The Virginia Woolf Megapack. Virginia Woolf
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man in the place, but there are other reasons why I dread Cambridge—” he ceased.
“Are you finding me a dreadful bore?” he asked. He changed curiously from a friend confiding in a friend to a conventional young man at a party.
“Not in the least,” said Helen. “I like it very much.”
“You can’t think,” he exclaimed, speaking almost with emotion, “what a difference it makes finding someone to talk to! Directly I saw you I felt you might possibly understand me. I’m very fond of Hewet, but he hasn’t the remotest idea what I’m like. You’re the only woman I’ve ever met who seems to have the faintest conception of what I mean when I say a thing.”
The next dance was beginning; it was the Barcarolle out of Hoffman, which made Helen beat her toe in time to it; but she felt that after such a compliment it was impossible to get up and go, and, besides being amused, she was really flattered, and the honesty of his conceit attracted her. She suspected that he was not happy, and was sufficiently feminine to wish to receive confidences.
“I’m very old,” she sighed.
“The odd thing is that I don’t find you old at all,” he replied. “I feel as though we were exactly the same age. Moreover—” here he hesitated, but took courage from a glance at her face, “I feel as if I could talk quite plainly to you as one does to a man—about the relations between the sexes, about…and…”
In spite of his certainty a slight redness came into his face as he spoke the last two words.
She reassured him at once by the laugh with which she exclaimed, “I should hope so!”
He looked at her with real cordiality, and the lines which were drawn about his nose and lips slackened for the first time.
“Thank God!” he exclaimed. “Now we can behave like civilised human beings.”
Certainly a barrier which usually stands fast had fallen, and it was possible to speak of matters which are generally only alluded to between men and women when doctors are present, or the shadow of death. In five minutes he was telling her the history of his life. It was long, for it was full of extremely elaborate incidents, which led on to a discussion of the principles on which morality is founded, and thus to several very interesting matters, which even in this ballroom had to be discussed in a whisper, lest one of the pouter pigeon ladies or resplendent merchants should overhear them, and proceed to demand that they should leave the place. When they had come to an end, or, to speak more accurately, when Helen intimated by a slight slackening of her attention that they had sat there long enough, Hirst rose, exclaiming, “So there’s no reason whatever for all this mystery!”
“None, except that we are English people,” she answered. She took his arm and they crossed the ball-room, making their way with difficulty between the spinning couples, who were now perceptibly dishevelled, and certainly to a critical eye by no means lovely in their shapes. The excitement of undertaking a friendship and the length of their talk, made them hungry, and they went in search of food to the dining-room, which was now full of people eating at little separate tables. In the doorway they met Rachel, going up to dance again with Arthur Venning. She was flushed and looked very happy, and Helen was struck by the fact that in this mood she was certainly more attractive than the generality of young women. She had never noticed it so clearly before.
“Enjoying yourself?” she asked, as they stopped for a second.
“Miss Vinrace,” Arthur answered for her, “has just made a confession; she’d no idea that dances could be so delightful.”
“Yes!” Rachel exclaimed. “I’ve changed my view of life completely!”
“You don’t say so!” Helen mocked. They passed on.
“That’s typical of Rachel,” she said. “She changes her view of life about every other day. D’you know, I believe you’re just the person I want,” she said, as they sat down, “to help me complete her education? She’s been brought up practically in a nunnery. Her father’s too absurd. I’ve been doing what I can—but I’m too old, and I’m a woman. Why shouldn’t you talk to her—explain things to her—talk to her, I mean, as you talk to me?”
“I have made one attempt already this evening,” said St. John. “I rather doubt that it was successful. She seems to me so very young and inexperienced. I have promised to lend her Gibbon.”
“It’s not Gibbon exactly,” Helen pondered. “It’s the facts of life, I think—d’you see what I mean? What really goes on, what people feel, although they generally try to hide it? There’s nothing to be frightened of. It’s so much more beautiful than the pretences—always more interesting—always better, I should say, than that kind of thing.”
She nodded her head at a table near them, where two girls and two young men were chaffing each other very loudly, and carrying on an arch insinuating dialogue, sprinkled with endearments, about, it seemed, a pair of stockings or a pair of legs. One of the girls was flirting a fan and pretending to be shocked, and the sight was very unpleasant, partly because it was obvious that the girls were secretly hostile to each other.
“In my old age, however,” Helen sighed, “I’m coming to think that it doesn’t much matter in the long run what one does: people always go their own way—nothing will ever influence them.” She nodded her head at the supper party.
But St. John did not agree. He said that he thought one could really make a great deal of difference by one’s point of view, books and so on, and added that few things at the present time mattered more than the enlightenment of women. He sometimes thought that almost everything was due to education.
In the ballroom, meanwhile, the dancers were being formed into squares for the lancers. Arthur and Rachel, Susan and Hewet, Miss Allan and Hughling Elliot found themselves together.
Miss Allan looked at her watch.
“Half-past one,” she stated. “And I have to despatch Alexander Pope tomorrow.”
“Pope!” snorted Mr. Elliot. “Who reads Pope, I should like to know? And as for reading about him—No, no, Miss Allan; be persuaded you will benefit the world much more by dancing than by writing.” It was one of Mr. Elliot’s affectations that nothing in the world could compare with the delights of dancing—nothing in the world was so tedious as literature. Thus he sought pathetically enough to ingratiate himself with the young, and to prove to them beyond a doubt that though married to a ninny of a wife, and rather pale and bent and careworn by his weight of learning, he was as much alive as the youngest of them all.
“It’s a question of bread and butter,” said Miss Allan calmly. “However, they seem to expect me.” She took up her position and pointed a square black toe.
“Mr. Hewet, you bow to me.” It was evident at once that Miss Allan was the only one of them who had a thoroughly sound knowledge of the figures of the dance.
After the lancers there was a waltz; after the waltz a polka; and then a terrible thing happened; the music, which had been sounding regularly with five-minute pauses, stopped suddenly. The lady with the great dark eyes began to swathe her violin in silk, and the gentleman placed his horn carefully in its case. They were surrounded by couples imploring them in English, in French, in Spanish, of one more dance, one only; it was still early. But the old man at the piano merely exhibited his watch and shook his head. He turned up the collar of his coat and produced a red silk muffler, which completely dashed his festive appearance. Strange as it seemed, the musicians were pale and heavy-eyed; they looked bored and prosaic, as if the summit of their desire was cold meat and beer, succeeded immediately by bed.
Rachel was one of those who had begged them to continue. When they refused she began turning over the sheets of dance music which lay upon the piano. The pieces were generally bound in coloured covers, with pictures on them of romantic scenes—gondoliers astride on the crescent of the moon, nuns peering through the bars of a convent window, or young women with their hair down pointing a gun at the stars. She remembered that the