How to Stop Time. Matt Haig
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After a relatively mild and inconsequential spell, during the previous few days in January the temperature had fallen sharply. It was the coldest I had known London to be since 1814, the year of Napoleon jokes and financial scandal and the last Frost Fair, when market traders had sold their wares on the frozen Thames.
As then, to be outside meant to be almost unable to move your face. You could almost feel your blood start to freeze. I could hardly see during my two-mile walk to Blackfriars Road, and my path was guided by the lampposts, those elegant black wrought-iron streetlamps that once seemed so modern. Blackfriars Road was the location of the hospital where Dr Hutchinson was working at the time, the London Cutaneous Institution for Treatment and Cure of Non-infectious Diseases of the Skin. Quite a catchy name, by Victorian standards.
Of course, I didn’t have a disease of the skin. My skin caused me no irritation. I had no rashes. There was nothing wrong with my skin other than that it was two hundred and seventy-nine years old, yet looked centuries younger; but then my whole body felt centuries younger. If only my mind could have felt thirty as well.
The reason I had contacted Dr Hutchinson was because of his work discovering and researching a similar, albeit opposite, affliction known as ‘progeria’.
The word is derived from the Greek words ‘pro’, meaning not only before but also early, and ‘geras’, which means old age. Premature old age. That’s what it is, essentially. A child is born and when they are still a toddler strange symptoms begin to emerge. These symptoms become more startling as the child ages.
The symptoms include those associated with ageing: hair loss, wrinkled skin, weak bones, prominent veins, stiff joints, kidney failure and often loss of eyesight. They die at a young age.
These ill-fated children have always existed. Yet the illness was never recognised until Dr Hutchinson first described it, in relation to a six-year-old boy who was losing his hair and suffering skin atrophy.
So, I was reasonably optimistic on my way to see him. If anyone could help me, he could. You see, I had, in truth, been struggling recently. I had spent most of the last two hundred years searching London and the rest of the country, looking for Marion, occasionally thinking I had seen someone who looked like her, then making a fool of myself. I remember, in particular, the beating I’d received from a drunken cobbler in York on the Shambles, who believed I was propositioning his wife, by asking her when she was born. I played music whenever I could get paid for it, moving on and changing my identity whenever anyone got suspicious. I had never accumulated wealth. The money I had made had always floated through like a draught, being spent on rent and ale.
There were many times I had lost all hope in my search. A search not just for a lost person, but for that other thing I had lost – meaning. For a point. It occurred to me that human beings didn’t live beyond a hundred because they simply weren’t up for it. Psychologically, I mean. You kind of ran out. There wasn’t enough self to keep going. You grew too bored of your own mind. Of the way life repeated itself. How, after a while, there wasn’t a smile or gesture that you hadn’t seen before. There wasn’t a change in the world order that didn’t echo other changes in the world order. And the news stopped being new. The very word ‘news’ became a joke. It was all just a cycle. A slowly rotating downward one. And your tolerance for human beings, making the same mistakes over and over and over and over again, began to fade. It was like being stuck in the same song, with a chorus you had once liked but now made you want to rip your ears off.
Indeed, it was often enough to make you want to kill yourself. I sometimes thought about putting this desire into action. For years after Rose died, I would often catch myself in apothecaries, contemplating a purchase of arsenic. And recently I was back in that state. Standing on bridges, dreaming of non-existence.
And I possibly would have gone through with it, were it not for the promises I had made to Rose and my mother.
I just didn’t like my condition.
It made me lonely. And when I say lonely, I mean the kind of loneliness that howls through you like a desert wind. It wasn’t just the loss of people I had known but also the loss of myself. The loss of who I had been when I had been with them.
You see, in total, there had been three people I had properly loved in life: my mother, Rose and Marion. Of those, two were dead, and one was alive only as a possibility. And without love as an anchor, I had drifted. I had gone to sea, on two different voyages, drowning myself in drink, driven only by the determination to find Marion, and hopefully also myself in the process.
I walked through the blizzard. I was hungover. It took a lot to make me hungover, but I was always sure to put in the effort. The city seemed only half there, because of the snow, as if I was walking inside one of Monet’s fuzzy depictions of London, which he was soon to paint. There was no one about, except outside the Christian Mission where men in ragged, ill-fitting suits and flat caps waited for food. They were so still, so quiet, so despondent, stiff with cold.
There was a very good chance, I realised, that my journey would be wasted. Yet what could I do? I was quite desperate to see Dr Hutchinson, for if anyone in the world could tell me about my condition I was sure it would be him.
I had no idea if he would even be there, given the weather.
As soon as I arrived a nurse, Miss Forster, assured me that Dr Hutchinson was always here.
‘Never missed a day’s work in his life, I’d dare say,’ Miss Forster told me, as I am sure she had told many before. She looked so pristine and white with her immaculate cap and apron that she seemed to have been something made by the blizzard itself. ‘You are lucky today,’ she said. ‘Everyone in London seems to want to speak to Mr Hutchinson about their ailments.’ She studied me, trying to work out exactly what kind of skin complaint I had.
I followed Miss Forster up three flights of stairs and I was told to wait in a well-furnished room, full of expensive high-backed chairs with red velvet seats and damask wallpaper and a stately wall clock. ‘He’s still seeing someone,’ she told me, in the kind of reverential whisper you’d use in church. ‘You might have to wait a fair time, Mr Cribbs.’
(I was now Edward Cribbs, in honour of a former Plymouth drinking buddy.)
‘Waiting’s my speciality,’ I said.
‘Very good, sir,’ she said earnestly, and then left me. I remember sitting in that room with people whose faces were colonised by terrible blotches and rashes.
‘Awful out, isn’t it?’ I said to one woman, with a livid purple rash covering her face.
(One thing that has remained constant, across four centuries, has been the desire for a British person to fill a silence with talk of the weather, and whenever I have lived there I was no exception to this rule.)
‘Oh yes, sir,’ she said, but didn’t expand on this.
Eventually, the door I was waiting beside opened and out came a male patient. He was well dressed, like a dandy, but his face was covered in rough, raised blotches like a microscopic mountain range.
‘Good day,’ he said to me, smiling as broadly as his face allowed, clearly having experienced some miracle (or the promise of one).
There was that quiet lull unique to waiting rooms and the clock ticked away the silence until it was my turn.
I entered the room and the first thing I noticed was Dr Hutchinson himself. Jonathan Hutchinson was a very impressive-looking man. Even in the ultimate era of impressive-looking gentlemen, he was formidable. He was tall and smart and had a long beard. The beard, in particular, earned admiration. Neither Greek philosopher nor shipwrecked castaway, this was something very carefully thought out and pre-planned, the beard getting narrower and wispier as it descended until it reached a thin white line, a tail that faded imperceptibly into nothing. It may have been the intense nature of the morning that made me see in that beard a metaphor for mortal existence.
‘Thank you for agreeing to this meeting,’ I said, and instantly regretted it. It made me sound desperate.
Dr