The Clayhanger Trilogy: Clayhanger, Hilda Lessways & These Twain (Complete Edition). Bennett Arnold
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saw in a flash that the front of a house was merely the expression of the inside of it, merely a result, almost accidental. And he was astounded and disgusted that he, with his professed love of architecture and his intermittent study of it, had not perceived this obvious truth for himself. He never again looked at a house in the old irrational way.
Then, when examining the preliminary sketch-plan, he had put his finger on a square space and asked what room that was. “That isn’t a room; that’s the hall,” said Mr Orgreave. “But it’s square!” Edwin exclaimed. He thought that in houses (houses to be lived in) the hall or lobby must necessarily be long and narrow. Now suddenly he saw no reason why a hall should not be square. Mr Orgreave had made no further remark about halls at the time, but another day, without any preface, he reopened the subject to Edwin, in a tone good-naturedly informing, and when he had done Edwin could see that the shape of the hall depended on the shape of the house, and that halls had only been crushed and pulled into something long and narrow because the disposition of houses absolutely demanded this ugly negation of the very idea of a hall. Again, he had to begin to think afresh, to see afresh. He conceived a real admiration for Osmond Orgreave; not more for his original and yet common-sense manner of regarding things, than for his aristocratic deportment, his equality to every situation, and his extraordinary skill in keeping his dignity and his distance during encounters with Darius. (At the same time, when Darius would grumble savagely that Osmond Orgreave ‘was too clever by half,’ Edwin could not deny that.) Edwin’s sisters got a good deal of Mr Orgreave, through Edwin; he could never keep Mr Orgreave very long to himself. He gave away a great deal of Mr Orgreave’s wisdom without mentioning the origin of the gift. Thus occasionally Clara would say cuttingly, “I know where you’ve picked that up. You’ve picked that up from Mr Orgreave.” The young man Benbow to whom the infant Clara had been so queerly engaged, also received from Edwin considerable quantities of Mr Orgreave. But the fellow was only a decent, dull, pushing, successful ass, and quite unable to assimilate Mr Orgreave; Edwin could never comprehend how Clara, so extremely difficult to please, so carping and captious, could mate herself to a fellow like Benbow. She had done so, however; they were recently married. Edwin was glad that that was over; for it had disturbed him in his attentions to the house.
Four.
When the house began to ‘go up,’ Edwin lived in an ecstasy of contemplation. I say with deliberateness an ‘ecstasy.’ He had seen houses go up before; he knew that houses were constructed brick by brick, beam by beam, lath by lath, tile by tile; he knew that they did not build themselves. And yet, in the vagueness of his mind, he had never imaginatively realised that a house was made with hands, and hands that could err. With its exact perpendiculars and horizontals, its geometric regularities, and its Chinese preciseness of fitting, a house had always seemed to him—again in the vagueness of his mind—as something superhuman. The commonest cornice, the most ordinary pillar of a staircase-balustrade—could that have been accomplished in its awful perfection of line and contour by a human being? How easy to believe that it was ‘not made with hands’!
But now he saw. He had to see. He saw a hole in the ground, with water at the bottom, and the next moment that hole was a cellar; not an amateur cellar, a hole that would do at a pinch for a cellar, but a professional cellar. He appreciated the brains necessary to put a brick on another brick, with just the right quantity of mortar in between. He thought the house would never get itself done—one brick at a time—and each brick cost a farthing—slow, careful; yes, and even finicking. But soon the bricklayers had to stand on plank-platforms in order to reach the raw top of the wall that was ever rising above them. The measurements, the rulings, the plumbings, the checkings! He was humbled and he was enlightened. He understood that a miracle is only the result of miraculous patience, miraculous nicety, miraculous honesty, miraculous perseverance. He understood that there was no golden and magic secret of building. It was just putting one brick on another and against another—but to a hair’s breadth. It was just like anything else. For instance, printing! He saw even printing in a new light.
And when the first beams were bridged across two walls...
The funny thing was that the men’s fingers were thicky and clumsy. Never could such fingers pick up a pin! And still they would manoeuvre a hundredweight of timber to a pin’s point.
Five.
He stood at the drawing-room bay-window (of which each large pane had been marked with the mystic sign of a white circle by triumphant glaziers), and looked across the enclosed fragment of clayey field that ultimately would be the garden. The house was at the corner of Trafalgar Road and a side-street that had lobbied cottages down its slope. The garden was oblong, with its length parallel to Trafalgar Road, and separated from the pavement only by a high wall. The upper end of the garden was blocked by the first of three new houses which Osmond Orgreave was building in a terrace. These houses had their main fronts on the street; they were quite as commodious as the Clayhangers’, but much inferior in garden-space; their bits of flower-plots lay behind them. And away behind their flower-plots, with double entrance-gates in another side street, stretched the grounds of Osmond Orgreave, his house in the sheltered middle thereof. He had got, cheaply, one of the older residential properties of the district, Georgian, of a recognisable style, relic of the days when manufacturers formed a class entirely apart from their operatives; even as far back as 1880 any operative might with luck become an employer. The south-east corner of the Clayhanger garden touched the north-west corner of the domains of Orgreave; for a few feet the two gardens were actually contiguous, with naught but an old untidy thorn hedge between them; this hedge was to be replaced by a wall that would match the topmost of the lobbied cottages which bounded the view of the Clayhangers to the east.
From the bay-window Edwin could see over the hedge, and also through it, on to the croquet lawn of the Orgreaves. Croquet was then in its first avatar; nothing was more dashing than croquet. With rag-balls and home-made mallets the Clayhanger children had imitated croquet in their yard in the seventies. The Orgreaves played real croquet; one of them had shone in a tournament at Buxton. Edwin noticed a figure on the gravel between the lawn and the hedge. He knew it to be Janet, by the crimson frock. But he had no notion that Janet had stationed herself in that quarter with intent to waylay him. He could not have credited her with such a purpose. Nor could his modesty have believed that he was important enough to employ the talent of the Orgreaves for agreeable chicane. The fact was that Janet had been espying him for a quarter of an hour. When at length she waved her hand to him, it did not occur to him to suppose that she was waving her hand to him; he merely wondered what peculiar thing she was doing. Then he blushed as she waved again, and he knew first from the blood in his face that Janet was making a signal, and that it was to himself that the signal was directed: his body had told his mind; this was very odd.
Of course he was obliged to go out; and he went, muttering to himself.
Chapter 4.
The Two Gardens.
In the full beauty of the afternoon they stood together, only the scraggy hedge between them, he on grass-tufted clay, and she on orderly gravel.
“Well,” said Janet, earnestly looking at him, “how do you like the effect of that window, now it’s done?”
“Very nice!” he laughed nervously. “Very nice indeed!”
“Father said it was,” she remarked. “I do hope Mr Clayhanger will like it too!” And her voice really was charged with sympathetic hope. It was as if she would be saddened and cast down if Darius did not approve the window. It was as if she fervently wished that Darius should not be disappointed with the window. The unskilled spectator might have assumed that anxiety for the success of the window would endanger her sleep at nights. She was perfectly sincere. Her power of emotional sympathy was all-embracing and inexhaustible. If she heard that an acquaintance of one of her acquaintances had lost a relative or broken a limb, she would express genuine deep concern, with a tremor of her honest