty you shall soon be judge; and if the purity of her complexion, and the majestic, yet soft expression of a mild blue eye, do not chase from your memory the black-tressed girls of Palestine, ay, or the houris of old Mahound’s paradise, I am an infidel, and no true son of the church.”
“Should your boasted beauty,” said the Templar, “be weighed in the balance and found wanting, you know our wager?”
“My gold collar,” answered the Prior, “against ten butts of Chian wine; — they are mine as securely as if they were already in the convent vaults, under the key of old Dennis the cellarer.”
“And I am myself to be judge,” said the Templar, “and am only to be convicted on my own admission, that I have seen no maiden so beautiful since Pentecost was a twelvemonth. Ran it not so? — Prior, your collar is in danger; I will wear it over my gorget in the lists of Ashby-de-la-Zouche.”
“Win it fairly,” said the Prior, “and wear it as ye will; I will trust your giving true response, on your word as a knight and as a churchman. Yet, brother, take my advice, and file your tongue to a little more courtesy than your habits of predominating over infidel captives and Eastern bondsmen have accustomed you. Cedric the Saxon, if offended, — and he is noway slack in taking offence, — is a man who, without respect to your knighthood, my high office, or the sanctity of either, would clear his house of us, and send us to lodge with the larks, though the hour were midnight. And be careful how you look on Rowena, whom he cherishes with the most jealous care; an he take the least alarm in that quarter we are but lost men. It is said he banished his only son from his family for lifting his eyes in the way of affection towards this beauty, who may be worshipped, it seems, at a distance, but is not to be approached with other thoughts than such as we bring to the shrine of the Blessed Virgin.”
“Well, you have said enough,” answered the Templar; “I will for a night put on the needful restraint, and deport me as meekly as a maiden; but as for the fear of his expelling us by violence, myself and squires, with Hamet and Abdalla, will warrant you against that disgrace. Doubt not that we shall be strong enough to make good our quarters.”
“We must not let it come so far,” answered the Prior; “but here is the clown’s sunken cross, and the night is so dark that we can hardly see which of the roads we are to follow. He bid us turn, I think to the left.”
“To the right,” said Brian, “to the best of my remembrance.”
“To the left, certainly, the left; I remember his pointing with his wooden sword.”
“Ay, but he held his sword in his left hand, and so pointed across his body with it,” said the Templar.
Each maintained his opinion with sufficient obstinacy, as is usual in all such cases; the attendants were appealed to, but they had not been near enough to hear Wamba’s directions. At length Brian remarked, what had at first escaped him in the twilight; “Here is some one either asleep, or lying dead at the foot of this cross — Hugo, stir him with the butt-end of thy lance.”
This was no sooner done than the figure arose, exclaiming in good French, “Whosoever thou art, it is discourteous in you to disturb my thoughts.”
“We did but wish to ask you,” said the Prior, “the road to Rotherwood, the abode of Cedric the Saxon.”
“I myself am bound thither,” replied the stranger; “and if I had a horse, I would be your guide, for the way is somewhat intricate, though perfectly well known to me.”
“Thou shalt have both thanks and reward, my friend,” said the Prior, “if thou wilt bring us to Cedric’s in safety.”
And he caused one of his attendants to mount his own led horse, and give that upon which he had hitherto ridden to the stranger, who was to serve for a guide.
Their conductor pursued an opposite road from that which Wamba had recommended, for the purpose of misleading them. The path soon led deeper into the woodland, and crossed more than one brook, the approach to which was rendered perilous by the marshes through which it flowed; but the stranger seemed to know, as if by instinct, the soundest ground and the safest points of passage; and by dint of caution and attention, brought the party safely into a wilder avenue than any they had yet seen; and, pointing to a large low irregular building at the upper extremity, he said to the Prior, “Yonder is Rotherwood, the dwelling of Cedric the Saxon.”
This was a joyful intimation to Aymer, whose nerves were none of the strongest, and who had suffered such agitation and alarm in the course of passing through the dangerous bogs, that he had not yet had the curiosity to ask his guide a single question. Finding himself now at his ease and near shelter, his curiosity began to awake, and he demanded of the guide who and what he was.
“A Palmer, just returned from the Holy Land,” was the answer.
“You had better have tarried there to fight for the recovery of the Holy Sepulchre,” said the Templar.
“True, Reverend Sir Knight,” answered the Palmer, to whom the appearance of the Templar seemed perfectly familiar; “but when those who are under oath to recover the holy city, are found travelling at such a distance from the scene of their duties, can you wonder that a peaceful peasant like me should decline the task which they have abandoned?”
The Templar would have made an angry reply, but was interrupted by the Prior, who again expressed his astonishment, that their guide, after such long absence, should be so perfectly acquainted with the passes of the forest.
“I was born a native of these parts,” answered their guide, and as he made the reply they stood before the mansion of Cedric; — a low irregular building, containing several court-yards or enclosures, extending over a considerable space of ground, and which, though its size argued the inhabitant to be a person of wealth, differed entirely from the tall, turretted, and castellated buildings in which the Norman nobility resided, and which had become the universal style of architecture throughout England.
Rotherwood was not, however, without defences; no habitation, in that disturbed period, could have been so, without the risk of being plundered and burnt before the next morning. A deep fosse, or ditch, was drawn round the whole building, and filled with water from a neighbouring stream. A double stockade, or palisade, composed of pointed beams, which the adjacent forest supplied, defended the outer and inner bank of the trench. There was an entrance from the west through the outer stockade, which communicated by a drawbridge, with a similar opening in the interior defences. Some precautions had been taken to place those entrances under the protection of projecting angles, by which they might be flanked in case of need by archers or slingers.
Before this entrance the Templar wound his horn loudly; for the rain, which had long threatened, began now to descend with great violence.
9 Note B. Negro Slaves.
The severe accuracy of some critics has objected to the complexion of the slaves of Brian de Bois-Guilbert, as being totally out of costume and propriety. I remember the same objection being made to a set of sable functionaries, whom my friend, Mat Lewis, introduced as the guards and mischief-doing satellites of the wicked Baron, in his Castle Spectre. Mat treated the objection with great contempt, and averred in reply, that he made the slaves black in order to obtain a striking effect of contrast, and that, could he have derived a similar advantage from making his heroine blue, blue she should have been.
I do not pretend to plead the immunities of my order so highly as this; but neither will I allow that the author of a modern antique romance is obliged to confine himself to the introduction of those manners only which can be proved to have absolutely existed in the times he is depicting, so that he restrain himself to such as are plausible and natural, and contain no obvious anachronism. In this point of view, what can be more natural, than that the Templars, who, we know, copied closely