The World Of Chance. William Dean Howells
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and Mr. Kane should save him from the rash act, and then should tell him the story of his own life. Ray recurred to the manuscript he had left with Mr. Brandreth, and wondered if Mr. Brandreth would read it himself, and if he did, whether he would see any resemblance between the hero and the author. He had sometimes been a little ashamed of that mesmerization business in the story, but if it struck a mood of the reading public, it would be a great piece of luck; and he prepared himself to respect it. If Chapley & Co. accepted the book, he was going to write all that passage over, and strengthen it.
He was very happy; and he said to himself that he must try to be very good and to merit the fortune that had befallen him. He must not let it turn his head, or seem more than it really was; after all it was merely a chance to be heard that he was given. He instinctively strove to arrest the wheel, which was bringing him up, and must carry him down if it kept on moving. With an impulse of the old heathen superstition lingering in us all, he promised his god, whom he imagined to be God, that he would be very grateful and humble if He would work a little miracle for him, and let the wheel carry him up without carrying him over and down. In the unconscious selfishness which he had always supposed morality, he believed that the thing most pleasing to his god would be some immediate effort in his own behalf, of prudent industry or frugality; and he made haste to escape from the bliss of his high hopes as if it were something that was wrong in itself, and that he would perhaps be punished for.
He went to the restaurant where he had breakfasted, and bargained for board and lodging by the week. It was not so cheap as he had expected to get it; with an apparent flexibility, the landlord was rigorous on the point of a dollar a day for the room; and Ray found that he must pay twelve dollars a week for his board and lodging instead of the ten he had set as a limit. But he said to himself that he must take the risk, and must make up the two dollars, somehow. His room was at the top of the house, and it had a view of the fourth story of a ten-story apartment-house opposite; but it had a southerly exposure, and there was one golden hour of the day when the sun shone into it, over the shoulder of a lower edifice next to the apartment-house, and round the side of a clock tower beyond the avenue. He could see a bit of the châlet-roof of an elevated railroad station; he could see the tops of people's heads in the street below if he leaned out of his window far enough, and he had the same bird's-eye view of the passing carts and carriages. He shared it with the sparrows that bickered in the window-casing, and with the cats that crouched behind the chimneys and watched the progress of the sparrows' dissensions with furtive and ironical eyes.
Within, the slope of the roof gave a picturesque slant to the ceiling. The room was furnished with an American painted set; there was a clock on the little shelf against the wall that looked as if it were French; but it was not going, and there was no telling what accent it might tick with if it were wound up. There was a little mahogany table in one comer near the window to write on, and he put his books up on the shelf on each side of the clock.
It was all very different from the dignified housing of his life at Midland, where less than the money he paid here got him a stately parlor, with a little chamber out of it, at the first boarding-house in the place. But still he would not have been ashamed to have any one from Midland see him in his present quarters. They were proper to New York in that cosmopolitan phase which he had most desired to see. He tried writing at the little table, and found it very convenient. He forced himself, just for moral effect, and to show himself that he was master of all his moods, to finish his letter to the Echo, and he pleased himself very well with it. He made it light and lively, and yet contrived to give it certain touches of poetry and to throw in bits of description which he fancied had caught something of the thrill and sparkle of the air, and imparted some sense of such a day as he felt it to be. He fancied different friends turning to the letter the first thing in the paper; and in the fond remembrance of the kindness he had left behind there, he became a little homesick.
XI.
Ray would have liked to go again that day, and give Mr. Brandreth his new address in person; but he was afraid it would seem too eager, and would have a bad effect on the fortunes of his book. He mastered himself so far that even the next day' he did not go, but sent it in a note. Then he was sorry he had done this, for it might look a little too indifferent; that is, he feigned that it might have this effect; but what he really regretted was that it cut him off from going to see Mr. Brandreth as soon as he would have liked. It would be absurd to run to him directly after writing. He languished several days in the heroic resolution not to go near Chapley & Co. until a proper time had passed; then he took to walking up and down Broadway, remote from their place at first, and afterwards nearer, till it came to his pacing slowly past their door, and stopping at their window, in the hope that one or other of the partners would happen upon him in some of their comings or goings. But they never did, and he had a faint, heart-sick feeling of disappointment, such as he used to have when he hung about the premises of his first love in much the same fashion and to much the same effect.
He cajoled himself by feigning interviews, now with Mr. Chapley and now with Mr. Brandreth; the publishers accepted his manuscript with transport, and offered him incredible terms. The good old man's voice shook with emotion in hailing Ray as the heir of Hawthorne; Mr. Brandreth had him up to dinner, and presented him to his wife and baby; he named the baby for them jointly. As nothing of this kind really happened, Ray's time passed rather forlornly. Without being the richer for it, he won the bets he made himself, every morning, that he should not get a letter that day from Chapley & Co., asking to see him at once, or from Mr. Brandreth hoping for the pleasure of his company upon this social occasion or that. He found that he had built some hopes upon Mr. Brandreth's hospitable regrets; and as he did not know how long it must be after a happiness of the kind Mrs. Brandreth had conferred upon her husband before her house could be set in order for company, he was perhaps too impatient But he did not suffer himself to be censorious; he was duly grateful to Mr. Brandreth for his regrets; he had not expected them; but for them he would not have expected anything.
He did what he could to pass the time by visiting other publishers with Mr. Brandreth's card. He perceived sometimes, or fancied that he perceived, a shadow of anxiety in the gentlemen who received him so kindly, but it vanished, if it ever existed, when he put himself frankly on the journalistic ground, and satisfied them that he had no manuscript lurking about him. Then he found some of them willing to drop into chat about the trade, and try to forecast its nearer future, if not to philosophize its conditions. They appeared to think these were all right; and it did not strike Ray as amiss that a work of literary art should be regarded simply as a merchantable or unmerchantable commodity, or as a pawn in a game, a counter that stood for a certain money value, a risk which the player took, a wager that he made.
" You know it's really that," one publisher explained to Ray. '' No one can tell whether a book will succeed or not; no one knows what makes a book succeed. We have published things that I've liked and respected thoroughly, and that I've taken a personal pride and pleasure in pushing. They've been well received and intelligently praised by the best critics from the Atlantic to the Pacific, and cultivated people have talked about them everywhere; and they haven't sold fifteen hundred copies Then we've tried trash — decent trash, of course; we always remember the cheek of the Young Person — and we've all believed that we had something that would hit the popular mood, and would leap into the tens of thousands; and it's dropped dead from the press. Other works of art and other pieces of trash succeed for no better reason than some fail. You can't tell anything about it. If I were to trust my own observation, I should say it was luck, pure and simple, and mostly bad luck. Ten books fail, and twenty books barely pay, where one succeeds. Nobody can say why. Can't I send you some of our new books? " He had a number of them on a table near him, and he talked them over with Ray, while a clerk did them up; and he would not let Ray trouble himself to carry them away with him. They were everywhere lavish of their publications with him, and he had so many new books and advance sheets given him that if he had been going to write his letters for the Echo about literature alone, he would have had material for many weeks ahead.
The letters he got at this time were some from home: a very sweet one from his mother, fondly conjecturing and questioning about his comfort in New York, and cautioning him not to take cold; a serious one from his