Henry V (Propeller Shakespeare). Уильям Шекспир

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Henry V (Propeller Shakespeare) - Уильям Шекспир


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      The violence in the play is presented symbolically rather than realistically. The executions and beatings, for example, are dramatized by the use of punch-bags or by musical effects.

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      King Henry: the night before Agincourt

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      The King rallies his troops

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      Princess Katherine takes her bath

      Characters

      ARCHBISHOP OF CANTERBURY

      BISHOP OF ELY

      KING HENRY V

      DUKE OF EXETER, his uncle

      EARL OF WESTMORLAND

      MONTJOY, the French ambassador and herald

      NYM

      BARDOLPH

      PISTOL

      MISTRESS QUICKLY, his wife

      BOY

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      THE FRENCH KING

      THE DAUPHIN

      THE CONSTABLE OF FRANCE

      DUKE OF ORLEANS

      GOVERNOR OF HARFLEUR

      FLUELLEN, a captain in King Henry’s army

      KATHERINE, the French princess

      ALICE, her gentlewoman

      SIR THOMAS ERPINGHAM

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      EARL OF SALISBURY

      DUKE OF YORK

      MONSIEUR LE FER

      DUKE OF BURGUNDY

       The CHORUS and other parts played by members of the company

On stage, a central metal tower, providing an upper acting level; four ammunition boxes; two side staircases; and a flag with the red cross of St George.

      SCENE ONE


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A company of soldiers enters through the audience, singing.
Music: ‘Brown Eyes’.
The company then delivers the first CHORUS, divided (like the subsequent ones) between them.
CHORUS 1 (Taking the crown from one of the ammunition boxes.)
O for a muse of fire, that would ascend
The brightest heaven of invention:
CHORUS 2 A kingdom for a stage, princes to act,
And monarchs to behold the swelling scene.
CHORUS 3 Then should the warlike Harry, like himself,
Assume the port of Mars, and at his heels,
Leashed in like hounds, should famine, sword, and fire
Crouch for employment.
CHORUS 4 But pardon, gentles all,
The flat unraisèd spirits that hath dared
On this unworthy scaffold to bring forth
So great an object.
CHORUS 5 Can this cock-pit hold
The vasty fields of France? Or may we cram
Within this wooden O the very casques
That did affright the air at Agincourt?
CHORUS 6 O pardon: since a crookèd figure may
Attest in little place a million,
And let us, ciphers to this great account,
On your imaginary forces work.
CHORUS 7 Suppose within the girdle of these walls
Are now confined two mighty monarchies,
Whose high uprearèd and abutting fronts
The perilous narrow ocean parts asunder.
CHORUS 8 Piece out our imperfections with your thoughts:
CHORUS 9 Into a thousand parts divide one man,
And make imaginary puissance.
CHORUS 10 Think, when we talk of horses, that you see them,
Printing their proud hoofs i’th’ receiving earth;
CHORUS 11 For ’tis your thoughts that now must deck our kings,
Carry them here and there, jumping o’er times,
Turning th’accomplishment of many years
Into an hourglass;
CHORUS 12 For the which supply,
ALL Admit us Chorus to this history,
CHORUS 13 Who Prologue-like your humble patience pray