The Murder of Roger Ackroyd. Агата Кристи
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was a dipsomaniac. She succeeded in drinking herself into her grave four years after her marriage.
In the years that followed, Ackroyd showed no disposition to make a second matrimonial adventure. His wife’s child by her first marriage was only seven years old when his mother died. He is now twenty-five. Ackroyd has always regarded him as his own son, and has brought him up accordingly, but he has been a wild lad and a continual source of worry and trouble to his stepfather. Nevertheless we are all very fond of Ralph Paton in King’s Abbot. He is such a good-looking youngster for one thing.
As I said before, we are ready enough to gossip in our village. Everybody noticed from the first that Ackroyd and Mrs Ferrars got on very well together. After her husband’s death, the intimacy became more marked. They were always seen about together, and it was freely conjectured that at the end of her period of mourning, Mrs Ferrars would become Mrs Roger Ackroyd. It was felt, indeed, that there was a certain fitness in the thing. Roger Ackroyd’s wife had admittedly died of drink. Ashley Ferrars had been a drunkard for many years before his death. It was only fitting that these two victims of alcoholic excess should make up to each other for all that they had previously endured at the hands of their former spouses.
The Ferrars only came to live here just over a year ago, but a halo of gossip has surrounded Ackroyd for many years past. All the time that Ralph Paton was growing up to manhood a series of lady housekeepers presided over Ackroyd’s establishment, and each in turn was regarded with lively suspicion by Caroline and her cronies. It is not too much to say that for at least fifteen years the whole village has confidently expected Ackroyd to marry one of his housekeepers. The last of them, a redoubtable lady called Miss Russell, has reigned undisputed for five years, twice as long as any of her predecessors. It is felt that but for the advent of Mrs Ferrars, Ackroyd could hardly have escaped. That—and one other factor—the unexpected arrival of a widowed sister-in-law with her daughter from Canada. Mrs Cecil Ackroyd, widow of Ackroyd’s ne’er-do-well younger brother, has taken up her residence at Fernley Park, and has succeeded, according to Caroline, in putting Miss Russell in her proper place.
I don’t know exactly what a “proper place” constitutes—it sounds chilly and unpleasant—but I know that Miss Russell goes about with pinched lips, and what I can only describe as an acid smile, and that she professes the utmost sympathy for “poor Mrs Ackroyd—dependent on the charity of her husband’s brother. The bread of charity is so bitter, is it not? I should be quite miserable if I did not work for my living.”
I don’t know what Mrs Cecil Ackroyd thought of the Ferrars affair when it came on the tapis. It was clearly to her advantage that Ackroyd should remain unmarried. She was always very charming—not to say gushing—to Mrs Ferrars when they met. Caroline says that proves less than nothing.
Such have been our preoccupations in King’s Abbot for the last few years. We have discussed Ackroyd and his affairs from every standpoint. Mrs Ferrars has fitted into her place in the scheme.
Now there has been a rearrangement of the kaleidoscope. From a mild discussion of probable wedding presents, we had been jerked into the midst of tragedy.
Revolving these and sundry other matters in my mind, I went mechanically on my round. I had no cases of special interest to attend, which was, perhaps, as well, for my thoughts returned again and again to the mystery of Mrs Ferrars’s death. Had she taken her own life? Surely, if she had done so, she would have left some word behind to say what she contemplated doing? Women, in my experience, if they once reach the determination to commit suicide, usually wish to reveal the state of mind that led to the fatal action. They covet the limelight.
When had I last seen her? Not for over a week. Her manner then had been normal enough considering—well—considering everything.
Then I suddenly remembered that I had seen her, though not to speak to, only yesterday. She had been walking with Ralph Paton, and I had been surprised because I had had no idea that he was likely to be in King’s Abbot. I thought, indeed, that he had quarrelled finally with his stepfather. Nothing had been seen of him down here for nearly six months. They had been walking along, side by side, their heads close together, and she had been talking very earnestly.
I think I can safely say that it was at this moment that a foreboding of the future first swept over me. Nothing tangible as yet—but a vague premonition of the way things were setting. That earnest tete-à-tete between Ralph Paton and Mrs Ferrars the day before struck me disagreeably.
I was still thinking of it when I came face to face with Roger Ackroyd.
“Sheppard!” he exclaimed. “Just the man I wanted to get hold of. This is a terrible business.”
“You’ve heard then?”
He nodded. He had felt the blow keenly, I could see. His big red cheeks seemed to have fallen in, and he looked a positive wreck of his usual jolly, healthy self.
“It’s worse than you know,” he said quietly. “Look here, Sheppard, I’ve got to talk to you. Can you come back with me now?”
“Hardly. I’ve got three patients to see still, and I must be back by twelve to see my surgery patients.”
“Then this afternoon—no, better still, dine tonight. At 7.30. Will that suit you?”
“Yes, I can manage that all right. What’s wrong? Is it Ralph?”
I hardly knew why I said that—except, perhaps, that it had so often been Ralph.
Ackroyd stared blankly at me as though he hardly understood. I began to realize that there must be something very wrong indeed somewhere. I had never seen Ackroyd so upset before.
“Ralph?” he said vaguely. “Oh! no, it’s not Ralph. Ralph’s in London—Damn! Here’s old Miss Gannett coming. I don’t want to have to talk to her about this ghastly business. See you tonight, Sheppard. Seven-thirty.”
I nodded, and he hurried away, leaving me wondering. Ralph in London? But he had certainly been in King’s Abbot the preceding afternoon. He must have gone back to town last night or early this morning, and yet Ackroyd’s manner had conveyed quite a different impression. He had spoken as though Ralph had not been near the place for months.
I had no time to puzzle the matter out further. Miss Gannett was upon me, thirsting for information. Miss Gannett has all the characteristics of my sister Caroline, but she lacks that unerring aim in jumping to conclusions which lends a touch of greatness to Caroline’s manoeuvres. Miss Gannett was breathless and interrogatory.
Wasn’t it sad about poor dear Mrs Ferrars? A lot of people were saying she had been a confirmed drug-taker for years. So wicked the way people went about saying things. And yet, the worst of it was, there was usually a grain of truth somewhere in these wild statements. No smoke without fire! They were saying too that Mr Ackroyd had found out about it, and had broken off the engagement—because there was an engagement. She, Miss Gannett, had proof positive of that. Of course I must know all about it—doctors always did—but they never tell?
And all this with a sharp beady eye on me to see how I reacted to these suggestions. Fortunately, long association with Caroline has led me to preserve an impassive countenance, and to be ready with small non-committal remarks.
On this occasion I congratulated Miss Gannett on not joining in ill-natured gossip. Rather a neat counterattack, I thought. It left her in difficulties, and before she could pull herself together, I had passed on.
I went home thoughtful, to find several patients waiting for me in the surgery.
I had dismissed the last of them, as I thought, and was just contemplating a few minutes in the garden before lunch when I perceived one more patient waiting for me. She rose and came towards me as I stood somewhat surprised.
I don’t know why I should have been, except that there is a suggestion of cast iron about Miss Russell, a something that is above the ills of the flesh.
Ackroyd’s housekeeper is a tall woman, handsome but forbidding in appearance. She has a stern eye, and lips that shut tightly,