Light of the Diddicoy. Eamon Loingsigh
Читать онлайн книгу.
“I gotta lotta guys I gotta tend to, now hurry it up. Ya holdin’ up the line here.”
Backing Connolly at his right, Philip Large stares in his dullness at the feet of Buttacavoli. A tug is heard bleating out on the East River and too, a train passing on the Brooklyn Bridge above echoes its clickety-clacking off the black ice water. Large moves his mouth around from irritation. The passing of long moments make him seize. The tension annexing inside him bursts up and forces him to pass a maaing oxen bawl from his throat to release it. This gawking sound is frowned down by the Italians. They hear it only as weakness, unskillful constraint.
The line of men with pocketed hands that’ve already received their envelopes and are waiting behind the four Italians is bottled up, and so they air their grievances of it. At the ripe of impasse after his hoarse baying, Large tries timidly to bring his arms together to cross but his jacket being too tight behind, drops them to their natural position wide from his stocky, bovid build.
Whether by confusion or obstruction, Buttacavoli and the three brothers gently refuse to comply. Declined, Cinders Connolly peers over his shoulder coldly. Across the way, listening with great intent, is the man everyone calls The Swede. With a long face upon him and a tow head, The Swede stares with a gaunt scowl at the proceedings as he is perched on the bow’s edge of a bobbing tug knotted to the wharf just north the brick face of the Empire Stores and the old Fulton Ferry.
Allowing the dockboss Connolly and Large the fair prospect of collecting their own tribute, The Swede sits. Though he sits, there was reason for his being summoned from 25 Bridge Street by a runner when it got apparent these four immigrants were to be troublesome.
From the tug he pierces the cast in front of him. Beside him stand Tommy Tuohey, a pavee fighter from the boreens of the Old Country, and the dark-skinned mauler, Dance Gillen. These Whitehanders, headed by The Swede, wait while some seventy men bottle behind the line waiting to pay tribute. With nary a blink, The Swede first motions for Dago Tom Montague, a half-Italian who grew up in the neighborhoods.
A cold chill runs through the thick uncombed hair of Buttacavoli as those behind him grumble, casting slurs. He finds there is coordination among the locals. Not one to give in to low-class thieves dressed as grown orphans with atrocious manners, he stands chin up. In his land, a brute is met with refined grace. Not even an enemy knows your thoughts and when revenge is struck with blood, a shrug is all that comes upon the face of the victor when blame come his way. When a half-breed with a terrible accent sputters in his language of needing to pay a portion of their earnings, Buttacavoli lowers his daring eye and opens his legs, straightening his stance. Asking elegantly why he would have to do such a thing, he flicks his fingers and turns his head away. His brothers agree. No one takes family money, and again make around Connolly and Large.
The Swede unfurls his limbs and stands in his long span from the tug loosening his tie with a knuckley fist and a groaning sigh.
“They from Navy Street o’ Red Hook? What? Bay Ridge?”
“Not sure, maybe jus’ immigrants,” Dago Tom shrugs.
“No such thing, coincidence!” The Swede snarls back.
“They wanna invade us? See wha’ happens.”
Stamping to the front of the line he elbows through the insolent Italians, past Connolly and Large. Berating with abuse the laborers waiting to give tribute, “Every damn one o’ yas who got’n envelope an’ ain’t paid they shares yet, give it back this very second!”
“But what fault it’s mine dese stupid wops. . .” one navvy pleaded.
“Give ’em back now!” The Swede explodes in the man’s face that silences all and screaming down into the backing faces of the obedient, “Now! Now! Now!”
Gillen grabs two laborers coatwise and shoves them back to the table while Tommy Tuohey claps his mitts, “Back-up, bhoys!” and tosses backward five and six at a time as the hungry trip among themselves to let go their pay.
Standing above all else at six feet and five inches, The Swede stomps on the pier planks waving his gangly, muscled arms and clubbed fists in front of the stevedore’s table as they all rise from their seats in awe at his roaring and his convulsing, “I’ll beat ya alive! Back up! Now! Back up! Back!”
“Back-up, bhoys,” Tuohey repeats. “Back-up, ye feckin’ sausage!”
Pushing faces back so the circle widens, kicking with boots at men with blatting disgust, The Swede makes his territory. Makes it a circle around the untried four Italians. The fighter’s circle. Spitting at its edges, daring a cross of it; until finally in his comfort, puffs his long trunk and the angular slant of his splayed chest and shoulders for a grunt in the air that of a bull ape’s summoning.
“AAAAaaawwwwwwhhhhhhh!”
All quiet on the Fulton Terminal it was after that. Even the tugs and barges on the water hastened their bleating. The drays stopped struggling over the cobbles. The trains on their tracks and on the Els and bridges disappeared and Dago Tom stopped pleading in the foreign burr.
“Pay up, or pay up! This is what’s said! Final!” The Swede moaned like a giant spider-ghost into Buttacavoli’s face as the words echoed thinly into the windy air. “Ya wanna take this neighborhood, ya gotta kill us all. See us? All o’ us? Takes more’n four o’ yas. ‘Til then, pay up! Rules is rules. Tribute, now!”
A Calabrian’s patience and honor having been beckoned and then split by the rush of waterfront wind through face and coat from under the bridges into the gaggle of labormen assembled. Buttacavoli shivered, blinking his eyes yet still decided. Summoning the firmness in the roots of his honored society, he softly protests the lack of respect afforded him for space. Calmly, and in the middle of the ancient circle, he places his envelope in coat and folds his arms.
In an athletic attack, The Swede leans into a long right cross that explodes under the jaw of Buttacavoli, whose arms and legs straighten and stick in place as he is felled. Yet as he goes down, a left-handed fist lands and quickly blats with a thud to jolt Buttacavoli’s defenseless, white-eyed face. To the dock he slaps, stiff as a tree slams to forest floor.
The crowd quickly surges into a rollicking fervor and bellows as advancing soldiers into blood. Still in one motion, The Swede kicks one of the brothers in the gut and pounds him with strides of clubbed fists. As the brother comes to the ground himself, he receives the boot and the lace of labormen taking their turns. One of which snaps his head back so violently that the crowd bucks in excitement. Amidst the affray, Philip Large hooks another scurrying brother by the waist from behind and dead-lifts him high, slamming him backwards on his head, and in the middle of a ravenous circling crowd of wild dogs feasting on live bloodied prey. Fancied by the chaos, the dockworkers are brawling and elbowing and snapping at one another from the murk and bedlam for their own meat-seeking kicks. The stevedore’s table upended, Tuohey grapples the last terror-stricken Calabrian and holds him tight while Cinders Connolly takes potshots off the skull, laughing all the way. As The Swede finishes up with his second, he asks with respect for Connolly to step aside among the flailing turmoil, cracks his right hand into a tight fist and spears the last in the throat with a force that sends Tuohey backward a step, who then gave the fool to the ground to have. Struggling for air this last brother too receives the dockloaders’ work boots to face and lips.
And the men of the piers had a wild time of it, hooraying The Swede. His gaunt face standing firm among the facile cheers and with his clubs still clenched at his hips to show all the stance of justice meted out down here on the Brooklyn docks he proclaims, “A message to Frankie Yale!”
“Go back to Sackett Street, ya fookin’ guinea wops!” Another agrees.
But little do they know, and less do they care, that these four were fresh off the boat and not at all known among the Brooklyn coscas: the Camorra of Navy Street, the Cosa Nostra of Sackett and Frankie Yale’s down in Bay Ridge and Coney Island.
Behind The Swede, Dance Gillen jumps in the air feet high, stomping Italian face and gullet simultaneously. Holding his hat in hand,