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of Republican ‘notables’ that frightened them away. In the days of my early childhood, conservative society was to the last degree worldly, and no ‘good’ house would ever have opened its doors to a Republican. The people who lived in such an atmosphere imagined that the impossibility of ever inviting an ‘opportunist’—still more, a ‘horrid radical’—to their parties was something that would endure for ever, like oil-lamps and horse-drawn omnibuses. But, like a kaleidoscope which is every now and then given a turn, society arranges successively in different orders elements which one would have supposed to be immovable, and composes a fresh pattern. Before I had made my first Communion, ladies on the ‘right side’ in politics had had the stupefaction of meeting, while paying calls, a smart Jewess. These new arrangements of the kaleidoscope are produced by what a philosopher would call a ‘change of criterion.’ The Dreyfus case brought about another, at a period rather later than that in which I began to go to Mme. Swann’s, and the kaleidoscope scattered once again its little scraps of colour. Everything Jewish, even the smart lady herself, fell out of the pattern, and various obscure nationalities appeared in its place. The most brilliant drawing-room in Paris was that of a Prince who was an Austrian and ultra-Catholic. If instead of the Dreyfus case there had come a war with Germany, the base of the kaleidoscope would have been turned in the other direction, and its pattern reversed. The Jews having shewn, to the general astonishment, that they were patriots also, would have kept their position, and no one would have cared to go any more, or even to admit that he had ever gone to the Austrian Prince’s. All this does not, however, prevent the people who move in it from imagining, whenever society is stationary for the moment, that no further change will occur, just as in spite of having witnessed the birth of the telephone they decline to believe in the aeroplane. Meanwhile the philosophers of journalism are at work, castigating the preceding epoch, and not only the kind of pleasures in which it indulged, which seem to them to be the last word in corruption, but even the work of its artists and philosophers, which have no longer the least value in their eyes, as though they were indissolubly linked to the successive moods of fashionable frivolity. The one thing that does not change is that at any and every time it appears that there have been ‘great changes.’ At the time when I went to Mme. Swann’s the Dreyfus storm had not yet broken, and some of the more prominent Jews were extremely powerful. None more so than Sir Rufus Israels, whose wife, Lady Israels, was Swann’s aunt. She had not herself any intimate acquaintance so distinguished as her nephew’s, while he, since he did not care for her, had never much cultivated her society, although he was, so far as was known, her heir. But she was the only one of Swann’s relatives who had any idea of his social position, the others having always remained in the state of ignorance, in that respect, which had long been our own. When, from a family circle, one of its members emigrates into ‘high society’—which to him appears a feat without parallel until after the lapse of a decade he observes that it has been performed in other ways and for different reasons by more than one of the men whom he knew as boys—he draws round about himself a zone of shadow, a terra incognita, which is clearly visible in its minutest details to all those who inhabit it with him, but is darkest night and nothingness to those who may not penetrate it but touch its fringe without the least suspicion of its existence in their midst. There being no news agency to furnish Swann’s lady cousins with intelligence of the people with whom he consorted, it was (before his appalling marriage, of course) with a smile of condescension that they would tell one another, over family dinner-tables, that they had spent a ‘virtuous’ Sunday in going to see ‘cousin Charles,’ whom (regarding him as a ‘poor relation’ who was inclined to envy their prosperity,) they used wittily to name, playing upon the title of Balzac’s story, Le Cousin Bête. Lady Israels, however, was letter-perfect in the names and quality of the people who lavished upon Swann a friendship of which she was frankly jealous. Her husband’s family, which almost equalled the Rothschilds in importance, had for several generations managed the affairs of the Orleans Princes. Lady Israels, being immensely rich, exercised a wide influence, and had employed it so as to ensure that no one whom she knew should be ‘at home’ to Odette. One only had disobeyed her, in secret, the Comtesse de Marsantes. And then, as ill luck would have it, Odette having gone to call upon Mme. de Marsantes, Lady Israels had entered the room almost at her heels. Mme. de Marsantes was on tenter-hooks. With the craven impotence of those who are at liberty to act as they choose, she did not address a single word to Odette, who thus found little encouragement to press further the invasion of a world which, moreover, was not at all that into which she would have liked to be welcomed. In this complete detachment of the Faubourg Saint-Germain, Odette continued to be regarded as the illiterate ‘light woman,’ utterly different from the respectable ladies, ‘well up’ in all the minutest points of genealogy, who endeavoured to quench by reading biographies and memoirs their thirst for the aristocratic relations with which real life had omitted to provide them. And Swann, for his part, continued no doubt to be the lover in whose eyes all these peculiarities of an old mistress would appear lovable or at least inoffensive, for I have often heard his wife profess what were really social heresies, without his attempting (whether from lingering affection for her, loss of regard for society or weariness of the effort to make her perfect) to correct them. It was perhaps also another form of the simplicity which for so long had misled us at Combray, and which now had the effect that, while he continued to know, on his own account at least, many highly distinguished people, he did not make a point, in conversation in his wife’s drawing-room, of our seeming to feel that they were of the smallest importance. They had, indeed, less than ever for Swann, the centre of gravity of his life having been displaced. In any case, Odette’s ignorance of social distinctions was so dense that if the name of the Princesse de Guermantes were mentioned in conversation after that of the Duchess, her cousin, “So those ones are Princes, are they?” she would exclaim; “Why, they’ve gone up a step.” Were anyone to say “the Prince,” in speaking of the Duc de Chartres, she would put him right with, “The Duke, you mean; he is Duc de Chartres, not Prince.” As for the Duc d’Orléans, son of the Comte de Paris: “That’s funny; the son is higher than the father!” she would remark, adding, for she was afflicted with anglomania, “Those Royalties are so dreadfully confusing!”—while to someone who asked her from what province the Guermantes family came she replied, “From the Aisne.”

      But, so far as Odette was concerned, Swann was quite blind, not merely to these deficiencies in her education but to the general mediocrity of her intelligence. More than that; whenever Odette repeated a silly story Swann would sit listening to his wife with a complacency, a merriment, almost an admiration into which some survival of his desire for her must have entered; while in the same conversation, anything subtle, anything deep even that he himself might say would be listened to by Odette with an habitual lack of interest, rather curtly, with impatience, and would at times be sharply contradicted. And we must conclude that this enslavement of refinement by vulgarity is the rule in many households, when we think, conversely, of all the superior women who yield to the blandishments of a boor, merciless in his censure of their most delicate utterances, while they go into ecstasies, with the infinite indulgence of love, over the feeblest of his witticisms. To return to the reasons which prevented Odette, at this period, from making her way into the Faubourg Saint-Germain, it must be observed that the latest turn of the social kaleidoscope had been actuated by a series of scandals. Women to whose houses one had been going with entire confidence had been discovered to be common prostitutes, if not British spies. One would, therefore, for some time to come expect people (so, at least, one supposed) to be, before anything else, in a sound position, regular, settled, accountable. Odette represented simply everything with which one had just severed relations, and was incidentally to renew them at once (for men, their natures not altering from day to day, seek in every new order a continuance of the old) but to renew them by seeking it under another form which would allow one to be innocently taken in, and to believe that it was no longer the same society as before the disaster. However, the scapegoats of that society and Odette were too closely alike. People who move in society are very short-sighted; at the moment in which they cease to have any relations with the Israelite ladies whom they have known, while they are asking themselves how they are to fill the gap thus made in their lives, they perceive, thrust into it as by the windfall of a night of storm, a new lady, an Israelite also; but by virtue of her novelty she is not associated in their minds with her predecessors, with what they are convinced that they must abjure. She does not ask that they

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