The Betrothed. Alessandro Manzoni
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Abbondio was, as we have said, seated in his arm chair, wrapped in a morning-gown, with an old cap on his head, in the fashion of a tiara, which formed a sort of cornice around his face, and shaded it from the dim light of a little lamp. Two thick curls which escaped from beneath the cap, two thick eyebrows, two thick mustachios, a dense tuft along his chin, all quite grey, and studding his sun-burnt and wrinkled visage, might be compared to snowy bushes projecting from a rock by moonlight.
“Ah! ah!” was his salutation, as he took off his spectacles and placed them on his book.
“Does the curate think I have come at too late an hour?” said Tony, bowing: Jervase awkwardly followed his example.
“Certainly, it is late; late on all accounts. Do you know that I am ill?”
“Oh! I am sorry.”
“Did you not hear that I was sick, and could not be seen? But why is this boy with you?”
“For company, Signor Curate.”
“Well; let us see.”
“Here are twenty-five new pieces, with the image of St. Ambrose on horseback,” said Tony, drawing forth a little bundle from his pocket.
“Give here,” said Don Abbondio; and taking the bundle, he opened it, counted the money, and found it correct.
“Now, sir, you will give me the necklace of my Teela.”
“Certainly,” replied Don Abbondio; and going to an old press, he drew forth the pledge, and carefully returned it.
“Now,” said Tony, “you will please to put it in black and white?”
“Eh!” said Don Abbondio, “how suspicious the world has become! Do you not trust me?”
“How! Sir. If I trust you! you do me wrong. But since my name is on your book on the side of debtor—”
“Well, well,” interrupted Don Abbondio; and seating himself at the table, he began to write, repeating, with a loud voice, the words as they came from his pen. In the meanwhile, Tony, and, at a sign from him, Jervase, placed themselves before the table, in such a manner as to deprive the writer of a view of the door; and, as if from heedlessness, moved their feet about on the floor, as a signal to those without, and also for the purpose of drowning the noise of their footsteps; of this Don Abbondio, occupied in writing, took no notice. At the grating sounds of the feet Renzo drew Lucy trembling into the room, and stood with her behind the brothers. Don Abbondio, having finished writing, read it over attentively, folded the paper, and reaching it to Tony, said, “Will you be satisfied now?” Tony, on receiving it, retired on one side, Jervase on the other, and, behold, in the midst, Renzo and Lucy! Don Abbondio, affrighted, astonished, and enraged, took an immediate resolution; and while Renzo was uttering the words, “Sir Curate, in the presence of these witnesses, this is my wife,” and the poor Lucy had begun, “And this is—” he had snatched from the table the cloth which covered it, throwing on the ground books, pen, ink, and paper, and in haste letting fall the light, he threw it over and held it wrapped around the face of Lucy, at the same time roaring out, “Perpetua! Perpetua! treachery! help!” The wick, dying in the socket, sent a feeble and flickering light over the figure of Lucy, who, entirely overcome, stood like a statue, making no effort to free herself. The light died away, and left them in darkness; Don Abbondio quitted the poor girl, and felt cautiously along the wall for a door that led to an inner chamber; having found it, he entered, and locked himself in, crying out, “Perpetua! treachery! help! out of the house! out of the house!” All was confusion in the apartment he had quitted; Renzo, groping in the dark to find the curate, had followed the sound of his voice, and was knocking at the door of the room, crying, “Open, open; don’t make such an outcry;” Lucy calling to Renzo, in a supplicating voice, “Let us go, let us go, for the love of God!” Tony, creeping on all fours, and feeling along the floor for his receipt, which had been dropped in the tumult; the poor Jervase, crying and jumping, and endeavouring to find the door on the stairs, so as to escape with whole bones.
In the midst of this turmoil, we cannot stop to make reflections; but Renzo, causing disturbance at night in another person’s house, and holding the master of it besieged in an inner room, has all the appearance of an oppressor; when in fact he was the oppressed. Don Abbondio, assaulted in his own house, while he was tranquilly attending to his affairs, appeared the victim; when, in fact, it was he who had inflicted the injury. Thus goes the world, or rather, thus it went in the seventeenth century.
The besieged, seeing that the enemy gave no signs of retreat, opened a window which looked out upon the churchyard, and cried, “Help, help!” The moon shone brightly—every object could be clearly discerned as in the day; but a deep repose rested over all—there was no indication of a living soul. Contiguous to the church, and on that side of it which fronted the parsonage, was a small habitation in which slept the sexton. Aroused by this strange outcry, he jumped from his bed, opened the small window, with his eyelids glued together all the time, and cried, “What is the matter?”
“Run, Ambrose, run! help! people in the house!” cried Don Abbondio. “I come in a moment,” replied he, drawing in his head; he closed his curtain, and half stupid, and half affrighted, thought of an expedient to bring more help than had been required of him, without risking his own life in the contest, whatever it might be. He hastily took his breeches from the bed, and putting them under his arm, like an opera hat, ran to the belfry and pulled away lustily.
Ton, Ton, Ton; the peasant aroused, sat up in his bed; the boy, sleeping in the hay-loft, listened eagerly, and sprang on his feet; “What is the matter? What is it? Fire! Robbers!” Each woman entreated her husband not to stir, but to leave it to others: such as were cowards obeyed, whilst the inquisitive and courageous took their arms, and ran towards the noise.
Long before this, however, the alarm had been given to other personages of our story; the bravoes in one place; and Agnes and Perpetua in another. It is necessary to relate briefly how the former had been occupied, since we last took leave of them; those at the old house, and those at the inn. The latter, when they ascertained that the inhabitants of the village had retired to rest, and that the road was clear, went to the cottage of Lucy, and found that a perfect stillness reigned within. They then returned to the old house to give in their report to Signor Griso. He immediately put on a slouched hat, with a pilgrim’s habit, and staff, saying, “Let us act as becometh soldiers; cautious, quiet, and attentive to orders.” Then leading the way, he, with his company, arrived at the cottage, by a route different from that taken by our poor cottagers. Griso kept the band a few steps off, went forward alone to explore, and seeing all deserted and quiet on the outside, he beckoned to two of them, ordered them to mount very carefully and quietly the wall which enclosed the court-yard, and to conceal themselves on the other side behind a thick fig-tree, which he had observed in the morning. That being done, he knocked gently at the door, with the intention to call himself a pilgrim, who had wandered from his way, and request shelter until the morning. No answer; he knocked again, louder; not a sound! He then called a third robber, made him also descend into the yard, with orders to unfasten the bolt on the inside, so that they might have free entrance. All was performed with the utmost caution, and the most complete success. Griso then called the rest, and made some of them conceal themselves by the side of those behind the fig-tree; he then opened the door very softly, placed two centinels on the inside of it, and advanced to the lower chamber. He knocked; he waited—and well might wait; he raised the latch; no one from within said, “Who is there?” Nothing could go on better. He then called the robbers from the fig-tree, and with them entered the room where he had in the morning so villanously received the loaf of bread. He drew out his flint, tinder-box, and matches, and striking a light, proceeded to the inner chamber; it was empty! He returned to the stairs, and listened; solitude and silence! He left two to keep watch below, and with the others carefully ascended the stairs, cursing in his heart the creaking of the steps. He reached the summit, pushed softly open the door of the first room, and listened if any one breathed or moved: no one! He advanced, shading his face with the lamp, and perceived a bed; it was made, and perfectly smooth, with the covering arranged in order on the bolster! He shrugged his shoulders, and returning to the company, made a sign to them, that