The Third Ghost Story Megapack. Мэри Элизабет Брэддон
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having, when a boy, seen the housekeeper inspecting them, and their contents had left a hazy impression of old stand-alone brocades, gold tissues, sacques, hoops, and hoods, the very mention of which put us in a state of wild excitement. Mrs. Moultrie was summoned, looked duly horrified at the desecration of what to her were relics most sacred; but seeing it was inevitable, she marshaled the way, a protest in every rustle and fold of her stiff silk dress.
“What a charming old place,” was the exclamation with variations as we entered the long oak-joisted room, at the further end of which stood in goodly array the chests whose contents we coveted. Bristling with unspoken disapproval, poor Mrs. Moultrie unlocked one after another, and then asked permission to retire, leaving us unchecked to “cry havoc.” In a moment the floor was covered with piles of silks and velvets.
“Meg,” cried little Janet Crawford, dancing up to me, “isn’t it a good thing to live in the age of tulle and summer silks? Fancy being imprisoned for life in a fortress like this!” holding up a thick crimson and gold brocade, whale-boned and buckramed at all points. It was thrown aside, and she half lost herself in another chest and was silent. Then—“Look, Major Fraudel This is the very thing for you—a true astrologer’s robe, all black velvet and golden stars. If it were but long enough; it just fits me.”
I turned and saw—the pretty slight figure, the innocent girlish face dressed in the robe of black and gold, identical in shape, pattern and material with what I too well remembered. With a wild cry I hid my face and cowered away.
“Take it off! O, Janet—Robert—take it from her!”
Every one turned wondering. In an instant my husband saw, and catching up the cause of my terror, flung it hastily into the chest again, and lowered the lid. Janet looked half offended, but the cloud passed in an instant when I kissed her, apologizing as well as I could. Rob laughed at us both, and voted an adjournment to a warmer room, where we could have the chests brought to us to ransack at leisure. Before going down, Janet and I went into a small anteroom to examine some old pictures which leaned against the wall.
“This is just the thing, Jennie, to frame the tableaux,” I said, pointing to an immense frame, at least twelve feet square. “There is a picture in it,” I added, pulling back the dusty folds of a heavy curtain which fell before it.
“That can be easily removed,” said my husband, who had followed us.
With his assistance we drew the curtain quite away, and in the now fast waning light could just discern the figure of a girl in white against a dark background. Robert rang for a lamp, and when it came we turned with much curiosity to examine the painting, as to the subject of which we had been making odd merry guesses while we waited. The girl was young, almost childish—very lovely, but, oh, how sad! Great tears stood in the innocent eyes and on the round young cheeks, and her hands were clasped tenderly around the arms of a man who was bending toward her, and, did I dream?—no, there in hateful distinctness was the hideous woman of the Cedar Closet—the same in every distorted line, even to the starred dress and golden circlet. The swarthy hues of the dress and face had at first caused us to overlook her. The same wicked eyes seemed to glare into mine. After one wild bound my heart seemed to stop its beating, and I knew no more. When I recovered from a long, deep swoon, great lassitude and intense nervous excitement followed; my illness broke up the party, and for months I was an invalid. When again Robert’s love and patience had won me back to my old health and happiness, he told me all the truth, so far as it had been preserved in old records of the family.
It was in the sixteenth century that the reigning lady of Draye Court was a weird, deformed woman, whose stunted body, hideous face, and a temper which taught her to hate and vilify everything good and beautiful for the contrast offered to herself, made her universally feared and disliked. One talent only she possessed; it was for music; but so wild and strange were the strains she drew from the many instruments of which she was mistress, that the gift only intensified the dread with which she was regarded. Her father had died before her birth; her mother did not survive it; near relatives she had none; she had lived her lonely, loveless life from youth to middle age. When a young girl came to the Court, no one knew more than that she was a poor relation. The dark woman seemed to look more kindly on this young cousin than on any one that had hitherto crossed her somber path, and indeed so great was the charm which Marian’s goodness, beauty and innocent gayety exercised on every one that the servants ceased to marvel at her having gained the favor of their gloomy mistress. The girl seemed to feel a kind of wondering, pitying affection for the unhappy woman; she looked on her through an atmosphere created by her own sunny nature, and for a time all went well. When Marian had been at the Court for a year, a foreign musician appeared on the scene. He was a Spaniard, and had been engaged by Lady Draye to build for her an organ said to be of fabulous power and sweetness. Through long bright summer days he and his employer were shut up together in the music-room—he busy in the construction of the wonderful instrument, she aiding and watching his work. These days were spent by Marian in various ways—pleasant idleness and pleasant work, long canters on her chestnut pony, dreamy mornings by the brook with rod and line, or in the village near, where she found a welcome everywhere. She played with the children, nursed the babies, helped the mothers in a thousand pretty ways, gossiped with old people, brightening the day for everybody with whom she came in contact. Then in the evening she sat with Lady Draye and the Spaniard in the saloon talking in that soft foreign tongue which they generally used. But this was but the music between the acts; the terrible drama was coming. The motive was of course the same as that of every life drama which has been played out from the old, old days when the curtain rose upon the garden scene of Paradise. Philip and Marian loved each other, and having told their happy secret to each other, they, as in duty bound, took it to their patroness. They found her in the music room. Whether the glimpses she caught of a beautiful world from which she was shut out maddened her, or whether she, too, loved the foreigner, was never certainly known; but through the closed door passionate words were heard, and very soon Philip came out alone, and left the house without a farewell to any in it. When the servants did at last venture to enter, they found Marian lifeless on the floor, Lady Draye standing over her with crutch uplifted, and blood flowing from a wound in the girl’s forehead. They carried her away and nursed her tenderly; their mistress locked the door as they left, and all night long remained alone in darkness. The music which came out without pause on the still night air was weird and wicked beyond any strains which had ever before flowed even from beneath her fingers; it ceased with morning light; and as the day wore on it was found that Marian had fled during the night, and that Philip’s organ had sounded its last strain—Lady Draye had shattered and silenced it forever. She never seemed to notice Marian’s absence and no one dared to mention her name. Nothing was ever known certainly of her fate; it was supposed that she had joined her lover.
Years passed, and with each Lady Draye’s temper grew fiercer and more malevolent. She never quitted her room unless on the anniversary of that day and night, when the tapping of her crutch and high-heeled shoes was heard for hours as she walked up and down the music-room, which was never entered save for this yearly vigil. The tenth anniversary came round, and this time the vigil was not unshared. The servants distinctly heard the sound of a man’s voice mingling in earnest conversation with her shrill tones; they listened long, and at last one of the boldest ventured to look in, himself unseen. He saw a worn, traveled-stained man; dusty, foot-sore, poorly dressed, he still at once recognized the handsome, gay Philip of ten years ago. He held in his arms a little sleeping girl; her long curls, so like poor Marian’s, strayed over his shoulder. He seemed to be pleading in that strange musical tongue for the little one; for as he spoke he lifted, O, so tenderly, the cloak which partly concealed her, and showed the little face, which he doubtless thought might plead for itself. The woman, with a furious gesture, raised her crutch to strike the child; he stepped quickly backward, stooped to kiss the little girl, then, without a word, turned to go. Lady Draye called on him to return with an imperious gesture, spoke a few words, to which he seemed to listen gratefully, and together they left the house by the window which opened on the terrace. The servants followed them, and found she led the way to the parsonage, which was at the time unoccupied. It was said that he was in some political danger as well as in deep poverty, and that she had hidden him here until she could help him to a better asylum. It was certain that for many nights she went