The Clayhanger Trilogy: Clayhanger, Hilda Lessways & These Twain (Complete Edition). Bennett Arnold
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he was young. Indeed to men of fifty, men just twice his age, he seemed a mere boy and incapable of grief. He was so slim, and his limbs were so loose, and his hair so fair, and his gestures often so naive, that few of the mature people who saw him daily striding up and down Trafalgar Road could have believed him to be acquainted with sorrow like their sorrows. The next morning, as it were in justification of these maturer people, his youth arose and fought with the malady in him, and, if it did not conquer, it was not defeated. On the previous night, after hours of hesitation, he had suddenly walked forth and gone down Oak Street, and pushed open the garden gates of the Orgreaves, and gazed at the facade of the house—not at her window, because that was at the side—and it was all dark. The Orgreaves had gone to bed: he had expected it. Even this perfectly futile reconnaissance had calmed him. While dressing in the bleak sunrise he had looked at the oval lawn of the Orgreaves’ garden, and had seen Johnnie idly kicking a football on it. Johnnie had probably spent the evening with her; and it was nothing to Johnnie! She was there, somewhere between him and Johnnie, within fifty yards of both of them, mysterious and withdrawn as ever, busy at something or other. And it was naught to Johnnie! By the thought of all this the woe in him was strengthened and embittered. Nevertheless his youth, aided by the astringent quality of the clear dawn, still struggled sturdily against it. And he ate six times more breakfast than his suffering and insupportable father.
At half-past one—it was Thursday, and the shop closed at two o’clock— he had put on courage like a garment, and decided that he would see her that afternoon or night, ‘or perish in the attempt.’ And as the remembered phrase of the Sunday passed through his mind, he inwardly smiled and thought of school; and felt old and sure.
Two.
At five minutes to two, as he stood behind the eternal counter in his eternal dream, he had the inexpressible and delectable shock of seeing her. He was shot by the vision of her as by a bullet. She came in, hurried and preoccupied, apparently full of purpose.
“Have you got a Bradshaw?” she inquired, after the briefest greeting, gazing at him across the counter through her veil, as though imploring him for Bradshaw.
“I’m afraid we haven’t one left,” he said. “You see it’s getting on for the end of the month. I could—No, I suppose you want it at once?”
“I want it now,” she replied. “I’m going to London by the six express, and what I want to know is whether I can get on to Brighton to-night. They actually haven’t a Bradshaw up there,” half in scorn and half in levity, “and they said you’d probably have one here. So I ran down.”
“They’d be certain to have one at the Tiger,” he murmured, reflecting.
“The Tiger!” Evidently she did not care for the idea of the Tiger. “What about the railway station?”
“Yes, or the railway station. I’ll go up there with you now if you like, and find out for you. I know the head porter. We’re just closing. Father’s at home. He’s not very well.”
She thanked him, relief in her voice.
In a minute he had put his hat and coat on and given instructions to Stifford, and he was climbing Duck Bank with Hilda at his side. He had forgiven her. Nay, he had forgotten her crime. The disaster, with all its despair, was sponged clean from his mind like writing off a slate, and as rapidly. It was effaced. He tried to collect his faculties and savour the new sensations. But he could not. Within him all was incoherent, wild, and distracting. Five minutes earlier, and he could not have conceived the bliss of walking with her to the station. Now he was walking with her to the station; and assuredly it was bliss, and yet he did not fully taste it. Though he would not have loosed her for a million pounds, her presence gave an even crueller edge to his anxiety and apprehension. London! Brighton! Would she be that night in Brighton? He felt helpless, and desperate. And beneath all this was the throbbing of a strange, bitter joy. She asked about his cold and about his father’s indisposition. She said nothing of her failure to appear on the previous day, and he knew not how to introduce it neatly: he was not in control of his intelligence.
They passed Snaggs’ Theatre, and from its green, wooden walls came the obscure sound of humanity in emotion. Before the mean and shabby portals stood a small crowd of ragged urchins. Posters printed by Darius Clayhanger made white squares on the front.
“It’s a meeting of the men,” said Edwin.
“They’re losing, aren’t they?”
He shrugged his shoulders. “I expect they are.”
She asked what the building was, and he explained.
“They used to call it the Blood Tub,” he said.
She shivered. “The Blood Tub?”
“Yes. Melodrama and murder and gore—you know.”
“How horrible!” she exclaimed. “Why are people like that in the Five Towns?”
“It’s our form of poetry, I suppose,” he muttered, smiling at the pavement, which was surprisingly dry and clean in the feeble sunshine.
“I suppose it is!” she agreed heartily, after a pause.
“But you belong to the Five Towns, don’t you?” he asked.
“Oh yes! I used to.”
At the station the name of Bradshaw appeared to be quite unknown. But Hilda’s urgency impelled them upwards from the head porter to the ticket clerk, and from the ticket clerk to the stationmaster; and at length they discovered, in a stuffy stove-heated room with a fine view of a shawd-ruck and a pithead, that on Thursday evenings there was a train from Victoria to Brighton at eleven-thirty. Hilda seemed to sigh relief, and her demeanour changed. But Edwin’s uneasiness was only intensified. Brighton, which he had never seen, was in another hemisphere for him. It was mysterious, like her. It was part of her mystery. What could he do? His curse was that he had no initiative. Without her relentless force, he would never have penetrated even as far as the stuffy room where the unique Bradshaw lay. It was she who had taken him to the station, not he her. How could he hold her back from Brighton?
Three.
When they came again to the Blood Tub, she said—
“Couldn’t we just go and look in? I’ve got plenty of time, now I know exactly how I stand.”
She halted, and glanced across the road. He could only agree to the proposition. For himself, a peculiar sense of delicacy would have made it impossible for him to intrude his prosperity upon the deliberations of starving artisans on strike and stricken; and he wondered what the potters might think or say about the invasion by a woman. But he had to traverse the street with her and enter, and he had to do so with an air of masculine protectiveness. The urchins stood apart to let them in.
Snaggs’, dimly lit by a few glazed apertures in the roof, was nearly crammed by men who sat on the low benches and leaned standing against the sidewalls. In the small and tawdry proscenium, behind a worn picture of the Bay of Naples, were silhouetted the figures of the men’s leader and of several other officials. The leader was speaking in a quiet, mild voice, the other officials were seated on Windsor chairs. The smell of the place was nauseating, and yet the atmosphere was bitingly cold. The warm-wrapped visitors could see rows and rows of discoloured backs and elbows, and caps, and stringy kerchiefs. They could almost feel the contraction of thousands of muscles in an involuntary effort to squeeze out the chill from all these bodies; not a score of overcoats could be discerned in the whole theatre, and many of the jackets were thin and ragged; but the officials had overcoats. And the visitors could almost see, as it were in rays, the intense fixed glances darting from every part of the interior, and piercing the upright figure in the centre of the stage.
“Some method of compromise,” the leader was saying in his persuasive tones.
A young man sprang up furiously from the middle benches.
“To hell