Doonreagan. Ann Henning Jocelyn
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in both public and private collections worldwide. He enjoys collaborating and experimenting with other artists in other mediums. Outside of his visual arts career, he has taught dance and lectured on early Irish art. Theatre and opera credits include: Brian Friel’s Communication Cord (Field Day Company) and Donizetti’s opera Daughter of the Regiment.
Beth Hoare-Barnes (Stage Manager)
Most recently Beth has toured to Taipei with Fevered Sleep’s Brilliant, and been part of a fully staged opera on a beach, Peter Grimes with Aldeburgh Music, both of which are being made into films. Diverse other projects include Above Me The Wide Blue Sky with Fevered Sleep at Young Vic, The Kingdom by Colin Teevan at the Soho Theatre, the opera Where The Wild Things Are at Aldeburgh Music, Fevered Sleep’s The Forest on a national tour and at the Sydney Opera House, and Reykjavik, an immersive piece by Shams Theatre at the Roundhouse. Beth has also worked with Akademi South Asian dance, Little Angel, Shakespeare’s Globe, Regent’s Park, Unicorn Theatre and Theatre-Rites, among others. Previously she spent four years in the U.S. studying and working as a Stage Manager and Lighting Designer, where she received an MFA and designed professionally in New York, Cleveland and Columbus.
Berislav Juraic (Producer)
Berislav Juraic is a creative producer with extensive international experience. Recent producing credits include: the English language premiere of Elfriede Jelinek’s Sports Play (National Tour, Chelsea Theatre & Soho Theatre, 2012, revival at Camden People’s Theatre in 2013 and international tour to three continents in 2013 and 2014), Peer Gynt Recharged (Riverside Studios, London), the UK premiere of Woman Bomb by Croatian playwright Ivana Sajko (Tristan Bates Theatre, selected for 2011 Havana International Theatre Festival in Cuba) and the UK premiere of It’s Raining in Barcelona by leading Catalan playwright Pau Miró. He also produced the critically acclaimed Edward Bond Season (including a world premiere, two first revivals and two UK premieres). Other London credits include: the UK Premiere of Jon Fosse’s Visits (Theatre Delicatessen) and Hedda (Riverside Studios, 2010). Credits abroad include: J.L. Lagarce’s Just the End of the World (Croatia, France); B.M. Koltès’ Tabataba (Croatia, France); Woman in the Dunes by Kobo Abe (Croatia, France, S.Korea, Japan); El-Harrag, a contemporary dance and circus project (Algeria, Croatia, Palestine, Jordan). In addition to producing for other companies, he co-founded Just a Must company with director Vanda Butkovic to introduce postdramatic theatre in translation to British and international audiences.
Rebecca Salvadori (Video Designer)
Rebecca is a London-based visual artist. After graduating in Visual Arts in 2007, she moved to Germany where she was involved within multidisciplinary art environments until 2010. She has been producing videos for both experimental art collectives such as .HBC Berlin, Gallery Mittwoch, White Rabbit, and more established institutions like Guggenheim Berlin as well as working on theatre productions such as Lou Blue and Fr. Monster by Bösediva in collaboration with Sophiensaele Theatre. In 2010 she moved to London where she has gained an MA in Screen and Film Studies at Goldsmiths University. London credits include the video documentation of Anri Salas’ solo exhibition at Serpentine Gallery; the collaboration with artist Adelita Husni-Bey on The Clays Lane Live Archive, a theatre re-enactment recently selected for Lofoten International Festival; producing Music Videos for Domino Record band Trailer Trash Tracys as well as for Bo Ningen and critically acclaimed Savages. Rebecca Salvadori has performed and exhibited her audio/visual work at venues and festivals throughout Europe including Barbican Art Centre (United Kingdom), Festival IMAGES (Switzerland), Crosstalk video art Festival (Hungary), David Lynch’s Silencio (France), SCHNUCK-Glaspalais (Netherlands), Sophiensaele Theatre (Germany) and her videos have been reviewed by The Quietus, The Fader, DIY, HUH Magazine and published by PIG Quarterly Magazine, Electronic Beats and NME.
Ana Vilar (Lighting Designer)
Ana is a London-based freelance lighting designer, re-lighter and consultant. She combines her career in lighting with photography, art and design, exploiting these skills throughout her practice. From 2010 she has been an active member of an exclusive lighting company, Urban Electric, working as a Lighting Engineer and Product specialist in neon installation. Recent work in dance and theatre includes relighting Lucy Hansom’s design for James Wilton dance company’s UK tour, lighting design for The Typewriters’ piece Adaptors at the London Contemporary Dance Theatre in London and lighting design for Just a Must production Sports Play on its UK tour and at Ohrid Summer Festival in Macedonia. She has a BA(Hons) in Photography from School of Arts, Huesca, Spain and BA in Theatre Practice (Lighting Design for Performance) from Central School of Speech and Drama, London.
Ballynahinch Castle Hotel & Sporting EstateConnemara, West of Ireland
Connemara by Michael Cody
Connemara is a state of light.
Of fluent sky, flayed rock and flowering bog.
Of storied lake and inlet and deep song.
Of wind and wild.
Ballynahinch Castle is the embodiment of everything that Ted Hughes found so beguiling about Connemara. The salmon river with otters and kingfishers, lakes and mountains and a wild beauty that both captivates and invigorates.
Ballynahinch Castle is a forty bedroom hotel with an award-winning restaurant and friendly Fisherman's Pub. On site activities include fly fishing, miles of scenic, river & lakeside walks, hiking with or without a guide and cycling; and all within a short drive of Connemara National Park, Connemara Championship Golf Links, Kylemore Abbey & The Aran Islands.
www.ballynahinch-castle.com Email [email protected] Tel + 353 95 31006
PAST:
Jermyn Street Theatre was once the changing rooms for staff of the Getti Restaurant (formerly Spaghetti House Restaurant) upstairs. In 1991, Howard Jameson had a vision – to transform the space into a luxury studio theatre. Materials, expertise and services to the value of £280,000 were donated by 56 British companies and with major donation from Laings, our challenge was complete. We opened in August 1994. In 1997 our efforts were further rewarded by a National Lottery Grant from the Arts Council, enabling us to provide even better facilities for our customers.
PRESENT:
The theatre is run by the Trustees, and ably assisted by a committed band of volunteers. The trustees of the theatre would like to invite you or your company to become a sponsor. This can be either sponsoring a chair, programmes, a production or even the theatre itself. This will help others realise and fulfil their dream. We hope that you respect all our endeavours and hard work by supporting us in any way you can.
FUTURE:
| • | A commitment to new writing. Either producing an in-house production or giving the opportunity to an external producer to produce new work of the very highest quality in writing, design and delivery. |
| • | Supporting and giving space to one New Musical per year. We hope to give a London home to one new musical per year; affording the very best talent the opportunity to have their work seen on the London stage. |
| • | Unknown and forgotten classics. |
The question here is: “why are we not doing these plays?” We are keen to find forgotten works or works never produced by the finest and most lauded playwrights of the last 100 years. 2011 saw revivals of Ibsen’s Little Eyolf, Arthur Miller’s Danger: Memory and Charles Morgan’s 1952 classic The River Line. We believe the studio space at Jermyn Street Theatre can showcase these exceptional writers with works that are unknown or forgotten. In 2012 we were proud to have presented the UK premiere of Henrik Ibsen’s St John’s Night, All That Fall starring Sir Michael Gambon and Dame Eileen Atkins and