Ragged Lady. William Dean Howells
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like,” said Clementina, with her eyes shining. “But—I should have to ask motha.”
“I don't believe but what your motha'd be willin',” said Mrs. Atwell. “You just go down and see her about it.”
The next day Mrs. Milray was able to take leave of her husband, in setting off to matronize a coaching party, with an exuberance of good conscience that she shared with the spectators. She kissed him with lively affection, and charged him not to let the child read herself to death for him. She captioned Clementina that Mr. Milray never knew when he was tired, and she had better go by the clock in her reading, and not trust to any sign from him.
Clementina promised, and when the public had followed Mrs. Milray away, to watch her ascent to the topmost seat of the towering coach, by means of the ladder held in place by two porters, and by help of the down-stretched hands of all the young men on the coach, Clementina opened the book at the mark she found in it, and began to read to Mr. Milray.
The book was a metaphysical essay, which he professed to find a lighter sort of reading than fiction; he said most novelists were too seriously employed in preventing the marriage of the lovers, up to a certain point, to be amusing; but you could always trust a metaphysician for entertainment if he was very much in earnest, and most metaphysicians were. He let Clementina read on a good while in her tender voice, which had still so many notes of childhood in it, before he manifested any consciousness of being read to. He kept the smile on his delicate face which had come there when his wife said at parting, “I don't believe I should leave her with you if you could see how prettty she was,” and he held his head almost motionlessly at the same poise he had given it in listening to her final charges. It was a fine head, still well covered with soft hair, which lay upon it in little sculpturesque masses, like chiseled silver, and the acquiline profile had a purity of line in the arch of the high nose and the jut of the thin lips and delicate chin, which had not been lost in the change from youth to age. One could never have taken it for the profile of a New York lawyer who had early found New York politics more profitable than law, and after a long time passed in city affairs, had emerged with a name shadowed by certain doubtful transactions. But this was Milray's history, which in the rapid progress of American events, was so far forgotten that you had first to remind people of what he had helped do before you could enjoy their surprise in realizing that this gentle person, with the cast of intellectual refinement which distinguished his face, was the notorious Milray, who was once in all the papers. When he made his game and retired from politics, his family would have sacrificed itself a good deal to reclaim him socially, though they were of a severer social than spiritual conscience, in the decay of some ancestral ideals. But he had rendered their willingness hopeless by marrying, rather late in life, a young girl from the farther West who had come East with a general purpose to get on. She got on very well with Milray, and it was perhaps not altogether her own fault that she did not get on so well with his family, when she began to substitute a society aim for the artistic ambition that had brought her to New York. They might have forgiven him for marrying her, but they could not forgive her for marrying him. They were of New England origin and they were perhaps a little more critical with her than if they had been New Yorkers of Dutch strain. They said that she was a little Western hoyden, but that the stage would have been a good place for her if she could have got over her Pike county accent; in the hush of family councils they confided to one another the belief that there were phases of the variety business in which her accent would have been no barrier to her success, since it could not have been heard in the dance, and might have been disguised in the song.
“Will you kindly read that passage over again?” Milray asked as Clementina paused at the end of a certain paragraph. She read it, while he listened attentively. “Could you tell me just what you understand by that?” he pursued, as if he really expected Clementina to instruct him.
She hesitated a moment before she answered, “I don't believe I undastand anything at all.”
“Do you know,” said Milray, “that's exactly my own case? And I've an idea that the author is in the same box,” and Clementina perceived she might laugh, and laughed discreetly.
Milray seemed to feel the note of discreetness in her laugh, and he asked, smiling, “How old did you tell me you were?”
“I'm sixteen,” said Clementina.
“It's a great age,” said Milray. “I remember being sixteen myself; I have never been so old since. But I was very old for my age, then. Do you think you are?”
“I don't believe I am,” said Clementina, laughing again, but still very discreetly.
“Then I should like to tell you that you have a very agreeable voice. Do you sing?”
“No'm—no, sir—no,” said Clementina, “I can't sing at all.”
“Ah, that's very interesting,” said Milray, “but it's not surprising. I wish I could see your face distinctly; I've a great curiosity about matching voices and faces; I must get Mrs. Milray to tell me how you look. Where did you pick up your pretty knack at reading? In school, here?”
“I don't know,” answered Clementina. “Do I read-the way you want?”
“Oh, perfectly. You let the meaning come through—when there is any.”
“Sometimes,” said Clementina ingenuously, “I read too fast; the children ah' so impatient when I'm reading to them at home, and they hurry me. But I can read a great deal slower if you want me to.”
“No, I'm impatient, too,” said Milray. “Are there many of them,—the children?”
“There ah' six in all.”
“And are you the oldest?”
“Yes,” said Clementina. She still felt it very blunt not to say sir, too, but she tried to make her tone imply the sir, as Mr. Gregory had bidden her.
“You've got a very pretty name.”
Clementina brightened. “Do you like it? Motha gave it to me; she took it out of a book that fatha was reading to her.”
“I like it very much,” said Milray. “Are you tall for your age?”
“I guess I am pretty tall.”
“You're fair, of course. I can tell that by your voice; you've got a light-haired voice. And what are your eyes?”
“Blue!” Clementina laughed at his pursuit.
“Ah, of course! It isn't a gray-eyed blonde voice. Do you think—has anybody ever told you-that you were graceful?”
“I don't know as they have,” said Clementina, after thinking.
“And what is your own opinion?” Clementina began to feel her dignity infringed; she did not answer, and now Milray laughed. “I felt the little tilt in your step as you came up. It's all right. Shall we try for our friend's meaning, now?”
Clementina began again, and again Milray stopped her. “You mustn't bear malice. I can hear the grudge in your voice; but I didn't mean to laugh at you. You don't like being made fun of, do you?”
“I don't believe anybody does,” said Clementina.
“No, indeed,” said Milray. “If I had tried such a thing I should be afraid you would make it uncomfortable for me. But I haven't, have I?”
“I don't know,” said Clementina, reluctantly.
Milray laughed gleefully. “Well, you'll forgive me, because I'm an old fellow. If I were young, you wouldn't, would you?”
Clementina thought of the clerk; she had certainly never forgiven him. “Shall I read on?” she asked.
“Yes, yes. Read on,” he said, respectfully. Once he interrupted her to say that she pronounced admirable, but he would like now and then to differ with her about a word if she did not mind. She answered, Oh no, indeed; she should like it ever so much, if he would tell her when she was wrong. After that