The Greatest Works of Emma Orczy. Emma Orczy
Читать онлайн книгу.
knees and trembling voice went to get his orders from Monsieur le Marquis. By this time those in the forefront of the crowd had tugged so hard at the bell-pull that it snapped and came down with a clatter on the marble floor of the perron; whereupon they set to with their fists and nearly brought the solid front door down with their hammerings and their kicks. They didn't hear Paul's shuffling footsteps coming down the great staircase, nor yet his drawing of the bolts, so that when after a minute or two, while they were still hammering and kicking, the door was opened abruptly, the foremost in the ranks tumbled over one another into the hall. This caused great hilarity. Hurrah! Hurrah! This was going to be a wonderful afternoon's holiday! Onward children of la patrie, the day of glory has certainly arrived. Striving, pushing, laughing, singing, waving arms and stamping feet the bulk of the crowd made its way up the grand staircase. Poor old Paul! As well attempt to stem the course of an avalanche as to stop this merry jostling crowd from going where it listed. Some of them indeed wandered into the reception-rooms to right and left of the hall, the larger and smaller dining-rooms, the library, the long gallery and so on, but they found nothing worth destroying.
Upstairs the rest of the merry party, after wandering from room to room, arrived in the grand salon where close on four years ago now the remains of the late Marquis de la Rodière had rested for three days before being removed for interment in Paris. On that occasion they had all come to a halt, awed in spite of themselves, by the somewhat eerie atmosphere of the place, the dead flowers, the torn laces, the smell of guttering candles and of stale incense. The crowd to-day, more jaunty than they were then, had also come to a halt, but only for a few moments. They stared wide-eyed at the objects ranged against the walls, the gilded consols, the mirrors, the crystal sconces and the chairs, and presently they spied the platform whereon in the happy olden days the musicians used to stand playing dance music for Monsieur le Marquis and his guests. The spinet was still there and the desk of the conductor, and a number of stands in gilded wood which were used for holding the pieces of music.
Amid much excitement and laughter the musicians were called up to mount the platform. This they were quite willing to do, but where was the leader, the fiddler with the grimy face and toothless mouth whose stentorian voice would have raised the dead? A small group who had wandered up to the window saw him stumping up the avenue. They gave a warning shout, the window was thrown open, and cries of "Allons! hurry up!" soon galvanised him into activity. He was lame, and dragged his left leg, but the infirmity did not appear to worry him. As soon as he had reached the perron he started scraping his fiddle. He was met at the foot of the staircase by an enthusiastic throng who carried him shoulder high, and dropped him down all of a heap on the musicians' platform. And a queer sight did this vagabond orchestra look up there in their rags and tatters, unwashed, unkempt, wielding their ramshackle fiddles and trumpets and drumsticks.
The musicians struck up "Sur le Pont d'Avignon," the only dance tune they knew, and that one none too well.
"Sur le pont d'Avignon, On y danse, on y danse, Sur le pont d'Avignon, On y danse tout en rond."
It was at this point that the outburst of laughter rose to such a high pitch that the thrifty housewives down below were tempted to abandon their loot. What had caused the uproar was the sudden appearance of the ci-devant Marquis through what seemed to be a hole in the wall. As a matter of fact this was a door masked by tapestry which gave first on a vestibule and thence on a small boudoir where Madame la Marquise had been sitting with François and Cécile, and with poor Marie huddled up in a corner like a frightened rabbit, all fully expecting that the tumultuous crowd would soon tire, and content itself as it had done four years ago with breaking a few windows, carrying off what portable furniture there was left in the salon, and ending its unpleasant visitation in the cellar and the larder, where there was little enough to tempt its greed.
François de la Rodière was for facing the rabble with a riding-whip. For a time his sister was able to restrain him from such a palpable act of folly, but presently the sound of ribald laughter coming from the grand salon where his father had once lain in state, surrounded by flowers and ecclesiastical appurtenances, so outraged him that he lost all control over himself and all sense of prudence. He shook off Cécile's detaining hand, and strode out of the room. Madame la Marquise had offered no protest or advice, she was one of those women, the product of generations of French high-born ladies who, entrenched as it were in their own dignity, never gave a single thought to such a matter as a social upheaval. "It will all pass away," was their dictum, "God will punish them all in His own time!" So she turned a deaf ear to the rioting of the rabble, and went on with her crochet work with perfect serenity.
Cécile, on the other hand, was all for conciliation. She knew her brother's violent temper and genuinely feared for his safety should he provoke the crowd, who at present seemed good-tempered enough, either by word or gesture. She followed him into the vestibule, and saw him take a riding-whip off the wall and throw open the narrow door which gave on the grand salon. The moment he did that the uproar in the salon which had been deafening up to now suddenly died down. Complete silence ensued, but only for a few seconds; the next moment François had closed the door behind him and at once the hubbub in the next room rose louder than ever and there came a terrific outburst of hilarious shouting and laughter and vigorous clapping of hands. Cécile stood there listening, terrified and undecided, longing to go to her brother's assistance, yet feeling the futility of any intervention on her part should the crowd turn ugly. For a moment they appeared distinctly amused, for the laughter went on louder than ever, and it was accompanied by the measured stamping of feet, the clapping of hands and the strains of dance music. What was going on in there? Cécile, terrified at first, felt a little more reassured. She couldn't hear her brother's voice, and apparently the people were enjoying themselves, for they were dancing and laughing and the music never ceased. At last anxiety got the better of prudence. Tentatively she in her turn opened the communicating door, and exactly the same thing happened that had greeted François de la Rodière's appearance in the crowded salon. Absolute silence for a few seconds, and then a terrific, uproarious shout.
What Cécile saw did indeed turn her almost sick with horror, for there was her brother in the middle of the room, dishevelled, with his necktie awry and his cheeks the colour of ashes, in the centre of a ring made up of the worst type of ragamuffins and cinderwenches she had ever seen, all holding hands and twirling round and round him to the tune of a wild rigaudon. His riding-whip was lying broken in half across the threshold at Cécile's feet. The crowd had seized upon him directly they were aware of his presence, torn the whip out of his hand, broken it and thrown it on the floor. They had dragged him and pushed him to the centre of the room, formed a ring round him, shouted injurious epithets and made rude gestures at him; and the more pale he got with rage, the more helpless he found himself, the louder was their laughter and the wilder their dance.
Cécile felt as if she were paralysed. She couldn't move, her knees were shaking under her, and before she could recover herself two women had seized her, one by each hand, and dragged her across the room, where she was thrust into the centre of another ring of uproarious females who danced and capered round her, holding hands and laughing at her obvious terror. It was all like a terrible nightmare. Cécile, trying in vain to control herself, could only put her hands up to her face so as to hide from the mocking crowd the blush of indignation and shame that flooded her cheeks at the sound of the obscene words that men and women, apparently all in right good-humour, flung at her, while they danced what seemed to the poor girl like a saraband of witches. Suddenly she heard a cry:
"Make her dance, Jacques! Make the aristo step it with you! I'll warrant she has never danced the rigaudon with such a handsome partner before."
And Cécile was conscious first of a whiff of garlic, then of a clammy hand seizing her own, and finally of a shoulder pressed against her side and of an arm around her waist. With a shudder she looked down and saw the grinning, puckish face and misshapen, dwarfish body of Jacques, the son of the local butcher, whom she had often befriended when he was baited by boys bigger and stronger than himself. He was leering up at her and clinging to her waist, trying to make her foot a measure with him. Now unlike her brother, Cécile de la Rodière was possessed of a good deal of sound common sense. She knew well enough that to try and run one's head against a stone wall could only result in bruises,