The F. Scott Fitzgerald MEGAPACK ®. F. Scott Fitzgerald
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“When you have to go into the highways and byways—” said the pink man, looking reproachfully at Baily and Perry.
“Hello, Martin Macy,” said Perry shortly, “where’s this stone-age champagne?”
“What’s the rush? This isn’t an operation, understand. This is a party.”
Perry sat down dully and looked disapprovingly at all the neckties.
Baily leisurely opened the door of a wardrobe and brought out six handsome bottles.
“Take off that darn fur coat!” said Martin Macy to Perry. “Or maybe you’d like to have us open all the windows.”
“Give me champagne,” said Perry.
“Going to the Townsends’ circus ball tonight?”
“Am not!”
“’Vited?”
“Uh-huh.”
“Why not go?”
“Oh, I’m sick of parties,” exclaimed Perry. “I’m sick of ’em. I’ve been to so many that I’m sick of ’em.”
“Maybe you’re going to the Howard Tates’ party?”
“No, I tell you; I’m sick of ’em.”
“Well,” said Macy consolingly, “the Tates’ is just for college kids anyways.”
“I tell you—”
“I thought you’d be going to one of ’em anyways. I see by the papers you haven’t missed a one this Christmas.”
“Hm,” grunted Perry morosely.
He would never go to any more parties. Classical phrases played in his mind—that side of his life was closed, closed. Now when a man says “closed, closed” like that, you can be pretty sure that some woman has double-closed him, so to speak. Perry was also thinking that other classical thought, about how cowardly suicide is. A noble thought that one—warm and inspiring. Think of all the fine men we should lose if suicide were not so cowardly!
An hour later was six o’clock, and Perry had lost all resemblance to the young man in the liniment advertisement. He looked like a rough draft for a riotous cartoon. They were singing—an impromptu song of Baily’s improvisation:
“One Lump Perry, the parlor snake,
Famous through the city for the way he drinks his tea;
Plays with it, toys with it
Makes no noise with it,
Balanced on a napkin on his well-trained knee—”
“Trouble is,” said Perry, who had just banged his hair with Baily’s comb and was tying an orange tie round it to get the effect of Julius Caesar, “that you fellas can’t sing worth a damn. Soon’s I leave the air and start singing tenor you start singin’ tenor too.”
“’M a natural tenor,” said Macy gravely. “Voice lacks cultivation, tha’s all. Gotta natural voice, m’aunt used say. Naturally good singer.”
“Singers, singers, all good singers,” remarked Baily, who was at the telephone. “No, not the cabaret; I want night egg. I mean some dog-gone clerk ’at’s got food—food! I want—”
“Julius Caesar,” announced Perry, turning round from the mirror. “Man of iron will and stern ’termination.”
“Shut up!” yelled Baily. “Say, iss Mr. Baily Sen’ up enormous supper. Use y’own judgment. Right away.”
He connected the receiver and the hook with some difficulty, and then with his lips closed and an expression of solemn intensity in his eyes went to the lower drawer of his dresser and pulled it open.
“Lookit!” he commanded. In his hands he held a truncated garment of pink gingham.
“Pants,” he exclaimed gravely. “Lookit!”
This was a pink blouse, a red tie, and a Buster Brown collar.
“Lookit!” he repeated. “Costume for the Townsends’ circus ball. I’m li’l’ boy carries water for the elephants.”
Perry was impressed in spite of himself.
“I’m going to be Julius Caesar,” he announced after a moment of concentration.
“Thought you weren’t going!” said Macy.
“Me? Sure I’m goin’, Never miss a party. Good for the nerves—like celery.”
“Caesar!” scoffed Baily. “Can’t be Caesar! He is not about a circus. Caesar’s Shakespeare. Go as a clown.”
Perry shook his head.
“Nope; Caesar,”
“Caesar?”
“Sure. Chariot.”
Light dawned on Baily.
“That’s right. Good idea.”
Perry looked round the room searchingly.
“You lend me a bathrobe and this tie,” he said finally. Baily considered.
“No good.”
“Sure, tha’s all I need. Caesar was a savage. They can’t kick if I come as Caesar, if he was a savage.”
“No,” said Baily, shaking his head slowly. “Get a costume over at a costumer’s. Over at Nolak’s.”
“Closed up.”
“Find out.”
After a puzzling five minutes at the phone a small, weary voice managed to convince Perry that it was Mr. Nolak speaking, and that they would remain open until eight because of the Townsends’ ball. Thus assured, Perry ate a great amount of filet mignon and drank his third of the last bottle of champagne. At eight-fifteen the man in the tall hat who stands in front of the Clarendon found him trying to start his roadster.
“Froze up,” said Perry wisely. “The cold froze it. The cold air.”
“Froze, eh?”
“Yes. Cold air froze it.”
“Can’t start it?”
“Nope. Let it stand here till summer. One those hot ole August days’ll thaw it out awright.”
“Goin’ let it stand?”
“Sure. Let ’er stand. Take a hot thief to steal it. Gemme taxi.”
The man in the tall hat summoned a taxi.
“Where to, mister?”
“Go to Nolak’s—costume fella.”
II
Mrs. Nolak was short and ineffectual looking, and on the cessation of the world war had belonged for a while to one of the new nationalities. Owing to unsettled European conditions she had never since been quite sure what she was. The shop in which she and her husband performed their daily stint was dim and ghostly, and peopled with suits of armor and Chinese mandarins, and enormous papier-mâché birds suspended from the ceiling. In a vague background many rows of masks glared eyelessly at the visitor, and there were glass cases full of crowns and scepters, and jewels and enormous stomachers, and paints, and crape hair, and wigs of all colors.
When Perry ambled into the shop Mrs. Nolak was folding up the last troubles of a strenuous day, so she thought, in a drawer full of pink silk stockings.
“Something for you?” she queried pessimistically. “Want costume of Julius Hur, the charioteer.”
Mrs. Nolak was sorry, but every stitch of charioteer had been rented long ago. Was it for the Townsends’ circus ball?
It