The Works of William Cowper. William Cowper

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The Works of William Cowper - William Cowper


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ripens, if the season is such as to afford it nothing but cold winds and dark clouds, that interrupt every ray of sunshine. My days steal away silently, and march on (as poor mad Lear would have made his soldiers march) as if they were shod with felt; not so silently but that I hear them: yet were it not that I am always listening to their flight, having no infirmity that I had not when I was much younger, I should deceive myself with an imagination that I am still young.

      I am fond of writing as an amusement, but do not always find it one. Being rather scantily furnished with subjects that are good for anything, and corresponding only with those who have no relish for such as are good for nothing, I often find myself reduced to the necessity, the disagreeable necessity, of writing about myself. This does not mend the matter much, for, though in a description of my own condition, I discover abundant materials to employ my pen upon, yet as the task is not very agreeable to me, so I am sufficiently aware, that it is likely to prove irksome to others. A painter who should confine himself, in the exercise of his art, to the drawing of his own picture, must be a wonderful coxcomb if he did not soon grow sick of his occupation, and be peculiarly fortunate if he did not make others as sick as himself.

      Remote as your dwelling is from the late scene of riot and confusion, I hope that, though you could not but hear the report, you heard no more, and that the roarings of the mad multitude did not reach you. That was a day of terror to the innocent, and the present is a day of still greater terror to the guilty. The law was, for a few moments, like an arrow in the quiver, seemed to be of no use, and did no execution; now it is an arrow upon the string, and many who despised it lately are trembling as they stand before the point of it.

      I have talked more already than I have formerly done in three visits—you remember my taciturnity, never to be forgotten by those who knew me; not to depart entirely from what might be, for aught I know, the most shining part of my character, I here shut my mouth, make my bow, and return to Olney.

      W. C.

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      Olney, July 27, 1780.

      My dear Friend—As two men sit silent, after having exhausted all their topics of conversation; one says, "It is very fine weather," and the other says, "Yes;"—one blows his nose, and the other rubs his eye-brows; (by the way, this is very much in Homer's manner;) such seems to be the case between you and me. After a silence of some days, I wrote you a long something, that (I suppose) was nothing to the purpose, because it has not afforded you materials for an answer. Nevertheless, as it often happens in the case above-stated, one of the distressed parties, being deeply sensible of the awkwardness of a dumb duet, breaks silence again, and resolves to speak, though he has nothing to say, so it fares with me. I am with you again in the form of an epistle, though, considering my present emptiness, I have reason to fear that your only joy upon the occasion will be, that it is conveyed to you in a frank.

      When I began, I expected no interruption. But, if I had expected interruptions without end, I should have been less disappointed. First came the barber; who, after having embellished the outside of my head, has left the inside just as unfurnished as he found it. Then came Olney bridge, not into the house, but into the conversation. The cause relating to it was tried on Tuesday at Buckingham. The judge directed the jury to find a verdict favourable to Olney. The jury consisted of one knave and eleven fools. The last-mentioned followed the afore-mentioned as sheep follow a bell-wether, and decided in direct opposition to the said judge: then a flaw was discovered in the indictment:—the indictment was quashed, and an order made for a new trial. The new trial will be in the King's Bench, where said knave and said fools will have nothing to do with it. So the men of Olney fling up their caps, and assure themselves of a complete victory. A victory will save me and your mother many shillings, perhaps some pounds, which, except that it has afforded me a subject to write upon, was the only reason why I said so much about it. I know you take an interest in all that concerns us, and will consequently rejoice with us in the prospect of an event in which we are concerned so nearly.

      Yours affectionately,

       W. C.

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      Olney, July 30, 1780.

      My dear Sir—You may think perhaps that I deal more liberally with Mr. Unwin, in the way of poetical export, than I do with you, and I believe you have reason. The truth is this: if I walked the streets with a fiddle under my arm, I should never think of performing before the window of a privy councillor or a chief justice, but should rather make free with ears more likely to be open to such amusement. The trifles I produce in this way are indeed such trifles that I cannot think them seasonable presents for you. Mr. Unwin himself would not be offended if I was to tell him that there is this difference between him and Mr. Newton; that the latter is already an apostle, while he himself is only undergoing the business of incubation, with a hope that he may be hatched in time. When my Muse comes forth arrayed in sables, at least in a robe of graver cast, I make no scruple to direct her to my friend at Hoxton. This has been one reason why I have so long delayed the riddle. But lest I should seem to set a value upon it that I do not, by making it an object of still further inquiry, here it comes.

      I am just two and two, I am warm, I am cold,

       And the parent of numbers that cannot be told,

       I am lawful, unlawful—a duty, a fault,

       I am often sold dear—good for nothing when bought,

       An extraordinary boon, and a matter of course,

       And yielded with pleasure—when taken by force.

      W. C.

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      Olney, Aug. 6, 1780.

      My dear Friend—You like to hear from me—this is a very good reason why I should write—but I have nothing to say—this seems equally a good reason why I should not; yet if you had alighted from your horse at our door this morning, and, at this present writing, being five o'clock in the afternoon, had found occasion to say to me—"Mr. Cowper, you have not spoke since I came in; have you resolved never to speak again?"—it would be but a poor reply, if, in answer to the summons I should plead inability as my best and only excuse. And this, by the way, suggests to me a seasonable piece of instruction, and reminds me of what I am very apt to forget when I have any epistolary business in hand; that a letter may be written upon anything or nothing, just as that anything or nothing happens to occur. A man that has a journey before him twenty miles in length, which he is to perform on foot, will not hesitate and doubt whether he shall set out or not, because he does not readily conceive how he shall ever reach the end of it; for he knows that, by the simple operation of moving one foot forward first and then the other, he shall be sure to accomplish it. So it is in the present case, and so it is in every similar case. A letter is written, as a conversation is maintained or a journey performed, not by preconcerted or premeditated means, a new contrivance, or an invention never heard of before; but merely by maintaining a progress, and resolving, as a postilion does, having once set out, never to stop till we reach the appointed end. If a man may talk without thinking, why may he not write upon the same terms? A grave gentleman of the last century, a tie-wig, square-toe, Steinkirk figure, would say, "My good sir, a man has no right to do either." But it is to be hoped that the present century has nothing to do with the mouldy opinions of the last; and so, good Sir Launcelot, or St. Paul, or whatever be your name, step into your picture-frame again, and look as if you thought for another century, and leave us moderns in the mean time to think when we can, and to write whether we can or not, else we might as well be dead as you are.

      When


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