The Clayhanger Trilogy: Clayhanger, Hilda Lessways & These Twain (Complete Edition). Bennett Arnold
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machine stood to the left hand. Behind was a small rough-and-ready binding department with a guillotine cutting machine, a cardboard-cutting machine, and a perforating machine, trifles by the side of the cylinder, but still each of them formidable masses of metal heavy enough to crush a horse; the cutting machines might have served to illustrate the French Revolution, and the perforating machine the Holy Inquisition.
Then there was what was called in the office the ‘old machine,’ a relic of Clayhanger’s predecessor, and at least eighty years old. It was one of those machines whose worn physiognomies, full of character, show at once that they have a history. In construction it carried solidity to an absurd degree. Its pillars were like the piles of a pier. Once, in a historic rat-catching, a rat had got up one of them, and a piece of smouldering brown paper had done what a terrier could not do. The machine at one period of its career had been enlarged, and the neat seaming of the metal was an ecstasy to the eye of a good workman. Long ago, it was known, this machine had printed a Reform newspaper at Stockport. Now, after thus participating in the violent politics of an age heroic and unhappy, it had been put to printing small posters of auctions and tea-meetings. Its movement was double: first that of a handle to bring the bed under the platen, and second, a lever pulled over to make contact between the type and the paper. It still worked perfectly. It was so solid, and it had been so honestly made, that it could never get out of order nor wear away. And, indeed, the conscientiousness and skill of artificers in the eighteenth century are still, through that resistless machine, producing their effect in the twentieth. But it needed a strong hand to bestir its smooth plum-coloured limbs of metal, and a speed of a hundred an hour meant gentle perspiration. The machine was loved like an animal.
Near this honourable and lumbering survival stood pertly an Empire treadle-machine for printing envelopes and similar trifles. It was new, and full of natty little devices. It worked with the lightness of something unsubstantial. A child could actuate it, and it would print delicately a thousand envelopes an hour. This machine, with the latest purchase, which was away at the other end of the room near the large double-pointed case-rack, completed the tale of machines. That case-rack alone held fifty different founts of type, and there were other caseracks. The lead-rack was nearly as large, and beneath the lead-rack was a rack containing all those “furnitures” which help to hold a forme of type together without betraying themselves to the reader of the printed sheet. And under the furniture rack was the ‘random,’ full of galleys. Then there was a table with a top of solid stone, upon which the formes were bolted up. And there was the ink-slab, another solidity, upon which the ink-rollers were inked. Rollers of various weightiness lay about, and large heavy cans, and many bottles, and metal galleys, and nameless fragments of metal. Everything contributed to the impression of immense ponderosity exceeding the imagination. The fancy of being pinned down by even the lightest of these constructions was excruciating. You moved about in narrow alleys among upstanding, unyielding metallic enormities, and you felt fragile and perilously soft.
Five.
The only unintimidating phenomena in the crowded place were the lye-brushes, the dusty job-files that hung from the great transverse beams, and the proof-sheets that were scattered about. These printed things showed to what extent Darius Clayhanger’s establishment was a channel through which the life of the town had somehow to pass. Auctions, meetings, concerts, sermons, improving lectures, miscellaneous entertainments, programmes, catalogues, deaths, births, marriages, specifications, municipal notices, summonses, demands, receipts, subscription-lists, accounts, rate-forms, lists of voters, jury-lists, inaugurations, closures, bill-heads, handbills, addresses, visiting-cards, society rules, bargain-sales, lost and found notices: traces of all these matters, and more, were to be found in that office; it was impregnated with the human interest; it was dusty with the human interest; its hot smell seemed to you to come off life itself, if the real sentiment and love of life were sufficiently in you. A grand, stuffy, living, seething place, with all its metallic immobility!
Six.
Edwin sidled towards the centre of interest, the new machine, which, however, was not a new machine. Darius Clayhanger did not buy more new things than he could help. His delight was to ‘pick up’ articles that were supposed to be ‘as good as new’; occasionally he would even assert that an object bought second-hand was ‘better than new,’ because it had been ‘broken in,’ as if it were a horse. Nevertheless, the latest machine was, for a printing machine, nearly new: its age was four years only. It was a Demy Columbian Press, similar in conception and movement to the historic ‘old machine’ that had been through the Reform agitation; but how much lighter, how much handier, how much more ingenious and precise in the detail of its working! A beautiful edifice, as it stood there, gazed on admiringly by the expert eyes of Darius, in his shirt-sleeves, Big James, in his royally flowing apron, and Chawner, the journeyman compositor, who, with the two apprentices outside, completed the staff! Aided by no mechanic more skilled than a day-labourer, those men had got the machine piecemeal into the office, and had duly erected it. At that day a foreman had to be equal to anything.
The machine appeared so majestic there, so solid and immovable, that it might ever have existed where it then was. Who could credit that, less than a fortnight earlier, it had stood equally majestic, solid, and immovable in Manchester? There remained nothing to show how the miracle had been accomplished, except a bandage of ropes round the lower pillars and some pulley-tackle hanging from one of the transverse beams exactly overhead. The situation of the machine in the workshop had been fixed partly by that beam above and partly by the run of the beams that supported the floor. The stout roof-beam enabled the artificers to handle the great masses by means of the tackle; and as for the floor-beams, Darius had so far listened to warnings as to take them into account.
Seven.
“Take another impress, James,” said Darius. And when he saw Edwin, instead of asking the youth what he was wasting his time there for, he good-humouredly added: “Just watch this, my lad.” Darius was pleased with himself, his men, and his acquisition. He was in one of his moods when he could charm; he was jolly, and he held up his chin. Two days before, so interested had he been in the Demy Columbian, he had actually gone through a bilious attack while scarcely noticing it! And now the whole complex operation had been brought to a triumphant conclusion.
Big James inserted the sheet of paper, with gentle and fine movements. The journeyman turned the handle, and the bed of the machine slid horizontally forward in frictionless, stately silence. And then Big James seized the lever with his hairy arm bared to the elbow, and pulled it over. The delicate process was done with minute and level exactitude; adjusted to the thirty-second of an inch, the great masses of metal had brought the paper and the type together and separated them again. In another moment Big James drew out the sheet, and the three men inspected it, each leaning over it. A perfect impression!
“Well,” said Darius, glowing, “we’ve had a bit o’ luck in getting that up! Never had less trouble! Shows we can do better without those Foundry chaps than with ’em! James, ye can have a quart brought in, if ye’n a mind, but I won’t have them apprentices drinking! No, I won’t! Mrs Nixon’ll give ’em some nettle-beer if they fancy it.”
He was benignant. The inauguration of a new machine deserved solemn recognition, especially on a hot day. It was an event.
“An infant in arms could turn this here,” murmured the journeyman, toying with the handle that moved the bed. It was an exaggeration, but an excusable, poetical exaggeration.
Big James wiped his wrists on his apron.
Eight.
Then there was a queer sound of cracking somewhere, vague, faint, and yet formidable. Darius was standing between the machines and the dismantled window, his back to the latter. Big James and the journeyman rushed instinctively from the centre of the floor towards him. In a second the journeyman was on the window sill.
“What art doing?” Darius demanded roughly; but there was no sincerity in his voice.
“Th’ floor!” the journeyman excitedly exclaimed.