ACT I.

      SCENE I. Venice. A Street.

      Enter ANTONIO, SALARINO, and SALANIO

      ANT. In sooth, I know not why I am so sad:

      It wearies me; you say it wearies you;

      But how I caught it, found it, or came by it,

      What stuff ’t is made of, whereof it is born,

      I am to learn;

      And such a want-wit sadness makes of me,

      That I have much ado to know myself.

      SALAR. Your mind is tossing on the ocean;

      There, where your argosies with portly sail,

      Like signiors and rich burghers on the flood,

      Or, as it were, the pageants¹ of the sea, Do overpeer the petty traffickers, That curt’sy to them, do them reverence, As they fly by them with their woven wings.

      SALAN. Believe me, sir, had I such venture forth,

      The better part of my affections would

      Be with my hopes abroad. I should be still

      Plucking the grass, to know where sits the wind;

      Peering in maps for ports, and piers, and roads;

      And every object, that might make me fear

      Misfortune to my ventures, out of doubt

      Would make me sad.

      SALAR. My wind, cooling my broth,

      Would blow me to an ague, when I thought

      What harm a wind too great at sea might do.

      I should not see the sandy hour-glass run,

      But I should think of shallows and of flats,

      And see my wealthy Andrew² dock’d in sand Vailing her high top lower than her ribs To kiss her burial.³ Should I go to church And see the holy edifice of stone, And not bethink me straight of dangerous rocks, Which touching but my gentle vessel’s side Would scatter all her spices on the stream, Enrobe the roaring waters with my silks; And, in a word, but even now worth this, And now worth nothing? Shall I have the thought To think on this; and shall I lack the thought, That such a thing bechanced would make me sad? But tell not me; I know, Antonio Is sad to think upon his merchandise.

      ANT. Believe me, no: I thank my fortune for it,

      My ventures are not in one bottom trusted,

      Nor to one place; nor is my whole estate

      Upon the fortune of this present year:

      Therefore my merchandise makes me not sad.

      SALAR. Why, then you are in love.

      ANT. Fie, fie!

      SALAR. Not in love neither? Then let us say you are sad,

      Because you are not merry: and ’t were as easy

      For you to laugh, and leap, and say you are merry,

      Because you are not sad. Now, by two-headed Janus,⁴ Nature hath framed strange fellows in her time: Some that will evermore peep through their eyes, And laugh like parrots at a bag-piper; And other of such vinegar aspect, That they ’ll not show their teeth in way of smile, Though Nestor⁵ swear the jest be laughable.

      Enter BASSANIO, LORENZO, and GRATIANO

      SALAN. Here comes Bassanio, your most noble kinsman,

      Gratiano, and Lorenzo. Fare ye well:

      We leave you now with better company.

      SAAR. I would have stay’d till I had made you merry,

      If worthier friends had not prevented me.

      ANT. Your worth is very dear in my regard.

      I take it, your own business calls on you,

      And you embrace the occasion to depart.

      SALAD. Good morrow, my good lords.

      BASS. Good signiors both, when shall we laugh? say, when?

      You grow exceeding strange: must it be so?

      SALAR. We ’ll make our leisures to attend on yours.

      [Exeunt SALARINO and SALANIO.]

      LOR. My Lord Bassanio, since you have found Antonio,

      We two will leave you: but, at dinner-time,

      I pray you, have in mind where we must meet.

      BASS. I will not fail you.

      GRA. You look not well, Signior Antonio;

      You have too much respect upon the world:⁶ They lose it that do buy it with much care: Believe me, you are marvellously changed.

      ANT. I hold the world but as the world, Gratiano;

      A stage, where every man must play a part,

      And mine a sad one.

      GRA. Let me play the fool:

      With mirth and laughter let old wrinkles come;

      And let my liver rather heat with wine

      Than my heart cool with mortifying groans.

      Why should a man, whose blood is warm within,

      Sit like his grandsire cut in alabaster?

      Sleep when he wakes, and creep into the jaundice

      By being peevish? I tell thee what, Antonio —

      I love thee, and it is my love that speaks, —

      There are a sort of men, whose visages

      Do cream and mantle like a standing pond;⁷ And do a wilful stillness entertain, With purpose to be dress’d in an opinion Of wisdom, gravity, profound conceit; As who should say, “I am Sir Oracle, And, when I ope my lips, let no dog bark!” O my Antonio, I do know of these, That therefore only are reputed wise For saying nothing; when, I am very sure, If they should speak, would almost damn those ears, Which, hearing them, would call their brothers fools. I ’ll tell thee more of this another time: But fish not, with this melancholy bait, For this fool gudgeon,⁸ this opinion. Come, good Lorenzo. Fare ye well awhile: I ’ll end my exhortation after dinner.

      LOR. Well, we will leave you, then, till dinner-time:

      I must be one of these same dumb wise men,

      For Gratiano never lets me speak.

      GRA. Well, keep me company but two years moe,

      Thou shalt not know the sound of thine own tongue.

      ANT. Farewell: I ’ll grow a talker for this gear.⁹ GRA. Thanks, i’ faith; for silence is only commendable

      In a neat’s tongue¹⁰ dried, and a maid not vendible.

      [Exeunt GRATIANO and LORENZO.]

      ANT. Is that any thing now?

      BASS. Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff: you shall seek all day ere you find them: and when you have them, they are not worth the search.

      ANT. Well, tell me now, what lady is the same

      To whom you swore a secret pilgrimage,

      That you to-day promised to tell me of?

      BASS. ’T is not unknown to you,