The Essential Booth Tarkington Collection. Booth Tarkington
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it all over. Admirable resignation, but not for me! I'm a stockholder in his company and in shape to `take steps'! I don't know if I'd be patient enough to make them legal--perhaps I should. He may be safe on the legal side. I'll know more about that when I find out if there is a Prince Moliterno in Naples who owns land in Basilicata."
"You don't doubt it?"
"I doubt everything! In this particular matter I'll have less to doubt when I get an answer from the consul-general. _I_'ve written, you see."
Lindley looked disturbed. "You have?"
Vilas read him at a glance. "You're afraid to find out!" he cried. Then he set his hand on the other's shoulder. "If there ever was a God's fool, it's you, Dick Lindley. Really, I wonder the world hasn't kicked you around more than it has; you'd never kick back! You're as easy as an old shoe. Cora makes you unhappy," he went on, and with the very mention of her name, his voice shook with passion,--"but on my soul I don't believe you know what jealousy means: you don't even understand hate; you don't eat your heart----"
"Let's go and eat something better," suggested Richard, laughing. "There's a continuous supper downstairs and I hear it's very good."
Ray smiled, rescued for a second from himself. "There isn't anything better than your heart, you old window-pane, and I'm glad you don't eat it. And if I ever mix it up with Don Giovanni T. Corliss--`T' stands for Toreador--I do believe it'll be partly on your----" He paused, leaving the sentence unfinished, as his attention was caught by the abysmal attitude of a figure in another part of the gallery: Mr. Wade Trumble, alone in a corner, sitting upon the small of his small back, munching at an unlighted cigar and otherwise manifesting a biting gloom. Ray drew Lindley's attention to this tableau of pain. "Here's a three of us!" he said. He turned to look down into the rhythmic kaleidoscope of dancers. "And there goes the girl we all _ought_ to be morbid about."
"Who is that?"
"Laura Madison. Why aren't we? What a self-respecting creature she is, with that cool, sweet steadiness of hers--she's like a mountain lake. She's lovely and she plays like an angel, but so far as anybody's ever thinking about her is concerned she might almost as well not exist. Yet she's really beautiful to-night, if you can manage to think of her except as a sort of retinue for Cora."
"She _is_ rather beautiful to-night. Laura's always a very nice-looking girl," said Richard, and with the advent of an idea, he added: "I think one reason she isn't more conspicuous and thought about is that she is so quiet," and, upon his companion's greeting this inspiration with a burst of laughter, "Yes, that was a brilliant deduction," he said; "but I do think she's about the quietest person I ever knew. I've noticed there are times when she'll scarcely speak at all for half an hour, or even more."
"You're not precisely noisy yourself," said Ray. "Have you danced with her this evening?"
"Why, no," returned the other, in a tone which showed this omission to be a discovery; "not yet. I must, of course."
"Yes, she's really `rather' beautiful. Also, she dances `rather' better than any other girl in town. Go and perform your painful duty."
"Perhaps I'd better," said Richard thoughtfully, not perceiving the satire. "At any rate, I'll ask her for the next."
He found it unengaged. There came to Laura's face an April change as he approached, and she saw he meant to ask her to dance. And, as they swam out into the maelstrom, he noticed it, and remarked that it _was_ rather warm, to which she replied by a cheerful nod. Presently there came into Richard's mind the thought that he was really an excellent dancer; but he did not recall that he had always formed the same pleasing estimate of himself when he danced with Laura, nor realize that other young men enjoyed similar self-help when dancing with her. And yet he repeated to her what Ray had said of her dancing, and when she laughed as in appreciation of a thing intended humorously, he laughed, too, but insisted that she did dance "very well indeed." She laughed again at that, and they danced on, not talking. He had no sense of "guiding" her; there was no feeling of effort whatever; she seemed to move spontaneously with his wish, not to his touch; indeed, he was not sensible of touching her at all.
"Why, Laura," he exclaimed suddenly, "you dance _beautifully_!"
She stumbled and almost fell; saved herself by clutching at his arm; he caught her; and the pair stopped where they were, in the middle of the floor. A flash of dazed incredulity from her dark eyes swept him; there was something in it of the child dodging an unexpected blow.
"Did I trip you?" he asked anxiously.
"No," she laughed, quickly, and her cheeks grew even redder. "I tripped myself. Wasn't that too bad--just when you were thinking that I danced well! Let's sit down. May we?"
They went to some chairs against a wall. There, as they sat, Cora swung by them, dancing again with her lieutenant, and looking up trancedly into the gallant eyes of the triumphant and intoxicated young man. Visibly, she was a woman with a suitor's embracing arm about her. Richard's eyes followed them.
"Ah, don't!" said Laura in a low voice.
He turned to her. "Don't what?"
"I didn't mean to speak out loud," she said tremulously. "But I meant: don't look so troubled. It doesn't mean anything at all--her coquetting with that bird of passage. He's going away in the morning."
"I don't think I was troubling about that."
"Well, whatever it was"--she paused, and laughed with a plaintive timidity--"why, just don't trouble about it!"
"Do I look very much troubled?" he asked seriously.
"Yes. And you don't look very gay when you're not!" She laughed with more assurance now. "I think you're always the wistfulest looking man I ever saw."
"Everybody laughs at me, I believe," he said, with continued seriousness. "Even Ray Vilas thinks I'm an utter fool. Am I, do _you_ think?"
He turned as he spoke and glanced inquiringly into her eyes. What he saw surprised and dismayed him.
"For heaven's sake, don't cry!" he whispered hurriedly.
She bent her head, turning her face from him.
"I've been very hopeful lately," he said. "Cora has been so kind to me since I did what she wanted me to, that I----" He gave a deep sigh. "But if you're _that_ sorry for me, my chances with her must be pretty desperate."
She did not alter her attitude, but with her down-bent face still away from him, said huskily: "It isn't you I'm sorry for. You mustn't ever give up; you must keep on trying and trying. If you give up, I don't know what will become of her!"
A moment later she rose suddenly to her feet. "Let's finish our dance," she said, giving him her hand. "I'm sure I won't stumble again."
CHAPTER SIXTEEN
The two girls let themselves into the house noiselessly, and, turning out the hall-light, left for them by their mother, crept upstairs on tiptoe; and went through the upper hall directly to Laura's room--Cora's being nearer the sick-room. At their age it is proper that a gayety be used three times: in anticipation, and actually, and in after-rehearsal. The last was of course now in order: they went to Laura's room to "talk it over." There was no gas-fixture in this small chamber; but they found Laura's oil-lamp burning brightly upon her writing-table.
"How queer!" said Laura with some surprise, as she closed the door. "Mother never leaves the lamp lit for me; she's always so afraid of lamps exploding."
"Perhaps Miss Peirce came in here to read, and forgot to turn it out," suggested Cora, seating herself on the edge of the bed and letting her silk wrap fall from her shoulders. "Oh, Laura, wasn't he gorgeous. . . ."
She referred to the gallant defender of our seas, it appeared, and while Laura undressed and got into a wrapper, Cora recounted in detail the