Writers & Lovers. Lily King
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don’t know why, but I need to picture him at that moment. It’s such an awful moment. I heard over the phone at five in the morning in a tiny kitchen in Spain.
‘I was home, at my parents’ house. I was supposed to be on that trip but I’d gotten mono. That day was the first day I felt okay. I went to the mall to get a pair of sneakers, and when I came back my father told me to sit down. I said I didn’t want to sit down. I heard it all in his voice. I already knew. For so long I was so mad he made me sit down. Something like that rips you out of your life and you feel for a long time like you’re just hovering above it watching people scurry around and none of it makes sense and you’re just holding this box of sneakers—’ I hear a voice in the background, a woman. ‘Oh shit, Casey, I have to go. My class started twelve minutes ago.’
‘You’re in school?’
‘Teaching. Summer school. God, I’m sorry to hang up right now but that was the head of my department. Can I call you tonight?’
‘I’m working. I’ll see you at the museum on Friday.’ I don’t want to spend too much time on the phone, then have it be awkward in person like in that story ‘The Letter Writers’ about a man and a woman who fall in love through ten years of correspondence, and when they meet their bodies can’t catch up to their words.
We hang up. My room comes into focus again, my desk, my notebook. It’s still morning. The whole time we were on the phone I didn’t worry even once that it would ruin my writing time.
Muriel comes to the potting shed after her walk with David. I make tea and we sit on my futon.
‘I thought he’d be different, that he’d have some Jack Nicholson crazy in his eye. All this time, I was scared he’d be different. But he was just the same.’ Her voice breaks. ‘He was just the same. And I couldn’t touch him. He was unappealing to me. We started walking and he put his arm around me and I thought I’d get over it, that feeling, because it was exactly as I’d hoped. He wants me back. He made a terrible mistake, he said. And I just kept thinking, When can I get back in my car. I tried to hide it from him, but he saw and said I was cold, said my eyes were like a snake’s. Then he sort of broke down and said we’d had something so perfect, and he’d known it all along and the only reason he’d left was he knew it wouldn’t end. He’d panicked. Looking at the rest of his life scared him. But losing me, he said, was even scarier.’
‘Where were you?’
‘Fresh Pond. We went around and around. For hours. He was so dramatic, leaping around me, throwing out his arms. He actually hit a runner at one point. I kept asking him why he didn’t tell me all this before, and he said he didn’t know. He cried. I’ve never seen him cry before, not actual tears. It was awful. I couldn’t fake it, though. I couldn’t even tell him I’d think about it. It was over. It was so clear. And when he tried to kiss me, I shoved him away. My arms just pushed him away before I knew what I was doing. It was so physical, the repulsion. It felt biological. Like I knew I would never have children with this man. It was so awful and weird. I could see all the things I had loved about him, I could see them, but I didn’t love them anymore.’
She breaks down. She doubles over on my futon, and I hold on to her and rub her back and tell her it’s going to be all right, which is what she has been doing for me all summer long. I make more tea and cinnamon toast and we scoot back on the futon and lean against the wall, eating and sipping and looking out my one window at the driveway where Adam seems to be arguing with Oli the cleaning lady.
‘Did David write his book?’ I ask.
‘He didn’t even start it.’ She blows on her tea. ‘And I’ve written two hundred and sixty pages since he left.’
At lunch, Fabiana seats me two doctors in the corner. They’ve kept their big laminated name tags clipped to their shirt pockets. They’re both internists, their tags say, at Mass General. When I pour their water, they’re talking about a laparoscopic liver biopsy, and when I drop their sandwiches they’ve moved on to giardia.
If they hadn’t been talking medicine the whole meal, I wouldn’t have said anything. I don’t get up the nerve until I’m serving their espressos.
‘May I ask you a quick question?’
The one on the left busies himself with a sugar packet. He’s on to me. But the older one nods. ‘Be our guest.’
‘My mother went to Chile last winter. She flew from Phoenix to LA to Santiago. She had a cough left over from a cold but no fever. Apart from that, she was in full health. Fifty-eight years old. No medical issues.’ It comes out of me perfectly, like memorized lines. ‘They spend five days in the capital then fly to the Chiloé Archipelago where they visit a few islands, and on the island of Caucahué she wakes up feeling cold and short of breath. Her friends get her to a clinic there and they put her on oxygen and radio for an air ambulance and just before it comes she dies.’
Both doctors seem frozen. The younger one is still holding the sugar packet.
‘What do you think happened? The death certificate says cardiac arrest, but it wasn’t a heart attack. Why did her heart stop? Was it a pulmonary embolism? From the long plane flight? That’s what my brother’s boyfriend, Phil, thinks. But he’s an ophthalmologist.’
The two doctors look at each other, not in consultation but in alarm. How do we get out of here?
‘There was no autopsy?’ the younger one says, finally releasing the sugar into the demitasse.
‘No.’
‘I’m so sorry,’ the older one says. ‘It must have been a terrible shock.’
‘Without her history and a full report…’ the other one says and turns up his hands.
‘It was most likely an embolism.’
‘Could we get the check when you have a chance?’
They knock back their espressos while I print it out, put down two twenties, and bolt out of the dining room.
My mother’s friend Janet was with her at the clinic on the island. She wasn’t struggling, Janet told me. She wasn’t in pain. She was dozing. Sort of in and out. Then she sat up, said she had to make a phone call, lay back down again, and was dead. It was very peaceful, Janet told me. Such a pretty day.
I tried, in phone calls with Janet, to get more detail than pretty day and peaceful. I wanted everything, my mother’s exact words and the smell of the clinic and the color of the walls. Were children kicking a ball outside? Was she holding Janet’s hand? Who did she sit up to call? Was there any noise at all when her heart stopped? Why did it stop? I wanted to hear my mother tell it. She loved a story. She loved a mystery. She could make any little incident intriguing. In her version, the doctor would have a wandering eye and three chickens in the back named after Tolstoy characters. Janet would have a heat rash on her neck. I wanted her and no one else to tell me the story of how she died.
Her suitcase arrived at Caleb and Phil’s house three days after the funeral. Caleb and I opened it together. We lifted out her yellow rain slicker, her two cotton nightgowns, her one-piece bathing suit with the pink-and-white checks. We pressed our noses to every item, and every item smelled of her. We found gifts in a paper bag, a pair of beaded earrings and a man’s T-shirt. We knew they were for us. When the suitcase was empty I slid my hand into the interior elasticized pouches, certain there would be something in writing, a note or a sentence of goodbye, of premonition, in case of. There was nothing but two safety pins and a thin barrette.
The rest of the week goes badly. My writing flounders. Every sentence feels flat, every detail fake. I go for long runs along the river, to Watertown, to Newton, ten miles, twelve miles, which help, but after a few hours the bees start crawling again. I scroll the 206 pages I have on the computer and skim the new pages I have in my notebook since Red Barn. I can’t find one moment, one sentence, that’s any good. Even the scenes I’ve clung to when all else seems lost—those first pages I wrote in Pennsylvania and the chapter I wrote in Albuquerque that poured out of