THE COMPLETE WORKS OF FYODOR DOSTOYEVSKY. Федор Достоевский
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suffering, lived continually on the rack, and in addition to all this misery, the whole anxiety of maintaining the family fell upon her alone. She took to preparing meals for persons who would come and fetch them. But her husband carried off all her money on the sly, and she was often compelled to send back empty dishes instead of dinner to those for whom she cooked. When B. visited us she was busy washing linen and remaking old clothes. We lived like this from hand to mouth in our garret.
B. was struck by the poverty of the family.
“I say, it’s all nonsense what you tell me,” he said to my stepfather. “It’s not a case of ruining your talent. She is keeping you, and what are you doing?”
“Oh, nothing,” answered my stepfather.
But B. did not know all my mother’s troubles yet. Her husband often brought home a regular rabble of ragamuffins and rowdies, and what scenes there were then!
B. spent a long time persuading his old comrade to reform. At last he told him if he wouldn’t mend his ways he, B., would not help him; he declared without beating about the bush that he would not give him money, because it would be spent on drink; and he asked him finally to play him something on the violin, that he might see what could be done for him. While my stepfather went for his violin, B. began secretly giving money to my mother, but she would not take it. It was the first time she had had to take charity. Then B. gave the money to me, and the poor woman melted into tears. My stepfather brought his violin, but asked for vodka, saying he could not play without it. They sent for vodka. He drank it, and began getting excited. “I will play you something of my own composition, because you are a friend,” he said to B., and he drew out from under a chest of drawers a thick dusty manuscript book.
“I wrote all that myself,” he said, pointing to the book. “There you shall see! It’s very different from your ballets, my boy.”
B. looked at a few pages without a word; then he opened the music he had with him, and asked Yefimov to lay aside his own composition for the time and to play something of what he had brought.
My stepfather was a little offended; however, afraid of losing a powerful friend, he did as B. told him. B. perceived that his old friend had really worked and made much progress since they had parted, though he did boast that he hadn’t touched the violin since his marriage. The joy of my poor mother was worth seeing. She looked at her husband and was proud of him again. The kindhearted B., genuinely delighted, determined to set my stepfather on his feet again. Even then he had powerful connections, and promptly began recommending his poor friend and asking for help for him, making him promise beforehand that he would behave himself. And meanwhile at his own expense he rigged him out in better clothes, and took him to see several prominent persons upon whom the appointment he wanted to get for him depended. The fact was that Yefimov’s bravado was only in words, and he seems to have gladly accepted his old friend’s proposition. B. told me that the flattery and cringing obsequiousness with which my stepfather tried to conciliate him, from fear of losing his favour, made him feel ashamed. Yefimov realised that he was being put on the right path, and even left off drinking.
At last a place was found for him in the orchestra of a theatre. He stood the test well, for in one month of diligence and hard work he regained all that he had lost in a year and a half of idleness, and he promised to work for the future and be punctual in the discharge of his new duties. But the position of my mother and me was not in the least improved. My stepfather did not give my mother a farthing of his salary; he spent it all on himself, eating and drinking with his new companions, of whom he soon had a regular circle. He associated chiefly with the theatre attendants, chorus singers, supers — in short, with people amongst whom he could be first; and he avoided men of real talent. He succeeded in inspiring in them a peculiar respect for himself; he at once impressed upon them that he was an unrecognised genius, that he had been ruined by his wife, and finally that their conductor knew nothing at all about music. He laughed at all the players in the orchestra, at the selection of plays that were produced, and even at the composers of the operas they played. Finally, he propounded a new theory of music; in short, he made all the orchestra sick of him. He quarrelled with his superiors and with the conductor, was rude to the manager, gained the reputation of being the most troublesome, the most nonsensical, and at the same time the most worthless person, and made himself insufferable to everybody.
And indeed it was extremely strange to see such an insignificant man, such a poor and useless performer and careless musician, with such immense pretensions, with such boastfulness and swagger, with such an overbearing manner.
It ended in my stepfather’s quarrelling with B., inventing the most horrible slander, the most disgusting calumny against him, and circulating it as authentic fact. After six months of desultory work he was discharged from the orchestra, for drunkenness and negligence in the discharge of his duties. But he still hung round the place. He was soon seen in his old rags, for his decent clothes were all sold or pawned. He took to visiting his former associates, regardless of whether they were pleased to see him or not; he spread spiteful gossip, babbled nonsense, wept over his hard lot, and invited them all to come and see his wicked wife. Of course there were people found to listen, people who took pleasure in giving drink to the discharged musician, and making him talk all sorts of nonsense. Besides, he always talked wittily and cleverly, and interspersed his talk with biting sarcasm and cynical sallies which pleased listeners of a certain class. He was taken for something like a crazy buffoon, whom it was sometimes pleasant to set talking to pass an idle hour. They liked teasing him by talking before him of some new violinist who had come to Petersburg. When he heard this, Yefimov’s face fell, he grew depressed and would begin inquiring who had come, and who was this new celebrity, and at once began to feel jealous of his fame. I believe that this was the beginning of his real permanent madness — the fixed idea that he was the finest violinist, at least in Petersburg, but that he was persecuted by fate and illused, that owing to various intrigues he was not understood and left in obscurity. The last idea positively flattered him, for there are natures who are very fond of thinking themselves injured and oppressed, complaining aloud of it, or consoling themselves by gloating in secret over their unrecognised greatness. He could count over all the violinists in Petersburg on his fingers, and according to his notions could not find a rival in any one of them. Connoisseurs and musical amateurs who knew the poor crazy fellow liked to talk before him of some celebrated violinist so as to set him talking. They liked his malice, his biting remarks, they liked the apt and clever things he said as he criticised the playing of his supposed rivals. Often they did not understand him, but they were convinced that no one else could hit off the musical celebrities of the day so neatly and with such smart caricature. Even the musicians at whom he laughed were a little afraid of him, for they knew his biting wit. They recognised the aptness of his attacks and the justice of his criticism when there was something to find fault with. People grew used to seeing him in the corridors of the theatre and behind the scenes. The attendants let him pass unquestioned as though he were someone indispensable, and he became something like a Russian Thersites. This manner of life lasted for two or three years, but at last he bored everyone in this latter pose as well. His complete ostracism followed, and for the last two years of his life my stepfather seemed to have vanished entirely and was seen nowhere. B., however, met him on two occasions, but in such a pitiful plight that compassion once more got the upper hand of his repugnance. He called out his name, but my stepfather was offended and affected not to have heard him, pulled his old battered hat over his eyes and passed by. At last, on the morning of one of the chief holidays, B. was informed that his old friend Yefimov had come with his greetings. B. went out to him. Yefimov was drunk, and began making extremely low bows almost down to the ground, murmured something inarticulate, and obstinately refused to go into the room. What his behaviour was meant to convey was: “How should poor wretches like us associate with great people like you? the flunkey’s place is good enough for the likes of us; just to greet you on a holiday, we make our bow and take ourselves off.” In fact, it was all horrid, stupid, and revoltingly nasty. From that time B. did not see him again, till the catastrophe by which this miserable, morbid, and delirious life was ended. It ended strangely. This catastrophe is closely interwoven not only with the earliest impressions of my childhood, but with my whole life. This is how it came to pass. But I ought first to explain what my childhood was like, and what this man, whose image is so