Voltaire: Collected Romances: 20+ Novels, Short Stories, Satires & Fables (Illustrated Edition). Вольтер
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author does not understand a word of Arabic, and yet he has laid his scene in Arabia, and what is more, he is a fellow who does not believe in innate ideas. Tomorrow I will bring you a score of pamphlets that have been written against him.” “Pray, sir,” said Candide to the abbé, “how many theatrical pieces have you in France?” “Five or six thousand,” replied the abbé. “Indeed! that is a great number,” said Candide, “but how many good ones may there be?” “About fifteen or sixteen.” “Oh! that is a great number,” said Martin.
Candide was greatly taken with an actress, who performed the part of Queen Elizabeth in a dull kind of tragedy that is played sometimes. “That actress,” said he to Martin, “pleases me greatly; she has some sort of resemblance to Miss Cunegund. I should be very glad to pay my respects to her.” The abbé of Perigord offered his service to introduce him to her at her own house. Candide, who was brought up in Germany, desired to know what might be the ceremonial used on those occasions, and how a queen of England was treated in France. “There is a necessary distinction to be observed in these matters,” said the abbé. “In a country town we take them to a tavern; here in Paris, they are treated with great respect during their life time, provided they are handsome, and when they die we throw their bodies upon a dunghill.” “How?” said Candide, “throw a queen’s body upon a dunghill!” “The gentleman is quite right,” said Martin, “he tells you nothing but the truth. I happened to be at Paris when Miss Monimia made her exit, as one may say, out of this world into another. She was refused what they call here the rites of sepulture; that is to say, she was denied the privilege of rotting in a churchyard by the side of all the beggars in the parish. They buried her at the corner of Burgundy street, which must certainly have shocked her extremely, as she had very exalted notions of things.” “This is acting very impolitely,” said Candide. “Lord!” said Martin, “what can be said to it? it is the way of these people. Figure to yourself all the contradictions, all the inconsistencies possible, and you may meet with them in the government, the courts of justice, the churches, and the public spectacles of this odd nation.” “Is it true,” said Candide, “that the people of Paris are always laughing?” “Yes,” replied the abbé, “but it is with anger in their hearts; they express all their complaints by loud bursts of laughter, and commit the most detestable crimes with a smile on their faces.”
“Who was that great overgrown beast,” said Candide, “who spoke so ill to me of the piece with which I was so much affected, and of the players who gave me so much pleasure?” “A very good-for-nothing sort of a man I assure you,” answered the abbé, “one who gets his livelihood by abusing every new book and play that is written or performed; he dislikes much to see any one meet with success, like eunuchs, who detest every one that possesses those powers they are deprived of; he is one of those vipers in literature who nourish themselves with their own venom; a pamphlet-monger.” “A pamphlet-monger!” said Candide, “what is that?” “Why, a pamphlet-monger,” replied the abbé, “is a writer of pamphlets — a fool.”
Candide, Martin, and the abbé of Périgord argued thus on the staircase, while they stood to see the people go out of the playhouse. “Though I am very anxious to see Miss Cunegund again,” said Candide, “yet I have a great inclination to sup with Miss Clairon, for I am really much taken with her.”
The abbé was not a person to show his face at this lady’s house, which was frequented by none but the best company. “She is engaged this evening,” said he, “but I will do myself the honor to introduce you to a lady of quality of my acquaintance, at whose house you will see as much of the manners of Paris as if you had lived here for forty years.”
Candide, who was naturally curious, suffered himself to be conducted to this lady’s house, which was in the suburbs of St. Honoré. The company was engaged at basset; twelve melancholy punters held each in his hand a small pack of cards, the corners of which were doubled down, and were so many registers of their ill fortune. A profound silence reigned throughout the assembly, a pallid dread had taken possession of the countenances of the punters, and restless inquietude stretched every muscle of the face of him who kept the bank; and the lady of the house, who was seated next to him, observed with lynx’s eyes every play made, and noted those who tallied, and made them undouble their cards with a severe exactness, though mixed with a politeness, which she thought necessary not to frighten away her customers. This lady assumed the title of marchioness of Parolignac. Her daughter, a girl of about fifteen years of age, was one of the punters, and took care to give her mamma a hint, by signs, when any one of the players attempted to repair the rigor of their ill fortune by a little innocent deception. The company were thus occupied when Candide, Martin, and the abbé made their entrance; not a creature rose to salute them, or indeed took the least notice of them, being wholly intent upon the business in hand. “Ah!” said Candide, “my lady baroness of Thunder-ten-tronckh would have behaved more civilly.”
However, the abbé whispered in the ear of the marchioness, who half raising herself from her seat, honored Candide with a gracious smile, and gave Martin a nod of her head, with an air of inexpressible dignity. She then ordered a seat for Candide, and desired him to make one of their party at play; he did so, and in a few deals lost near a thousand pieces; after which they supped very elegantly, and every one was surprised at seeing Candide lose so much money without appearing to be the least disturbed at it. The servants in waiting said to each other, “This is certainly some English lord.”
The supper was like most others of its kind in Paris. At first every one was silent; then followed a few confused murmurs, and afterwards several insipid jokes passed and repassed, with false reports, false reasonings, a little politics, and a great deal of scandal. The conversation then turned upon the new productions in literature. “Pray,” said the abbé, “good folks, have you seen the romance written by the Sieur Gauchat, doctor of divinity?” “Yes,” answered one of the company, “but I had not patience to go through it. The town is pestered with a swarm of impertinent productions, but this of Dr. Gauchat’s outdoes them all. In short, I was so cursedly tired of reading this vile stuff that I even resolved to come here, and make a party at basset.” “But what say you to the archdeacon T—’s miscellaneous collection,” said the abbé. “Oh my God!” cried the marchioness of Parolignac, “never mention the tedious creature! only think what pains he is at to tell one things that all the world knows; and how he labors an argument that is hardly worth the slightest consideration! how absurdly he makes use of other people’s wit! how miserably he mangles what he has pilfered from them! The man makes me quite sick! A few pages of the good archdeacon are enough in conscience to satisfy any one.”
There was at the table a person of learning and taste, who supported what the marchioness had advanced. They next began to talk of tragedies. The lady desired to know how it came about that there were several tragedies, which still continued to be played, though they would not bear reading? The man of taste explained very clearly how a piece may be in some manner interesting without having a grain of merit. He showed, in a few words, that it is not sufficient to throw together a few incidents that are to be met with in every romance, and that to dazzle the spectator the thoughts should be new, without being far-fetched; frequently sublime, but always natural; the author should have a thorough knowledge of the human heart and make it speak properly; he should be a complete poet, without showing an affectation of it in any of the characters of his piece; he should be a perfect master of his language, speak it with all its purity, and with the utmost harmony, and yet so as not to make the sense a slave to the rhyme. “Whoever,” added he, “neglects any one of these rules, though he may write two or three tragedies with tolerable success, will never be reckoned in the number of good authors. There are very few good tragedies; some are idyls, in very well-written and harmonious dialogue; and others a chain of political reasonings that set one asleep, or else pompous and high-flown amplifications, that disgust rather than please. Others again are the ravings of a madman, in an uncouth style, unmeaning flights, or long apostrophes to the deities, for want of knowing how to address mankind; in a word a collection of false maxims and dull commonplace.”
Candide listened to this discourse with great attention, and conceived a high opinion of the person who delivered it; and as the marchioness had taken care to place him near her side, he took the liberty to whisper her softly in the ear and