The Essential Henry James Collection. Генри Джеймс
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whom she had had speech since her return. Isabel had already learned, however, with what treasures of reserve the function of receiving orders may be accompanied, and she was particularly conscious of having been treated with dryness by her aunt's maid, through whose hands she had slipped perhaps a little too mistrustfully and with an effect of plumage but the more lustrous. The advent of a guest was in itself far from disconcerting; she had not yet divested herself of a young faith that each new acquaintance would exert some momentous influence on her life. By the time she had made these reflexions she became aware that the lady at the piano played remarkably well. She was playing something of Schubert's--Isabel knew not what, but recognised Schubert--and she touched the piano with a discretion of her own. It showed skill, it showed feeling; Isabel sat down noiselessly on the nearest chair and waited till the end of the piece. When it was finished she felt a strong desire to thank the player, and rose from her seat to do so, while at the same time the stranger turned quickly round, as if but just aware of her presence.
"That's very beautiful, and your playing makes it more beautiful still," said Isabel with all the young radiance with which she usually uttered a truthful rapture.
"You don't think I disturbed Mr. Touchett then?" the musician answered as sweetly as this compliment deserved. "The house is so large and his room so far away that I thought I might venture, especially as I played just--just du bout des doigts."
"She's a Frenchwoman," Isabel said to herself; "she says that as if she were French." And this supposition made the visitor more interesting to our speculative heroine. "I hope my uncle's doing well," Isabel added. "I should think that to hear such lovely music as that would really make him feel better."
The lady smiled and discriminated. "I'm afraid there are moments in life when even Schubert has nothing to say to us. We must admit, however, that they are our worst."
"I'm not in that state now then," said Isabel. "On the contrary I should be so glad if you would play something more."
"If it will give you pleasure--delighted." And this obliging person took her place again and struck a few chords, while Isabel sat down nearer the instrument. Suddenly the new-comer stopped with her hands on the keys, half-turning and looking over her shoulder. She was forty years old and not pretty, though her expression charmed. "Pardon me," she said; "but are you the niece --the young American?"
"I'm my aunt's niece," Isabel replied with simplicity.
The lady at the piano sat still a moment longer, casting her air of interest over her shoulder. "That's very well; we're compatriots." And then she began to play.
"Ah then she's not French," Isabel murmured; and as the opposite supposition had made her romantic it might have seemed that this revelation would have marked a drop. But such was not the fact; rarer even than to be French seemed it to be American on such interesting terms.
The lady played in the same manner as before, softly and solemnly, and while she played the shadows deepened in the room. The autumn twilight gathered in, and from her place Isabel could see the rain, which had now begun in earnest, washing the cold-looking lawn and the wind shaking the great trees. At last, when the music had ceased, her companion got up and, coming nearer with a smile, before Isabel had time to thank her again, said: "I'm very glad you've come back; I've heard a great deal about you."
Isabel thought her a very attractive person, but nevertheless spoke with a certain abruptness in reply to this speech. "From whom have you heard about me?"
The stranger hesitated a single moment and then, "From your uncle," she answered. "I've been here three days, and the first day he let me come and pay him a visit in his room. Then he talked constantly of you."
"As you didn't know me that must rather have bored you."
"It made me want to know you. All the more that since then--your aunt being so much with Mr. Touchett--I've been quite alone and have got rather tired of my own society. I've not chosen a good moment for my visit."
A servant had come in with lamps and was presently followed by another bearing the tea-tray. On the appearance of this repast Mrs. Touchett had apparently been notified, for she now arrived and addressed herself to the tea-pot. Her greeting to her niece did not differ materially from her manner of raising the lid of this receptacle in order to glance at the contents: in neither act was it becoming to make a show of avidity. Questioned about her husband she was unable to say he was better; but the local doctor was with him, and much light was expected from this gentleman's consultation with Sir Matthew Hope.
"I suppose you two ladies have made acquaintance," she pursued. "If you haven't I recommend you to do so; for so long as we continue--Ralph and I--to cluster about Mr. Touchett's bed you're not likely to have much society but each other."
"I know nothing about you but that you're a great musician," Isabel said to the visitor.
"There's a good deal more than that to know," Mrs. Touchett affirmed in her little dry tone.
"A very little of it, I am sure, will content Miss Archer!" the lady exclaimed with a light laugh. "I'm an old friend of your aunt's. I've lived much in Florence. I'm Madame Merle." She made this last announcement as if she were referring to a person of tolerably distinct identity. For Isabel, however, it represented little; she could only continue to feel that Madame Merle had as charming a manner as any she had ever encountered.
"She's not a foreigner in spite of her name," said Mrs. Touchett.
"She was born--I always forget where you were born."
"It's hardly worth while then I should tell you."
"On the contrary," said Mrs. Touchett, who rarely missed a logical point; "if I remembered your telling me would be quite superfluous."
Madame Merle glanced at Isabel with a sort of world-wide smile, a thing that over-reached frontiers. "I was born under the shadow of the national banner."
"She's too fond of mystery," said Mrs. Touchett; "that's her great fault."
"Ah," exclaimed Madame Merle, "I've great faults, but I don't think that's one of then; it certainly isn't the greatest. I came into the world in the Brooklyn navy-yard. My father was a high officer in the United States Navy, and had a post--a post of responsibility--in that establishment at the time. I suppose I ought to love the sea, but I hate it. That's why I don't return to America. I love the land; the great thing is to love something."
Isabel, as a dispassionate witness, had not been struck with the force of Mrs. Touchett's characterisation of her visitor, who had an expressive, communicative, responsive face, by no means of the sort which, to Isabel's mind, suggested a secretive disposition. It was a face that told of an amplitude of nature and of quick and free motions and, though it had no regular beauty, was in the highest degree engaging and attaching. Madame Merle was a tall, fair, smooth woman; everything in her person was round and replete, though without those accumulations which suggest heaviness. Her features were thick but in perfect proportion and harmony, and her complexion had a healthy clearness. Her grey eyes were small but full of light and incapable of stupidity-- incapable, according to some people, even of tears; she had a liberal, full-rimmed mouth which when she smiled drew itself upward to the left side in a manner that most people thought very odd, some very affected and a few very graceful. Isabel inclined to range herself in the last category. Madame Merle had thick, fair hair, arranged somehow "classically" and as if she were a Bust, Isabel judged--a Juno or a Niobe; and large white hands, of a perfect shape, a shape so perfect that their possessor, preferring to leave them unadorned, wore no jewelled rings. Isabel had taken her at first, as we have seen, for a Frenchwoman; but extended observation might have ranked her as a German--a German of high degree, perhaps an Austrian, a baroness, a countess, a princess. It would never have been supposed she had come into the world in Brooklyn--though one could doubtless not have carried through any argument that the air of distinction marking her in so eminent a degree was inconsistent with such a birth. It was true that the national banner had floated immediately over her cradle, and the breezy freedom of the stars and stripes might have shed an influence upon the attitude she there