The Classic Humor MEGAPACK ®. Эдгар Аллан По

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The Classic Humor MEGAPACK ® - Эдгар Аллан По


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me shudder or smile. It was not a big boy bullying a little one, but a young wolf with glistening teeth and a lamb cowering before him; or, it was a dog faithful and famishing—or a star going slowly into eclipse—or a rainbow fading—or a flower blooming—or a sun rising—or a waning moon. The revelations of the spectacles determined my feeling for the boys, and for all whom I saw through them. No shyness, nor awkwardness, nor silence, could separate me from those who looked lovely as lilies to my illuminated eyes. If I felt myself warmly drawn to any one I struggled with the fierce desire of seeing him through the spectacles. I longed to enjoy the luxury of ignorant feeling, to love without knowing, to float like a leaf upon the eddies of life, drifted now to a sunny point, now to a solemn shade—now over glittering ripples, now over gleaming calms,—and not to determined ports, a trim vessel with an inexorable rudder.

      “But, sometimes, mastered after long struggles, I seized my spectacles and sauntered into the little town. Putting them to my eyes I peered into the houses and at the people who passed me. Here sat a family at breakfast, and I stood at the window looking in. O motley meal! fantastic vision! The good mother saw her lord sitting opposite, a grave, respectable being, eating muffins. But I saw only a bank-bill, more or less crumpled and tattered, marked with a larger or lesser figure. If a sharp wind blew suddenly, I saw it tremble and flutter; it was thin, flat, impalpable. I removed my glasses, and looked with my eyes at the wife. I could have smiled to see the humid tenderness with which she regarded her strange vis-à-vis. Is life only a game of blind-man’s-buff? of droll cross-purposes?

      “Or I put them on again, and looked at the wife. How many stout trees I saw,—how many tender flowers,—how many placid pools; yes, and how many little streams winding out of sight, shrinking before the large, hard, round eyes opposite, and slipping off into solitude and shade, with a low, inner song for their own solace. And in many houses I thought to see angels, nymphs, or at least, women, and could only find broomsticks, mops, or kettles, hurrying about, rattling, tinkling, in a state of shrill activity. I made calls upon elegant ladies, and after I had enjoyed the gloss of silk and the delicacy of lace, and the flash of jewels, I slipped on my spectacles, and saw a peacock’s feather, flounced and furbelowed and fluttering; or an iron rod, thin, sharp, and hard; nor could I possibly mistake the movement of the drapery for any flexibility of the thing draped,—or, mysteriously chilled, I saw a statue of perfect form, or flowing movement, it might be alabaster, or bronze, or marble,—but sadly often it was ice; and I knew that after it had shone a little, and frozen a few eyes with its despairing perfection, it could not be put away in the niches of palaces for ornament and proud family tradition, like the alabaster, or bronze, or marble statues, but would melt, and shrink, and fall coldly away in colorless and useless water, be absorbed in the earth and utterly forgotten.

      “But the true sadness was rather in seeing those who, not having the spectacles, thought that the iron rod was flexible, and the ice statue warm. I saw many a gallant heart, which seemed to me brave and loyal as the crusaders sent by genuine and noble faith to Syria and the sepulchre, pursuing, through days and nights, and a long life of devotion, the hope of lighting at least a smile in the cold eyes, if not a fire in the icy heart. I watched the earnest, enthusiastic sacrifice. I saw the pure resolve, the generous faith, the fine scorn of doubt, the impatience of suspicion. I watched the grace, the ardor, the glory of devotion. Through those strange spectacles how often I saw the noblest heart renouncing all other hope, all other ambition, all other life, than the possible love of some one of those statues. Ah! me, it was terrible, but they had not the love to give. The Parian face was so polished and smooth, because there was no sorrow upon the heart,—and, drearily often, no heart to be touched. I could not wonder that the noble heart of devotion was broken, for it had dashed itself against a stone. I wept, until my spectacles were dimmed for that hopeless sorrow; but there was a pang beyond tears for those icy statues.

      “Still a boy, I was thus too much a man in knowledge,—I did not comprehend the sights I was compelled to see. I used to tear my glasses away from my eyes, and, frightened at myself, run to escape my own consciousness. Reaching the small house where we then lived, I plunged into my grandmother’s room and, throwing myself upon the floor, buried my face in her lap; and sobbed myself to sleep with premature grief. But when I awakened, and felt her cool hand upon my hot forehead, and heard the low, sweet song, or the gentle story, or the tenderly told parable from the Bible, with which she tried to soothe me, I could not resist the mystic fascination that lured me, as I lay in her lap, to steal a glance at her through the spectacles.

      “Pictures of the Madonna have not her rare and pensive beauty. Upon the tranquil little islands her life had been eventless, and all the fine possibilities of her nature were like flowers that never bloomed. Placid were all her years; yet I have read of no heroine, of no woman great in sudden crises, that it did not seem to me she might have been. The wife and widow of a man who loved his own home better than the homes of others, I have yet heard of no queen, no belle, no imperial beauty, whom in grace, and brilliancy, and persuasive courtesy, she might not have surpassed.

      “Madam,” said Titbottom to my wife, whose heart hung upon his story; “your husband’s young friend, Aurelia, wears sometimes a camelia in her hair, and no diamond in the ball-room seems so costly as that perfect flower, which women envy, and for whose least and withered petal men sigh; yet, in the tropical solitudes of Brazil, how many a camelia bud drops from a bush that no eye has ever seen, which, had it flowered and been noticed, would have gilded all hearts with its memory.

      “When I stole these furtive glances at my grandmother, half fearing that they were wrong, I saw only a calm lake, whose shores were low, and over which the sky hung unbroken, so that the least star was clearly reflected. It had an atmosphere of solemn twilight tranquillity, and so completely did its unruffled surface blend with the cloudless, star-studded sky, that, when I looked through my spectacles at my grandmother, the vision seemed to me all heaven and stars. Yet, as I gazed and gazed, I felt what stately cities might well have been built upon those shores, and have flashed prosperity over the calm, like coruscations of pearls.

      “I dreamed of gorgeous fleets, silken sailed and blown by perfumed winds, drifting over those depthless waters and through those spacious skies. I gazed upon the twilight, the inscrutable silence, like a God-fearing discoverer upon a new, and vast, and dim sea, bursting upon him through forest glooms, and in the fervor of whose impassioned gaze, a millennial and poetic world arises, and man need no longer die to be happy.

      “My companions naturally deserted me, for I had grown wearily grave and abstracted: and, unable to resist the allurement of my spectacles, I was constantly lost in a world, of which those companions were part, yet of which they knew nothing. I grew cold and hard, almost morose; people seemed to me blind and unreasonable. They did the wrong thing. They called green, yellow; and black, white. Young men said of a girl, ‘What a lovely, simple creature!’ I looked, and there was only a glistening wisp of straw, dry and hollow. Or they said, ‘What a cold, proud beauty!’ I looked, and lo! a Madonna, whose heart held the world. Or they said, ‘What a wild, giddy girl!’ and I saw a glancing, dancing mountain stream, pure as the virgin snows whence it flowed, singing through sun and shade, over pearls and gold dust, slipping along unstained by weed, or rain, or heavy foot of cattle, touching the flowers with a dewy kiss,—a beam of grace, a happy song, a line of light, in the dim and troubled landscape.

      “My grandmother sent me to school, but I looked at the master, and saw that he was a smooth, round ferule—or an improper noun—or a vulgar fraction, and refused to obey him. Or he was a piece of string, a rag, a willow-wand, and I had a contemptuous pity. But one was a well of cool, deep water, and looking suddenly in, one day, I saw the stars. He gave me all my schooling. With him I used to walk by the sea, and, as we strolled and the waves plunged in long legions before us, I looked at him through the spectacles, and as his eye dilated with the boundless view, and his chest heaved with an impossible desire, I saw Xerxes and his army tossing and glittering, rank upon rank, multitude upon multitude, out of sight, but ever regularly advancing and with the confused roar of ceaseless music, prostrating themselves in abject homage. Or, as with arms outstretched and hair streaming on the wind, he chanted full lines of the resounding Iliad, I saw Homer pacing the AEgean sands in the Greek sunsets of forgotten times.

      “My grandmother died, and I was thrown into the world without


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